The field of Hindu-Christian studies revives theology as a particularly useful interreligious discipline. Though a sub-division of the broader Hindu-Christian dialogue, it is also a distinct field of study, proper to a smaller group of religious intellectuals. At its best it envisions a two-sided, mutual conversation, grounded in scholars' knowledge of their own tradition and of the other. Based on the Westcott-Teape Lectures given in India and at the University of Cambridge, this book explores the possibilities and problems attendant upon the field of Hindu-Christian Studies, the reasons for occasional flourishing and decline in such studies, and the fragile conditions under which the field can flourish in the 21st century. The chapters examine key instances of Christian-Hindu learning, highlighting the Jesuit engagement with Hinduism, the modern Hindu reception of Western thought, and certain advances in the study of religion that enhance intellectual cooperation. This book is a significant contribution to a sophisticated understanding of Christianity and Hinduism in relation. It presents a robust defense of comparative theology and of Hindu-Christian Studies as a necessarily theological discipline. It will be of wide interest in the fields of Religious Studies, Theology, Christianity and Hindu Studies.

This book offers a close-up view of the religious world of one of the most influential families in Vrinbadan, India's premier place of pilgrimage for worshipers of Krishna. This priestly family has arguably been the most creative force in this important town. Their influence also radiates well beyond India's borders both because of their tireless work in fostering scholarship and performance about Krishna and because the scion of the family, Shrivatsa Goswami, has become an international spokesman for Hindu ways and concerns. Case, who has been an occasional resident in the family ashram, gives the reader a real sense of the atmosphere of daily life there, and the complete devotion of the residents to the service and worship of Krishna.

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.

About two hundred kilometers west of the city of Karachi, in the desert of Baluchistan, Pakistan, sits the shrine of the Hindu Goddess Hinglaj. Despite the temple's ancient Hindu and Muslim history, an annual festival at Hinglaj has only been established within the last three decades, in part because of the construction of the Makran Coastal Highway, which connects the distant rural shrine with urban Pakistan. Now, an increasingly confident minority Hindu community has claimed Hinglaj as their main religious center, a site for undisturbed religious performance and expression. In Hinglaj Devi, Jurgen Schaflechner studies literary sources in Hindi, Sanskrit, Sindhi, and Urdu alongside extensive ethnographical research at the shrine, examining the political and cultural influences at work at the temple and tracking the remote desert shrine's rapid ascent to its current status as the most influential Hindu pilgrimage site in Pakistan. Schaflechner introduces the unique character of this place of pilgrimage and shows its modern importance not only for Hindus, but also for Muslims and Sindhi nationalists. Ultimately, this is an investigation of the Pakistani Hindu community's beliefs and practices at their largest place of worship in the Islamic Republic today-a topic of increasing importance to Pakistan's contemporary society.

Jews often consider Hinduism to be Avoda Zara, idolatry, due to its worship of images and multiple gods. Closer study of Hinduism and of recent Jewish attitudes to it suggests the problem is far more complex. In the process of considering Hinduism's status as Avoda Zara, this book revisits the fundamental definitions of Avoda Zara and asks how we use the category. By appealing to the history of Judaism's view of Christianity, author Alon Goshen-Gottstein seeks to define what Avoda Zara is and how one might recognize the same God in different religions, despite legal definitions. Through a series of leading questions, the discussion moves from a blanket view of Hinduism as idolatry to a recognition that all religions have aspects that are idolatrous and non-idolatrous. Goshen-Gottstein explains how the category of idolatry itself must be viewed with more nuance. Introducing this nuance, he asserts, leads one away from a globalized view of an entire tradition in these terms.

THE TEACHINGS OF RAMANA MAHARSHI is a companion volume to Ramana Maharshi and the Path of Sel-Knowledge and contains many of his actual conversations with those who sought his guidance. It covers the whole religious and spiritual field from basic theories about God and the nature of human beings, to advice about the conduct of our daily lives. The questions, and the Bhagavan's replies, are expressed in the simplest language, and no previous knowledge of Hinduism is needed to understand what is being discussed. This is a practical and down-to-earth spiritual insight that works for our modern world.

Hinduism cannot be understood without the Great Goddess and the goddess-orientated Sakta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Sakta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as 'Saktism', and is often considered one of the major branches of Hinduism next to Saivism, Vaisnavism and Smartism. Saktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Sakta traditions that constitute the primary sources for gaining insights into the Sakta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Sakta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.

