The Oxford History of Hinduism: The Goddess provides a critical exposition of the Hindu idea of the divine feminine, or Devi, conceived as a singularity expressed in many forms. With the theological principles examined in the opening chapters, the book proceeds to describe and expound historically how individual manifestations of Devi have been imagined in Hindu religious culture and their impact upon Hindu social life. In this quest the contributors draw upon the history and philosophy of major Hindu ideologies, such as the Puranic, Tantric, and Vaisnava belief systems. A particular distinction of the book is its attention not only to the major goddesses from the earliest period of Hindu religious history but also to goddesses of later origin, in many cases of regional provenance and influence. Viewed through the lens of worship practices, legend, and literature, belief in goddesses is discovered as the formative impulse of much of public and private life. The influence of the goddess culture is especially powerful on women's life, often paradoxically situating women between veneration and subjection. This apparent contradiction arises from the humanization of goddesses while acknowledging their divinity, which is central to Hindu beliefs. In addition to studying the social and theological aspect of the goddess ideology, the contributors take anthropological, sociological, and literary approaches to delineate the emotional force of the goddess figure that claims intense human attachments and shapes personal and communal lives.

Drawing on ethnographic research spanning ten years, Antoinette Elizabeth DeNapoli offers a new perspective on the practice of asceticism in India today. Her work brings to light the little known and often marginalized lives of female Hindu ascetics (sadhus) in the North Indian state of Rajasthan. Examining the everyday religious worlds and practices of the mostly unlettered female sadhus, who come from a number of castes, Real Sadhus Sing to God illustrates that these women experience asceticism in relational and celebratory ways. They construct their lives as paths of singing to God, which, the author suggests, serves as the female way of being an ascetic. Examining the relationship between asceticism (sannyas) and devotion (bhakti) in contemporary contexts, the book brings together two disparate fields of studyyoga/asceticism and bhaktiusing the singing of bhajans (devotional songs) as an orienting metaphor. This is the first book-length study to explore the ways in which female sadhus perform and thus create gendered views of asceticism through their singing, storytelling, and sacred text practices, which DeNapoli characterizes as their "rhetoric of renunciation".

The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day. The Epic of Ram presents a new translation of the Ramcaritmanas of Tulsidas (1543-1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore and a literary masterpiece. Volume 5 encompasses the story's three middle episodes-Ram's meetings with forest sages, his battles with demons, the kidnapping of his wife, his alliance with a race of marvelous monkeys-and climaxes with the god Hanuman's heroic journey to the island city of Lanka to locate and comfort Sita. This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.

Feeding the Dead outlines the early history of ancestor worship in South Asia, from the earliest sources available, the Vedas, up to the descriptions found in the Dharmshastra tradition. Most prior works on ancestor worship have done little to address the question of how shraddha, the paradigmatic ritual of ancestor worship up to the present day, came to be. Matthew R. Sayers argues that the development of shraddha is central to understanding the shift from Vedic to Classical Hindu modes of religious behavior. Central to this transition is the discursive construction of the role of the religious expert in mediating between the divine and the human actor. Both Hindu and Buddhist traditions draw upon popular religious practices to construct a new tradition. Sayers argues that the definition of a religious expert that informs religiosity in the Common Era is grounded in the redefinition of ancestral rites in the Grhyasutras. Beyond making more clear the much misunderstood history of ancestor worship in India, this book addressing the serious question about how and why religion in India changed so radically in the last half of the first millennium BCE. The redefinition of the role of religious expert is hugely significant for understanding that change. This book ties together the oldest ritual texts with the customs of ancestor worship that underlie and inform medieval and contemporary practice.

The idea that there is a truth within the person linked to the discovery of a deeper, more fundamental, more authentic self, has been a common theme in many religions throughout history and an idea that is still with us today. This inwardness or interiority unique to me as an essential feature of who I am has been an aspect of culture and even a defining characteristic of human being; an authentic, private sphere to which we can retreat that is beyond the conflicts of the outer world. This inner world becomes more real than the outer, which is seen as but a pale reflection. Remarkably, the image of the truth within is found across cultures and this book presents an account of this idea in the pre-modern history of Christianity, Hinduism and Buddhism. Furthermore, in theistic religions, Christianity and some forms of Hinduism, the truth within is conflated with the idea of God within and in all cases this inner truth is thought to be not only the heart of the person, but also the heart of the universe itself. Gavin Flood examines the metaphor of inwardness and the idea of truth within, along with the methods developed in religions to attain it such as prayer and meditation. These views of inwardness that link the self to cosmology can be contrasted with a modern understanding of the person. In examining the truth within in Christianity, Hinduism and Buddhism, Flood offers a hermeneutical phenomenology of inwardness and a defence of comparative religion.

