The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India's great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with the quintessentially Indian ideas of karma (action) and dharma (duty).The book explores what it means to be human in a complex and demanding world, considering the parameters and contexts in which we make the decisions that will determine the color and tenor of our lives, the choices that make us who we are. It also offers a great, albeit tragic, love story-a story of the demands and pressures of love and how we might fail those that we love most. Accompanied by Sattar's thoughtful essays weighing the moral complexity of this most enduring of epics, this translation crystallizes her deep and intimate knowledge of the Ramayana in a way that is utterly compelling.

This book is the first to present current scholarship on gender and in regional and sectarian versions of the Ramayana. Contributors explore in what ways the versions relate to other Ramayana texts as they deal with the female persona and the cultural values implicit in them. Using a wide variety of approaches, both analytical and descriptive, the authors discover common ground between narrative variants even as their diversity is recognized. It offers an analysis in the shaping of the heterogeneous Rama tradition through time as it can be viewed from the perspective of narrating women's lives. Through the analysis of the representation and treatment of female characters, narrative inventions, structural design, textual variants, and the idiom of composition and technique in art and sculpture are revealed and it is shown what and in which way these alternative versions are unique. A sophisticated exploration of the Ramayana, this book is of great interest to academics in the fields of South Asian Studies, Asian Religion, Asian Gender and Cultural Studies.

This is a timely introduction to the poetry and prose of the renowned Indian guru, Sri H. W. L. Poonja. These wise and deeply spiritual selections are from the "Satsangs", or "Truths", recorded in Poonja's comprehensive The Truth Is, and they distill the essence of his teachings into a shorter, more portable collection.

Religions in the Modern World: Traditions and Transformations, Third Edition is the ideal textbook for those coming to the study of religion for the first time, as well as for those who wish to keep up-to-date with the latest perspectives in the field. This third edition contains new and upgraded pedagogic features, including chapter summaries, key terms and definitions, and questions for reflection and discussion. The first part of the book considers the history and modern practices of the main religious traditions of the world, while the second analyzes trends from secularization to the rise of new spiritualities. Comprehensive and fully international in coverage, it is accessibly written by practicing and specialist teachers.

Rama goes to the monkey capital of Kishkindha to seek help in finding Sita, and meets Hanuman, the greatest of the monkey heroes. There are two claimants for the monkey throne, Valin and Sugriva; Rama helps Sugriva win the throne, and in return Sugriva promises to help in the search for Sita. The monkey hordes set out in every direction to scour the world, but without success until an old vulture tells them she is in Lanka. Hanuman promises to leap over the ocean to Lanka to pursue the search.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

This book analyses the religious ideology of a Tamil reformer and saint, Ramalinga Swamigal of the 19th century and his posthumous reception in the Tamil country and sheds light on the transformation of Tamil religion that both his works and the understanding of him brought about. The book traces the hagiographical and biographical process by which Ramalinga Swamigal is shifted from being considered an exemplary poet-saint of the Tamil Saivite bhakti tradition to a Dravidian nationalist social reformer. Taking as a starting point Ramalinga's own writing, the book presents him as inhabiting a border zone between early modernity and modernity, between Hinduism and Christianity, between colonialism and regional nationalism, highlighting the influence of his teachings on politics, particularly within Dravidian cultural and political nationalism. Simultaneously, the book considers the implication of such an hagiographical process for the transformation of Tamil religion in the period between the 19th -mid-20th centuries. The author demonstrates that Ramalinga Swamigal's ideology of compassion, civakarunyam, had not only a long genealogy in pre-modern Tamil Saivism but also that it functioned as a potentially emancipatory ethics of salvation and caste critique not just for him but also for other Tamil and Dalit intellectuals of the 19th century. This book is a path-breaking study that also traces the common grounds between the religious visions of two of the most prominent subaltern figures of Tamil modernity - Iyothee Thass and Ramalingar. It argues that these transformations are one meaningful way for a religious tradition to cope with and come to terms with the implications of historicization and the demands of colonial modernity. It is, therefore, a valuable contribution to the field of religion, South Asian history and literature and Subaltern studies. The Open Access version of this book, available at http://www.taylorfrancis.com/books/e/9781315794518 has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Who we are is not who we think we are. Truth is simpler than mind and deeper than thought. It cannot be learned but only experienced. When at once we awaken, our doubts are alleviated. All is one, beyond time, space, and causation. Such is the direct realization expressed through Advaita Vedanta. Sankaracharya is often called the father of Advaita Vedanta. His hymn Atma Bodha is a classic introduction that brings the pure seeker to liberation. This volume includes Atma Bodha with text and translation, as well as Bhaja Govindam, Hanuman Chalisa, Mahisasura Mardini Stotram, and other devotional favorites. There is no greater joy, and there is nothing more to know. Such is realization of truth. --Atma Bodha, Verse 54