Mahatma Gandhi, one of the greatest influencers in the world, was himself influenced by trailblazing thinkers and writers like Tolstoy, Ruskin, Thoreau, and others-each one contributing significantly to his moral and spiritual development. Yet only a few people know the most consequential person to have played a pivotal role in the making of the Mahatma: Shrimad Rajchandra. About the unparalleled influence of this person, Gandhi himself wrote: "I have met many a religious leader or teacher... and I must say that no one else ever made on me the impression that Raychandbhai did." Uma Majmudar, digging deep into the original Gujarati writings of both Gandhi and Rajchandra, explores this important relationship and unfolds the unique impact of Rajchandra's teachings and contributions upon Gandhi. The volume examines the contents and significance of their intimate spiritual discussions, letters, questions and answers. In this book, Dr. Majmudar brings to the forefront the scarcely known but critically important facts of how Rajchandra "molded Gandhi's inner self, his character, his life, thoughts and actions." This Jain zaveri (jeweller)-cum-spiritual seeker became Gandhi's most trusted friend, as well as an exemplary mentor and "refuge in spiritual crisis."

One of India's greatest epics, the Ramayana pervades the country's moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.

Historically, Kashmir was one of the most dynamic and influential centers of Sanskrit learning and literary production in South Asia. In Poetry as Prayer in the Sanskrit Hymns of Kashmir, Hamsa Stainton investigates the close connection between poetry and prayer in South Asia by studying the history of Sanskrit hymns of praise (stotras) in Kashmir. The book provides a broad introduction to the history and general features of the stotra genre, and it charts the course of these literary hymns in Kashmir from the eighth century to the present. In particular, it offers the first major study in any European language of the Stutikusumanjali, an important work of religious literature dedicated to the god Siva and one of the only extant witnesses to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. The book also contributes to the study of Saivism by examining the ways in which Saiva poets have integrated the traditions of Sanskrit literature and poetics, theology (especially non-dualism), and Saiva worship and devotion. It substantiates the diverse configurations of Saiva bhakti expressed and explored in these literary hymns and the challenges they present for standard interpretations of Hindu bhakti. More broadly, this study of stotras from Kashmir offers new perspectives on the history and vitality of prayer in South Asia and its complex relationships to poetry and poetics.

Rama goes to the monkey capital of Kishkindha to seek help in finding Sita, and meets Hanuman, the greatest of the monkey heroes. There are two claimants for the monkey throne, Valin and Sugriva; Rama helps Sugriva win the throne, and in return Sugriva promises to help in the search for Sita. The monkey hordes set out in every direction to scour the world, but without success until an old vulture tells them she is in Lanka. Hanuman promises to leap over the ocean to Lanka to pursue the search.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

The thousand-year-old Sanskrit classic the Bhagavatapurana, or "Stories of the Lord," is the foundational source of narratives concerning the beloved Hindu deity Krishna. For centuries pious individuals, families, and community groups have engaged specialist scholar-orators to give week-long oral performances based on this text. Seated on a dais in front of the audience, the orator intones selected Sanskrit verses from the text and narrates the story of Krishna in the local language. These sacred performances are thought to bring blessings and good fortune to those who sponsor, perform, or attend them. Devotees believe that the narratives of Krishna are like the nectar of immortality for those who can appreciate them. In recent years, these events have grown in number, scale, and popularity. Once confined to private homes or temple spaces, contemporary performances now fill vast public arenas, such as sports stadiums, and attract live audiences in the tens of thousands while being simulcast around the world. In Seven Days of Nectar, McComas Taylor uncovers the factors that contribute to the explosive growth of this tradition. He explores these events through the lens of performance theory, integrating the text with the intersecting worlds of sponsors, exponents and audiences. This innovative approach, which draws on close textual reading, philology, and ethnography, casts new light on the ways in which narratives are experienced as authentic and transformative, and more broadly, how texts shape societies.

When the colonial slave trade, and then slavery itself, were abolished early in the 19th century, the British empire brazenly set up a new system of trade using Indian rather than African laborers. The new system of "indentured" labor was supposed to be different from slavery because the indenture, or contract, was written for an initial period of five years and involved fixed wages and some specified conditions of work. From the workers' point of view, the one redeeming feature of the system was that most of their workmates spoke their language and came from the same area of India. Because this allowed them to develop some sense of community, by the end of the initial five years most of the Indian laborers chose to stay in the land to which they had been taken. In time that land became the place in which they joined with others to build a new homeland. In this fieldwork-based study, Paul Younger looks at the present day descendents of these workers and their post-indenture societies in Mauritius, Guyana, Trinidad, South Africa, Fiji, and East Africa. He finds that they still cling to the fact that it was an arbitrary British decision that took them there and made the society pluralistic. This plurality seems to require them to search their memory for a distinctive religious tradition that they can pass on to their children. They know that there was a loss of culture involved in their move to these locations and consider it important to recover from that loss. But they are also intensely proud of their new identity, and insist that they have established a new religious tradition in their new homeland. For generations, says Younger, these people had struggled in their situation and now they had come up with a sense of community and purpose and were prepared to make the historical claim that they had developed an appropriate religious tradition for their specific community.