Today's globalized society faces some of humanity's most unprecedented social and environmental challenges. Presenting inspiring and effective approaches to a range of these challenges, the timely volume before you draws upon individual cases of exemplary leadership from the world's Dharma traditions-Hinduism, Sikhism, Jainism, and Buddhism. The volume's authors refer to such exemplary leaders as "beacons of Dharma," highlighting the ways in which each figure, through their inspirational life work, provide us with illuminating perspectives as we continue to confront cases of grave injustice and needless suffering in the world. Taking on difficult contemporary issues such as climate change, racial and gender inequality, industrial agriculture and animal rights, fair access to healthcare and education, and other such pressing concerns, Beacons of Dharma offers a promising and much needed contribution to our global conversations. Seeking to help alleviate and remedy such social and environmental issues, each of the chapters in the volume invites contemplation, inspires action, and offers a freshly invigorating source of hope.

In recent years, India's "sacred groves," small forests or stands of trees set aside for a deity's exclusive use, have attracted the attention of NGOs, botanists, specialists in traditional medicine, and anthropologists. Environmentalists disillusioned by the failures of massive state-sponsored solutions to ecological problems have hailed them as an exemplary form of traditional community resource management. For in spite of pressures to utilize their trees for fodder, housing, and firewood, the religious taboos surrounding sacred groves have led to the conservation of pockets of abundant flora in areas otherwise denuded by deforestation. Drawing on fieldwork conducted in the southern Indian state of Tamil Nadu over seven years, Eliza F. Kent offers a compelling examination of the religious and social context in which sacred groves take on meaning for the villagers who maintain them, and shows how they have become objects of fascination and hope for Indian environmentalists.
Sacred Groves and Local Gods traces a journey through Tamil Nadu, exploring how the localized meanings attached to forested shrines are changing under the impact of globalization and economic liberalization. Confounding simplistic representations of sacred groves as sites of a primitive form of nature worship, the book shows how local practices and beliefs regarding sacred groves are at once more imaginative, dynamic, and pragmatic than previously thought. Kent argues that rather than being ancient in origin, as has been asserted by other scholars, the religious beliefs, practices, and iconography found in sacred groves suggest origins in the politically de-centered eighteenth century, when the Tamil country was effectively ruled by local chieftains. She analyzes two projects undertaken by environmentalists that seek to harness the traditions surrounding sacred groves in the service of forest restoration and environmental education.

This is a book about religious conceptions of trees within the cultural world of tree worship at the tree shrines of northern India. Sacred trees have been worshipped for millennia in India and today tree worship continues there among all segments of society. In the past, tree worship was regarded by many Western anthropologists and scholars of religion as a prime example of childish animism or decadent ''popular religion.'' More recently this aspect of world religious cultures is almost completely ignored in the theoretical concerns of the day. David Haberman hopes to demonstrate that by seriously investigating the world of Indian tree worship, we can learn much about not only this prominent feature of the landscape of South Asian religion, but also something about the cultural construction of nature as well as religion overall. The title People Trees relates to the content of this book in at least six ways. First, although other sacred trees are examined, the pipal-arguably the most sacred tree in India-receives the greatest attention in this study. The Hindi word ''pipal'' is pronounced similarly to the English word ''people.''Second, the ''personhood'' of trees is a commonly accepted notion in India. Haberman was often told: ''This tree is a person just like you and me.'' Third, this is not a study of isolated trees in some remote wilderness area, but rather a study of trees in densely populated urban environments. This is a study of trees who live with people and people who live with trees. Fourth, the trees examined in this book have been planted and nurtured by people for many centuries. They seem to have benefited from human cultivation and flourished in environments managed by humans. Fifth, the book involves an examination of the human experience of trees, of the relationship between people and trees. Haberman is interested in people's sense of trees. And finally, the trees located in the neighborhood tree shrines of northern India are not controlled by a professional or elite class of priests. Common people have direct access to them and are free to worship them in their own way. They are part of the people's religion. Haberman hopes that this book will help readers expand their sense of the possible relationships that exist between humans and trees. By broadening our understanding of this relationship, he says, we may begin to think differently of the value of trees and the impact of deforestation and other human threats to trees.