The sharp contrast between cultures with a monotheistic paternal deity and those with pluralistic maternal deities is a theme of abiding interest in religious studies. Attempts to understand the implications of these two vast organizing principles for religious life lead to an overwhelmingly diverse set of facts and their meanings. In Freud's India, the companion volume to Freud's Mahabharata, Alf Hiltebeitel takes up this enormously engaging question, focusing on the thinking of two spokespeople for the inner life of their cultures- Sigmund Freud and Girindrasekhar Bose. Hiltebeitel examines the attempts of these two men to communicate with and understand each other and these issues in the heated context of emotionally divisive allegiances. The book is elegant in its nuanced attention to these two thinkers and its tightly controlled exploration of what their interactions reveal about their contributions and limitations as representatives of the psychology and religion of their respective cultures. Anxieties about mothers, says Hiltebeitel, separate Eastern from Western imaginations. They separate Freud from Bose, and they separate Hindu foundational texts from the foundational texts of Judaism.

The state of Goa on India's southwest coast was once the capital of the Portuguese-Catholic empire in Asia. When Vasco Da Gama arrived in India in 1498, he mistook Hindus for Christians, but Jesuit missionaries soon declared war on the alleged idolatry of the Hindus. Today, Hindus and Catholics assert their own religious identities, but Hindu village gods and Catholic patron saints attract worship from members of both religious communities. Through fresh readings of early Portuguese sources and long-term ethnographic fieldwork, this study traces the history of Hindu-Catholic syncretism in Goa and reveals the complex role of religion at the intersection of colonialism and modernity.

The state of Goa on India's southwest coast was once the capital of the Portuguese-Catholic empire in Asia. When Vasco Da Gama arrived in India in 1498, he mistook Hindus for Christians, but Jesuit missionaries soon declared war on the alleged idolatry of the Hindus. Today, Hindus and Catholics assert their own religious identities, but Hindu village gods and Catholic patron saints attract worship from members of both religious communities. Through fresh readings of early Portuguese sources and long-term ethnographic fieldwork, this study traces the history of Hindu-Catholic syncretism in Goa and reveals the complex role of religion at the intersection of colonialism and modernity.

'To read Ka is to experience a giddy invasion of stories - brilliant, enigmatic, troubling, outrageous, erotic, beautiful' The New York Times 'Who?' - or 'ka' - is the question that runs through Roberto Calasso's retelling of the stories of the minds and gods of India; the primordial question that continues to haunt human existence. From the Rigveda to the Upanishads, the Mahabharata to the life of Buddha, this book delves into the corpus of classical Sanskrit literature to re-imagine the ancient Indian myths and how they resonate through space and time. 'The very best book about Hindu mythology that anyone has ever written' Wendy Doniger 'Dazzling, complex, utterly original ... Ka is his masterpiece' Sunday Times

The volume collects a series of contributions that help reconstruct the recent history of the Nath tradition, highlighting important moments of self.reinterpretation in the sampradaya's interaction with different social milieus. The leitmotif tying together the selection of articles is the authors' explorations of the overlap between religious authority and political power. For example, in which ways do the Naths' hagiographical claim of possessing yogic charisma (often construed as supernatural powers, siddhis) translate into mundane expressions of socio-political power? And how does it morph into the authority to reinterpret and recreate particular traditions? The articles approach different aspects of the recent history of the Nath sampradaya, spanning from stories of yogis guiding kings in the petty principalities of the eighteenth century to gurus who sought prominence in the transnational environments of the twentieth century; examining some Nath lineages and institutions under the British Raj, in the history of Nepal, and in contemporary India.

The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.

Hinduism cannot be understood without the Great Goddess and the goddess-orientated Sakta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Sakta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as 'Saktism', and is often considered one of the major branches of Hinduism next to Saivism, Vaisnavism and Smartism. Saktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Sakta traditions that constitute the primary sources for gaining insights into the Sakta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Sakta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.

