This volume offers an in-depth study of key themes common to the Hindu and Christian religious traditions. It redefines how we think about Hinduism, comparative study, and Christian theology. This book offers a bold new look at how traditions encounter one another, and how good comparisons are to be made. Redefining theology as an interreligious, comparative, dialogical, and confessional practice open to all people, it invites not only Hindus and Christians, but also theologians from all religious traditions, to enter into conversation with one another.

The Fifth Prapathaka of the Vadhula Srautasutra includes a critical edition, followed by a translation and a commentary, of the fifth chapter (prapathaka) of the Vadhula Srautasutra. This chapter is dedicated to the description of the so-called "independent" animal sacrifice (nirudhapasubandha) in Vedic ritual. This series of short monographs relates to particular aspects of the animal sacrifice described in the Veda and to problems of exegesis of Vedic texts. The first part of this edition presents the translation and commentary, while the critical edition makes up the second part. The commentary highlights the peculiarities of the Vadhula version of the nirudhapasubandha. In the conclusion of the first part, the ancientness of the Vadhula school is discussed, as well as its place within the corpus of Taittiriya texts.

First published in 1875, this book reflects a growing nineteenth-century British interest in South Asian culture and literature. In it Monier Williams, the Professor of Sanskrit at Oxford, outlines the patterns of thought and customs of the Hindu religion. He also describes the character and content of Sanskrit literature, which had not previously been attempted in English. According to Williams, Sanskrit literature holds the key to a full understanding of Hinduism. He makes it unequivocally clear that Britain's colonial hold over India involves a particular responsibility and indeed opportunity to study the three religions confronting Christianity there, namely Brahmanism, Buddhism and Islam. Monier Williams writes about the Vedas (the sacred texts of Hinduism), the different traditions of philosophy and the five schools of Hindu law. He elaborates on the epic poems and the doctrine of incarnation embedded in them, and compares this ancient poetry with that of Homer.

Practicing Caste attempts a fundamental break from the tradition of caste studies, showing the limits of the historical, sociological, political, and moral categories through which it has usually been discussed. Engaging with the resources phenomenology, structuralism, and poststructuralism offer to our thinking of the body, Jaaware helps to illuminate the ethical relations that caste entails, especially around its injunctions concerning touching. The resulting insights offer new ways of thinking about sociality that are pertinent not only to India but also to thinking the common on a planetary basis.

‘In death thy glory in heaven, in victory thy glory on earth.  Arise therefore, Arjuna, with thy soul ready to fight’

The Bhagavad Gita is an intensely spiritual work that forms the cornerstone of the Hindu faith, and is also one of the masterpieces of Sanskrit poetry. It describes how, at the beginning of a mighty battle between the Pandava and Kaurava armies, the god Krishna gives spiritual enlightenment to the warrior Arjuna, who realizes that the true battle is for his own soul.

Juan Mascaró’s translation of The Bhagavad Gita captures the extraordinary aural qualities of the original Sanskrit. This edition features a new introduction by Simon Brodbeck, which discusses concepts such as dehin, prakriti and Karma.

This is the second in a trilogy of works by the famed Bengali novelist Bankimcandra Chatterji (1838-1894), and the second to be translated by Julius Lipner. The first, Anandamath, or The Sacred Brotherhood was published by OUP in 2005. Bankim Chatterji was perhaps the foremost novelist and intellectual mediating western ideas to India in the latter half of the 19th century. Debi Chaudhurani is a didactic work that champions a particular interpretation of Hindu dharma and wifely duties reflective of the late 19th-century Calcutta context in which it was written. But the story is also compelling. Written in a conversational style, it features surprising plot twists and ideas that are, even today, revolutionary in their daring. Most notably, Bankim makes a woman the embodiment of Lord Krishna's salvific message, as originally enunciated in the Bhagavad Gita. The protagonist, Debi, is a complex figure who is a rejected wife, becomes a bandit queen, represents a goddess figure, and symbolizes the land of India. There is a creative tension between her strength as a leader and her correct role, from the perspective of the author, as a domestic wife. Bankim also focuses on caste and what it means to be a genuine Brahmin, who is transformed by the author into a man who executes responsibilities instead of demanding privileges. Within the context of the teachings of the Gita, the author shares his vision of social activism to improve India. Lipner's idiomatic translation is enhanced by his detailed commentary on the original Bengali text and by a readable introduction that sets the novel and its ideas in context.