What is 'evil'? What are the ways of overcoming this destructive and morally recalcitrant phenomenon? To what extent is the use of punitive violence tenable? Evil and the Philosophy of Retribution compares the responses of three modern Indian commentators on the Bhagavad-Gita - Aurobindo Ghose, Bal Gangadhar Tilak and Mahatma Gandhi. The book reveals that some of the central themes in the Bhagavad-Gita were transformed by these intellectuals into categories of modern socio-political thought by reclaiming them from pre-modern debates on ritual and renunciation. Based on canonical texts, this work presents a fascinating account of how the relationship between 'good', 'evil' and retribution is construed against the backdrop of militant nationalism and the development of modern Hinduism. Amid competing constructions of Indian tradition as well as contemporary concerns, it traces the emerging representations of modern Hindu self-consciousness under colonialism, and its very understanding of evil surrounding a textual ethos. Replete with Sanskrit, English, Marathi, and Gujarati sources, this will especially interest scholars of modern Indian history, philosophy, political science, history of religion, and those interested in the Bhagavad-Gita.

The historical and empirical project presented here is grounded in a desire to theorize 'religion-state' relations in the multi-ethnic, multi-religious, secular city-state of Singapore. The core research problematic of this project has emerged out of the confluence of two domains, 'religion, law and bureaucracy' and 'religion and colonial encounters.' This work has two core objectives: one, to articulate the actual points of engagement between institutions of religion and the state, and two, to identify the various processes, mechanisms and strategies through which relations across these spheres are sustained. The thematic foundations of this book rest on disentangling the complex interactions between religious communities, individuals and the various manifestations of the Singapore state, relationships that are framed within a culture of bureaucracy. This is accomplished through a scrutiny of Hindu domains on the island nation-state, from her identity as part of the Straits Settlements to the present day. The empirical and analytical emphases of this book rest onthe author'sengagement with the realm of Hinduism as it is conceived, structured, framed and practiced within the context of a strong state in Singapore today. Ethnographically, the book focusses on Hindu temple management and the observance of Hindu festivals and processions, enacted within administrative and bureaucratic frames."

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform. By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads-the "cosmopolitan" Rammohun Roy and the "parochial" Swami Narayan-Brian Hatcher explores how urban and rural people thought about faith, ritual, and gods. Along the way he sketches a radical new view of the origins of contemporary Hinduism and overturns the idea of religious reform. Hinduism Before Reform challenges the rigid structure of revelation-schism -reform-sect prevalent in much history of religion. Reform, in particular, plays an important role in how we think about influential Hindu movements and religious history at large. Through the lens of reform, one doctrine is inevitably backward-looking while another represents modernity. From this comparison flows a host of simplistic conclusions. Instead of presuming a clear dichotomy between backward and modern, Hatcher is interested in how religious authority is acquired and projected. Hinduism Before Reform asks how religious history would look if we eschewed the obfuscating binary of progress and tradition. There is another way to conceptualize the origins and significance of these two Hindu movements, one that does not trap them within the teleology of a predetermined modernity.

Modern Hindu Personalism explores the life and works of Bhaktisiddhanta Sarasvati (1874-1937), a Vaishnava guru of the Chaitanya school of Bengal. Ferdinando Sardella examines Bhaktisiddhanta's background, motivation and thought, especially as it relates to his forging of a modern traditionalist institution for the successful revival of Chaitanya Vaishnava bhakti. Originally known as the Gaudiya Math, that institution not only established centers in both London (1933) and Berlin (1934), but also has been indirectly responsible for the development of a number of contemporary global offshoots, including the International Society for Krishna Consciousness (Hare Krishna movement). Sardella provides the historical background as well as the contemporary context of the India in which Bhaktisiddhanta lived and functioned, in the process shedding light on such topics as colonial culture and sensibilities, the emergence of an educated middle-class, the rise of the Bengal Renaissance, and the challenge posed by Protestant missionaries. Bhaktisiddhanta's childhood, education and major influences are examined, as well as his involvement with Chaitanya Vaishnavism and the practice of bhakti. Sardella depicts Bhaktisiddhanta's attempt to propagate Chaitanya Vaishnavism internationally by sending disciples to London and Berlin, and offers a detailed description of their encounters with Imperial Britain and Nazi Germany. He goes on to consider Bhaktisiddhanta's philosophical perspective on religion and society as well as on Chaitanya Vaishnavism, exploring the interaction between philosophical and social concerns and showing how they formed the basis for the restructuring of his movement in terms of bhakti. Sardella places Bhaktisiddhanta's life and work within a taxonomy of modern Hinduism and compares the significance of his work to the contributions of other major figures such as Swami Vivekananda. Finally, Bhaktisiddhanta's work is linked to the development of a worldwide movement that today involves thousands of American and European practitioners, many of whom have become respected representatives of Chaitanya bhakti in India itself.