This book is an ode to the mythological heritage of Bharatanatyam. The visual narrative captures the rich heritage of this temple dance and its original exponents, the Devadasis or 'handmaidens of the deity'. Its repertoire of movements and moods bring alive the fascinating stories of Hindu gods and goddesses and their kaleidoscopic lives. In the following pages, the authors have traced the myths and legends that are cherished in our performing arts, to delight the culture-curious reader. And what is interesting is that in these stories, the reader will discover the inter-connectedness of ancient mythologies around the world. Perhaps such discoveries go a long way in validating the role that art plays in connecting civilisations. The book is designed to engage the reader without pedagogy or scholastic strictures, but with a lightness of touch, that entertains while it informs. Because the vision here is to weave information, anecdotes and trivia, together in the spirit of a popular cultural ranconteur. Replete with rare photographs curated from the Sohinimoksha World Dance and Communications archives, complemented by a lucid narrative that wraps facts in the language of romance and adventure, this book promises to be a collector's item for those who value the legacy of India's most celebrated dance form. For glimpses of some live performances by Sohini Roychowdhury, and her Sohinimoksha World Dance troupe, celebrating the music, dance, mythology of India and the World, go on-line to 'Dancing With The God.... with Sohinimoksha World Dance' at https://youtu.be/naR7p6SKiko

A collection of spontaneous "satsangs," or truths, spoken from Sri H. W. L. Poonja's experience of the highest and yet simplest truth: that we are pure love and consciousness, the totality of existence. Reveals thousands of ways to help us inquire into who we really are, to bring our awareness into the infinity of the moment, and surrender to the wisdom of our Truth.

The influence of the Universal World Teacher in the figure of Sri Sathya Sai Baba has already reached the far corners of the Earth. Yet this Avatar, His miracles and teachings, are still a great mystery to even those who are acquainted with Him. This book is thoroughly researched and gives an objective appreciation of Sai Baba's teachings about spirituality and modern science. Priddy gives an in-depth analysis of His miraculous actions and words, and shares the experiences, both subtle and indirect, that ultimately led him to make a major life transformation. Priddy appeals to both devotees and newcomers to Sai's teachings, and for the devotees, shares his accounts of Sai's mystery, grace, and joy, with balanced reflections upon their likely purpose and meaning.

At the turn of the millennium, Nepal was the world's last remaining Hindu kingdom: even the most skeptical of observers could hardly imagine that the institution of the monarchy could ever be in jeopardy. In 2001, however, Nepal's popular King Birendra was killed in the royal palace. The crown passed to his brother Gyanendra, but the monarchy would never fully recover. Nepal witnessed an anti-king uprising in April 2006, and over the course of two years, an interim administration systematically took over all the king's duties and privileges. Most decisively, beginning in the summer of 2007, the government began blocking the king from participating in his many public rituals, sending the prime minister in his place instead. Demoting Vishnu argues that Nepal's dramatic political transformation from monarchy to republic was contested-and in key ways accomplished through-ritual performance. By co-opting state ritual, the king's opponents were able to attack the monarchy's social identity at its foundations, enabling the final legal dissolution of kingship in 2008 to take place without physically harming the king himself. All once-royal rituals continue to be performed, but now they are handled by the country's President-a position created in 2008 to take over state ceremonial functions. Ex-King Gyanendra Shah continues to live in Nepal, is permitted to move about the country and abroad, but is no longer king in any respect. Mocko's book theorizes the role of public ritual in producing Nepal's state ideology. It examines how royal ritual once authorized kings to serve as the privileged apex of national governance and how, in the 21st-century, those rituals stopped serving the king and began instead to authorize rule by a party-based 'head of state.' Demoting Vishnu illustrates how upheaval in ritual contexts undermined the institutional logic of the monarchy, demonstrating in very public ways that kingship was contingent, opposable, and ultimately dispensable.

At last, an edition of the Bhagavad Gita that speaks with unprecedented fidelity and clarity. It contains an unusually informative introduction, the Sanskrit text of the Bhandarkar Oriental Research Institute's critical edition, an accurate and accessible English translation, a comprehensive glossary of names and epithets, and a thorough index.