Devotional Sovereignty: Kingship and Religion in India investigates the shifting conceptualization of sovereignty in the South Indian kingdom of Mysore during the reigns of Tipu Sultan (r. 1782-1799) and Krishnaraja Wodeyar III (r. 1799-1868). Tipu Sultan was a Muslim king famous for resisting British dominance until his death; Krishnaraja III was a Hindu king who succumbed to British political and administrative control. Despite their differences, the courts of both kings dealt with the changing political landscape by turning to the religious and mythical past to construct a royal identity for their kings. Caleb Simmons explores the ways in which these two kings and their courts modified and adapted pre-modern Indian notions of sovereignty and kingship in reaction to British intervention. The religious past provided an idiom through which the Mysore courts could articulate their rulers' claims to kingship in the region, attributing their rule to divine election and employing religious vocabulary in a variety of courtly genres and media. Through critical inquiry into the transitional early colonial period, this study sheds new light on pre-modern and modern India, with implications for our understanding of contemporary politics. It offers a revisionist history of the accepted narrative in which Tipu Sultan is viewed as a radical Muslim reformer and Krishnaraja III as a powerless British puppet. Simmons paints a picture of both rulers in which they work within and from the same understanding of kingship, utilizing devotion to Hindu gods, goddesses, and gurus to perform the duties of the king.

Religious icons have been a contested terrain across the world. Their implications and understanding travel further than the artistic or the aesthetic and inform contemporary preoccupations.This book traces the lives of religious sculptures beyond the moment of their creation. It lays bare their purpose and evolution by contextualising them in their original architectural or ritual setting while also following their displacement. The work examines how these images may have moved during different spates of temple renovation and acquired new identities by being relocated either within sacred precincts or in private collections and museums, art markets or even desecrated and lost. The book highlights contentious issues in Indian archaeology such as renegotiating identities of religious images, reuse and sharing of sacred space by adherents of different faiths, rebuilding of temples and consequent reinvention of these sites. The author also engages with postcolonial debates surrounding history writing and knowledge creation in British India and how colonial archaeology, archival practices, official surveys and institutionalisation of museums has influenced the current understanding of religion, sacred space and religious icons. In doing so it bridges the historiographical divide between the ancient and the modern as well as socio-religious practices and their institutional memory and preservation. Drawn from a wide-ranging and interdisciplinary study of religious sculptures, classical texts, colonial archival records, British travelogues, official correspondences and fieldwork, the book will interest scholars and researchers of history, archaeology, religion, art history, museums studies, South Asian studies and Buddhist studies.

No Hindu god is closer to the soul of poetry than Krishna, and in North India no poet ever sang of Krishna more famously than S=urdD=as-or S=ur, for short. He lived in the sixteenth century and became so influential that for centuries afterward aspiring Krishna poets signed their compositions orally with his name.
This book takes us back to the source, offering a selection of S=urd=as's poems that were known and sung in the sixteenth century itself. Here we have poems of war, poems to the great rivers, poems of wit and rage, poems where the poet spills out his disappointments. Most of all, though, we have thememory of love-poems that adopt the voices of the women of Krishna's natal Braj country and evoke the power of being pulled into his irresistible orbit. Following the lead of several old manuscripts, Jack Hawley arranges these poems in such a way that they tell us Krishna's life story from birth to full maturity.
These lyrics from S=ur's Ocean (the S=urs=agar) were composed in the very tongue Hindus believe Krishna himself must have spoken: Brajbh=as=a, the language of Braj, a variety of Hindi. Hawley prepares the way for his verse translations with an introduction that explains what we know of S=urd=as and describes the basic structure of his poems. For readers new to Krishna's world or to the subtleties of a poet like S=urd=as, Hawley also provides a substantial set of analytical notes. "S=ur is the sun," as a familiar saying has it, and we feel the warmth of his light in these pages.