This book investigates women's ritual authority and the common boundaries between religion and notions of gender, ethnicity, and identity. Nanette R. Spina situates her study within the transnational Melmaruvathur Adhiparasakthi movement established by the Tamil Indian guru, Bangaru Adigalar. One of the most prominent, defining elements of this tradition is that women are privileged with positions of leadership and ritual authority. This represents an extraordinary shift from orthodox tradition in which religious authority has been the exclusive domain of male Brahmin priests. Presenting historical and contemporary perspectives on the transnational Adhiparasakthi organization, Spina analyzes women's roles and means of expression within the tradition. The book takes a close look at the Adhiparasakthi society in Toronto, Canada (a Hindu community in both its transnational and diasporic dimensions), and how this Canadian temple has both shaped and demonstrated their own diasporic Hindu identity. The Toronto Adhiparasakthi society illustrates how Goddess theology, women's ritual authority, and "inclusivity" ethics have dynamically shaped the identity of this prominent movement overseas. Based on years of ethnographic fieldwork, the volume draws the reader into the rich textures of culture, community, and ritual life with the Goddess.

This book is an ode to the mythological heritage of Bharatanatyam. The visual narrative captures the rich heritage of this temple dance and its original exponents, the Devadasis or 'handmaidens of the deity'. Its repertoire of movements and moods bring alive the fascinating stories of Hindu gods and goddesses and their kaleidoscopic lives. In the following pages, the authors have traced the myths and legends that are cherished in our performing arts, to delight the culture-curious reader. And what is interesting is that in these stories, the reader will discover the inter-connectedness of ancient mythologies around the world. Perhaps such discoveries go a long way in validating the role that art plays in connecting civilisations. The book is designed to engage the reader without pedagogy or scholastic strictures, but with a lightness of touch, that entertains while it informs. Because the vision here is to weave information, anecdotes and trivia, together in the spirit of a popular cultural ranconteur. Replete with rare photographs curated from the Sohinimoksha World Dance and Communications archives, complemented by a lucid narrative that wraps facts in the language of romance and adventure, this book promises to be a collector's item for those who value the legacy of India's most celebrated dance form. For glimpses of some live performances by Sohini Roychowdhury, and her Sohinimoksha World Dance troupe, celebrating the music, dance, mythology of India and the World, go on-line to 'Dancing With The God.... with Sohinimoksha World Dance' at https://youtu.be/naR7p6SKiko

In Indian philosophy and theology, the ideology of Vedanta occupies an important position. Hindu religious sects accept the Vedantic soteriology, which believes that there is only one conscious reality, Brahman from which the entire creation, both conscious and non-conscious, emanated. Madhusudana Sarasvati, who lived in sixteenth century Bengal and wrote in Sanskrit, was the last great thinker among the Indian philosophers of Vedanta. During his time, Hindu sectarians, rejected monistic Vedanta. Although a strict monist, Madhusudana tried to make a synthesis between his monistic philosophy and his theology of emotional love for God. Sanjukta Gupta provides the only comprehensive study of Madhusudana Sarasvati's thought. She explores the religious context of his extensive and difficult works, offering invaluable insights into Indian philosophy and theology.

A richly illustrated tapestry of interwoven studies spanning some six thousand years of history, Daemons Are Forever is at once a record of archaic contacts and transactions between humans and protean spirit beings--daemons--and an account of exchanges, among human populations, of the science of spirit beings: daemon-ology. Since the time of the Indo-European migrations, and especially following the opening of the Silk Road, a common daemonological vernacular has been shared among populations ranging from East and South Asia to Northern Europe. In this virtuoso work of historical sleuthing, David Gordon White recovers the trajectories of both the "inner demons" cohabiting the bodies of their human hosts and the "outer daemons" that those same humans recognized each time they encountered them in their enchanted haunts: sylvan pools, sites of geothermal eruptions, and dark forest groves. Along the way, he invites his readers to reconsider the potential and promise of the historical method in religious studies, suggesting that a "connected histories" approach to Eurasian daemonology may serve as a model for restoring history to its proper place, at the heart of the history of religions discipline.

This gorgeously illustrated gift edition of a spiritual classic details the story of the magical, heroic Hanuman. The timeless story of the monkey-god Hanuman is that of a valiant superhero, best known for battling the demon Ravana in the classic tale "Ramayana". Although Hanuman has the mystic ability to shrink and expand, and to leap great distances, it is his sensitivity and devotion to King Rama that make him such a memorable character. As a youth, Hanuman's mischievousness often landed him in trouble with the village elders. Finally they cast a spell causing him to forget his immense powers. Hanuman grew up thinking he was an ordinary monkey. His potential was realised only later when he was compelled to rescue Sita, the kidnapped wife of Rama, from the clutches of Ravana. This delightful mini book features gorgeously illustrated images of Hanuman from both traditional and contemporary artists.