The seventh and final book of the monumental R?m?ya?a of V?lm?ki, the Uttarak???a, brings the epic saga to a close with an account of the dramatic events of King R?ma's millennia-long reign. It opens with a colorful history of the demonic race of the r?k?asas and the violent career of R?ma's villainous foe R?va?a, and later recounts R?ma's grateful discharge of his allies in the great war at Lank? as well as his romantic reunion with his wife S?t?. But dark clouds gather as R?ma, confronted by scandal over S?t?'s time in captivity under the lustful R?va?a, makes the agonizing decision to banish his beloved wife, now pregnant. As R?ma continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarak???a has long served as a point of social and religious controversy largely for its accounts of the banishment of S?t?, as well as of R?ma's killing of a low-caste ascetic. The translators' introduction provides a full discussion of these issues and the complex reception history of the Uttarak???a. This translation of the critical edition also includes exhaustive notes and a comprehensive bibliography.

During the goddess Gangamma s festival in the town of Tirupati, lower-caste men take guises of the goddess, and the streets are filled with men wearing saris, braids, and female jewelry. By contrast, women participate by intensifying the rituals they perform for Gangamma throughout the year, such as cooking and offering food. Joyce Burkhalter Flueckiger argues that within the festival ultimate reality is imagined as female and women identify with the goddess, whose power they share. Vivid accounts by male and female participants offer new insights into Gangamma s traditions and the nature of Hindu village goddesses."

It would not be an exaggeration to say that during the last century, most especially during and since the 1960s, the language of spirituality has become one of the most significant ways in which the sacred has come to be understood and judged in the West, and, increasingly, elsewhere. Whether it is true that 'spirituality' has eclipsed 'religion' in Western settings remains debatable. What is incontestable is that the language of spirituality, together with practices (most noticeably spiritual, complementary, and alternative medicine), has become a major feature of the sacred dimensions of contemporary modernity. Equally incontestably, spirituality is a growing force in all those developing countries where its presence is increasingly felt among the cosmopolitan elite, and where spiritual forms of traditional, complementary, and alternative medicine are thriving. This new four-volume Major Work collection from Routledge provides a coherent compilation of landmark texts which cannot be ignored by those intent on making sense of what is happening to the sacred as spirituality-more exactly what is taken to be spirituality-develops as an increasingly important lingua franca, series of practices, and as a humanistic ethicality.

The Ramayana, one of the two pre-eminent Hindu epics, has played a foundational role in many aspects of India's arts and social norms. For centuries, people learned this narrative by watching, listening, and participating in enactments of it. Although the Ramayana's first extant telling in Sanskrit dates back to ancient times, the story has continued to be retold and rethought through the centuries in many of India's regional languages, such as Hindi, Tamil, and Bengali. The narrative has provided the basis for enactments of its episodes in recitation, musical renditions, dance, and avant-garde performances. This volume introduces non-specialists to the Ramayana's major themes and complexities, as well as to the highly nuanced terms in Indian languages used to represent theater and performance. Two introductions orient readers to the history of Ramayana texts by Tulsidas, Valmiki, Kamban, Sankaradeva, and others, as well as to the dramaturgy and aesthetics of their enactments. The contributed essays provide context-specific analyses of diverse Ramayana performance traditions and the narratives from which they draw. The essays are clustered around the shared themes of the politics of caste and gender; the representation of the anti-hero; contemporary re-interpretations of traditional narratives; and the presence of Ramayana discourse in daily life.

Burning the Dead traces the evolution of cremation in India and the South Asian diaspora across the nineteenth and twentieth centuries. Through interconnected histories of movement, space, identity, and affect, it examines how the so-called traditional practice of Hindu cremation on an open-air funeral pyre was culturally transformed and materially refashioned under British rule, following intense Western hostility, colonial sanitary acceptance, and Indian adaptation. David Arnold examines the critical reception of Hindu cremation abroad, particularly in Britain, where India formed a primary reference point for the cremation debates of the late nineteenth century, and explores the struggle for official recognition of cremation among Hindu and Sikh communities around the globe. Above all, Arnold foregrounds the growing public presence and assertive political use made of Hindu cremation, its increasing social inclusivity, and its close identification with Hindu reform movements and modern Indian nationhood.