We live in an era defined by a sense of separation, even in the midst of networked connectivity. As cultural climates sour and divisive political structures spread, we are left wondering about our ties to each other. Consequently, there is no better time than now to reconsider ideas of unity. In The Ethics of Oneness, Jeremy David Engels reads the Bhagavad Gita alongside the works of American thinkers Ralph Waldo Emerson and Walt Whitman. Drawing on this rich combination of traditions, Engels presents the notion that individuals are fundamentally interconnected in their shared divinity. In other words, everything is one. If the lessons of oneness are taken to heart, particularly as they were expressed and celebrated by Whitman, and the ethical challenges of oneness considered seriously, Engels thinks it is possible to counter the pervasive and problematic American ideals of hierarchy, exclusion, violence, and domination.

This innovative book offers a dynamic analysis of Hinduism in the perspective of Western notions of modernity. After reviewing definitions of modernity and Hinduism and looking at modernity in India, the author considers Hinduism in relation to Islam and the West. The second half of the book presents key aspects of Hinduism, ancient and modern, in the light of their contrast with modernity.

The scope of the book is extremely broad, covering topics such as Orientalism, women, goddesses, gods, and the central problem of contemporary Hinduism - the rise of Hindu nationalism.

The book will be of interest not only to students of Hinduism but also to all those interested in the sociology of religion more broadly, and indeed everyone interested in the conjunction of modernity and tradition.

By analyzing concrete examples of the creation of a heritage in the context of migration, this multi-sited ethnography considers the implications of representations of religions and diaspora for Sindhi Hindus and other similar communities.

Paramahansa Yogananda renowned author of the spiritual classic, "Autobiography of a Yogi" - teaches us how to break the shackles of fear and reveals how we can overcome our own psychological stumbling blocks. Filled with life-transforming counsel, this book features informal talks and personal anecdotes complemented by parable and prayer. Living Fearlessly is a testament to what we can become if we have faith in the divinity of our true nature as the soul.

This book is the crowning achievement of the remarkable scholar D. Dennis Hudson, bringing together the results of a lifetime of interdisciplinary study of south Indian Hinduism.
The book is a finely detailed examination of a virtually unstudied Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 C.E.). Hudson offers a sustained reading of the temple as a coherent, organized, minutely conceptualized mandala. Its iconography and structure can be understood in the light of a ten-stanza poem by the Alvar poet Tirumangai, and of the Bhagavata Purana and other major religious texts, even as it in turn illuminates the meanings of those texts.
Hudson takes the reader step by step on a tour of the temple, telling the stories suggested by each of the 56 sculpted panels and showing how their relationship to one another brings out layers of meaning. He correlates the stories with stages in the spiritual growth of the king through the complex rituals that formed a crucial dimension of the religion. The result is a tapestry of interpretation that brings to life the richness of spiritual understanding embodied in the temple.
Hudson's underlying assumption is that the temple itself constitutes a summa theologica for the Pancharatra doctrines in the Bhagavata tradition centered on Krishna as it had developed through the eighth century. This tradition was already ancient and had spread widely across South Asia and into Southeast Asia. By interweaving history with artistic, liturgical, and textual interpretation, Hudson makes a remarkable contribution to our understanding of an Indian religious and cultural tradition.

In this magisterial volume of essays, Wendy Doniger enhances our understanding of the ancient and complex religion to which she has devoted herself for half a century. This series of interconnected essays and lectures surveys the most critically important and hotly contested issues in Hinduism over 3,500 years, from the ancient time of the Vedas to the present day. The essays contemplate the nature of Hinduism; Hindu concepts of divinity; attitudes concerning gender, control, and desire; the question of reality and illusion; and the impermanent and the eternal in the two great Sanskrit epics, the Ramayana and the Mahabharata. Among the questions Doniger considers are: Are Hindus monotheists or polytheists? How can atheists be Hindu, and how can unrepentant Hindu sinners find salvation? Why have Hindus devoted so much attention to the psychology of addiction? What does the significance of dogs and cows tell us about Hinduism? How have Hindu concepts of death, rebirth, and karma changed over the course of history? How and why does a pluralistic faith, remarkable for its intellectual tolerance, foster religious intolerance? Doniger concludes with four concise autobiographical essays in which she reflects on her lifetime of scholarship, Hindu criticism of her work, and the influence of Hinduism on her own philosophy of life. On Hinduism is the culmination of over forty years of scholarship from a renowned expert on one of the world's great faiths.

The town of Deopatan, three kilometers northeast of Kathmandu, is above all famous for its main sanctum, the temple of Pasupati, the "lord of the animals," a form of Siva and the tutelary deity of the kings of Nepal since ancient times. By its name alone, the temple attracts thousands of pilgrims each year and has made itself known far beyond the Kathamndu Valley. However, for the dominant Newar population the town is by no means merely the seat of Siva or Pasupati. It is also a city of wild goddesses and other deities. Due to this tension between two strands of Hinduism -- the pure, vegetarian Smarta Hinduism and the Newar Hinduism which implies alcohol and blood sacrifices -- Siva/Pasupati has more than once been in trouble, as the many festivals and rituals descripbed and analyzed in this book reveal. Deopatan is a contested field. Different deities, agents social groups, ritual specialists, and institutions are constantly seeking dominance, challenging and even fighting each other, thus contributing to social and political dynamics and tensions that are indeed distinct in South Asia. It is these aspects on which Axel Michaels concentrates in this book.

This book examines the life of =Anandamay=i M=a, one of the most renowned Hindu holy women of modern times. Lisa Hallstrom paints a vivid portrait of this extraordinary woman, her ideas, and her continuing influence. In the process, the author sheds new light on important themes of Hindu religious life, including the centrality of the guru, the influence of living saints, and the apparent paradox of the worship of the divine feminine and the status of Hindu women.

Tantra is a family of rituals modeled on those of the Vedas and their attendant texts and lineages. These rituals typically involve the visualization of a deity, offerings, and the chanting of his or her mantra. Common variations include visualizing the deity in the act of sexual union with a consort, visualizing oneself as the deity, and "transgressive" acts such as token consumption of meat or alcohol. Most notoriously, non-standard or ritualized sex is sometimes practiced. This accounts for Tantra's negative reputation in some quarters and its reception in the West primarily as a collection of sexual practices.
Although some today extol Tantra's liberating qualities, the role of women remains controversial. Traditionally there are two views of women and Tantra. Either the feminine is a metaphor and actual women are altogether absent, or Tantra involves the transgressive use of women's bodies to serve male interests. Loriliai Biernacki presents an alternative view, in which women are revered, worshipped, and considered worthy of spiritual attainment. Her primary sources are a collection of eight relatively modern Tantric texts written in Sanskrit from the 15th through the 18th century. Her analysis of these texts reveals a view of women that is generally positive and empowering. She focuses on four topics: 1) the "Kali Practice," in which women appear not only as objects of reverence but as practitioners and gurus; 2) the Tantric sex rite, especially in the case that, contrary to other Tantric texts, the preference is for wives as ritual consorts; 3) feminine language and the gendered implications of mantra; and 4) images of male violence towards women in tantric myths.Biernacki, by choosing to analyse eight particular Sanskrit texts, argues that within the tradition of Tantra there exists a representation of women in which the female is an authoritative, powerful, equal participant in the Tantric ritual practice.

Drawing on a large body of previously untapped literature, including documents from the Church Missionary Society and Bengali newspapers, Brian Pennington offers a fascinating portrait of the process by which "Hinduism" came into being. He argues against the common idea that the modern construction of religion in colonial India was simply a fabrication of Western Orientalists and missionaries. Rather, he says, it involved the active agency and engagement of Indian authors as well, who interacted, argued, and responded to British authors over key religious issues such as image-worship, sati, tolerance, and conversion.

Hanuman, the devoted monkey helper of Rama and Sita, has long been recognized as a popular character in India's ancient Ramayana epic. But more recently he has also become one of the most beloved and worshiped gods in the Hindu pantheon - enshrined in majestic new temples, but equally present in poster art, advertising, and mass media. Drawing on Sanskrit and vernacular texts, classical iconography and modern TV serials, and extensive fieldwork and interviews, Philip Lutgendorf challenges the academic cliche of Hanuman as a "minor" or "folk" deity by exploring his complex and growing role in South Asian religion and culture. This wide-ranging study examines the historical evolution of Hanuman's worship, his close association with Shiva and goddesses, his invocation in tantric ritual, his physical immortality and enduring presence in sacred sites, and his appeal to devotees who include scholars, wrestlers, healers, politicians, and middle-class urbanites.
Lutgendorf also offers a rich array of entertaining stories not previously available in English: an expanding epic cycle that he christens the "Hanumayana." Arguing that Hanuman's role as cosmic "middle man" is intimately linked to his embodiment in a charming and provocative simian form, Lutgendorf moves beyond the Indian subcontinent to interrogate the wider human fascination with anthropoid primates as boundary beings and as potent signifiers of both Self and Other.

Based on three years of anthropological fieldwork in the Indian state of Rajasthan, Casting Kings explores the manner in which semi-nomadic performers known as Bhats understand, and also subvert, caste hierarchies. A number of scholars have recently contended that caste is invented and thus a fiction of a kind. But focus in these studies is typically placed on the way caste is imagined according to the agendas and desires of elite Westerners such as colonial officials. In this book, by contrast, the author argues that Bhats themselves understand the imaginative dimensions of caste relations. Indeed, such insights are shown to lie at the heart of the Bhats traditional profession of praise- and insult-singing. Likewise, the author demonstrates how the ability to cleverly rework and even sabotage lingering caste inequalities continues to form the basis for Bhat claims to status and dignity in contemporary India.

Hinduism: A Contemporary Philosophical Investigation explores Hinduism and the distinction between the secular and religious on a global scale. According to Ranganathan, a careful philosophical study of Hinduism reveals it as the microcosm of philosophical disagreements with Indian resources, across a variety of topics, including: ethics, logic, the philosophy of thought, epistemology, moral standing, metaphysics, and politics. This analysis offers an original and fresh diagnosis of studying Hinduism, colonialism, and a global rise of hyper-nationalism, as well as the frequent acrimony between scholars and practitioners of Hindu traditions. This text is appropriate for use in undergraduate and graduate courses on Hinduism, and Indian philosophy, and can be used as an advanced introduction to the problems of philosophy with South Asian resources.

Many people assume, largely because of Gandhi's legacy, that Hinduism is a religion of non-violence. In this 2006 book William R. Pinch shows just how wrong this assumption is. Using the life of Anupgiri Gosain, a Hindu ascetic who lived at the end of the eighteenth century, he demonstrates that Hindu warrior ascetics were an important component of the South Asian military labor market in the medieval and early modern Indian past, and crucial to the rise of British imperialism. Today, they occupy a prominent place in modern Indian imaginations, ironically as romantic defenders of a Hindu India against foreign invasion, even though they are almost totally absent from Indian history. William R. Pinch's innovative and gloriously composed book sets out to piece together the story of the rise and demise of warrior asceticism in India from the 1500s to the present. It will appeal to students of religion and historians of empire.