The World and God Are Not-Two is a book about how the God in whom Christians believe ought to be understood. The key conceptual argument that runs throughout is that the distinctive relation between the world and God in Christian theology is best understood as a non-dualistic one. The "two"-"God" and "World" cannot be added up as separate, enumerable realities or contrasted with each other against some common background because God does not belong in any category and creatures are ontologically constituted by their relation to the Creator. In exploring the unique character of this distinctive relation, Soars turns to Sara Grant's work on the Hindu tradition of Advaita Vedanta and the metaphysics of creation found in Thomas Aquinas. He develops Grant's work and that of the earlier Calcutta School by drawing explicit attention to the Neoplatonic themes in Aquinas that provide some of the most fruitful areas for comparative engagement with Vedanta. To the Christian, the fact that the world exists only as dependent on God means that "world" and "God" must be ontologically distinct because God's existence does not depend on the world. To the Advaitin, this simultaneously means that "World" and "God" cannot be ontologically separate either. The language of non-duality allows us to see that both positions can be held coherently together without entailing any contradiction or disagreement at the level of fundamental ontology. What it means to be "world" does not and cannot exclude what it means to be "God."

The skies darken for the exiles, who have taken refuge in forest hermitages. First one demon, then another, attempts to harm or corrupt them. When these efforts fail, an army of demons is sent, and then a bigger one, but each time Rama again defeats them. Finally Ravana, the supreme lord of the demons, decides to cripple Rama by capturing Sita; he traps her, and carries her off under heavy guard to the island fortress of Lanka. Rama is distraught by grief, and searches everywhere without success.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

Belligerent Hindu nationalism, accompanied by recurring communal violence between Hindus and Muslims, has become a compelling force in Indian politics over the last two decades. Ornit Shani's book examines the rise of Hindu nationalism, asking why distinct groups of Hindus, deeply divided by caste, mobilised on the basis of unitary Hindu nationalism, and why the Hindu nationalist rhetoric about the threat of the impoverished Muslim minority was so persuasive to the Hindu majority. Using evidence from communal violence in Gujarat, Shani argues that the growth of communalism was not simply a result of Hindu-Muslim antagonisms, but was driven by intensifying tensions among Hindus, nurtured by changes in the relations between castes and associated state policies. These, in turn, were frequently displaced onto Muslims, thus enabling caste conflicts to develop and deepen communal rivalries. The book offers a challenge to previous scholarship on the rise of communalism, which will be welcomed by students and professionals.

Tantra has formed an integral part of Asian religious history for centuries, but since "Arthur Avalon" introduced the concept to a global readership in the early twentieth century, Tantric traditions have exploded in popularity. While it was long believed that Sir John Woodroffe stood behind Avalon, it was in fact mainly a collaboration between learned South Asians. Julian Strube considers Tantra from the Indian perspective, offering rare insight into the active roles that Indians have played in its globalization and re-negotiation in local Indian contexts. In the early twentieth century, Avalon's publications were crucial to Tantra's visibility in academia and the recognition of Tantra's vital role in South Asian culture. South Asian religious, social, and political life is inexorably intertwined with various Tantric scriptures and traditions, especially in Shaiva and Shakta contexts. In Bengal, Tantra was central to cultural dynamics including Vaishnava and Muslim currents, as well as universalist tendencies incorporating Christianity and esoteric movements such as New Thought, Spiritualism, and Theosophy. Global Tantra contextualizes struggles about orthodoxy and reform in Bengal, and explores the global connections that shaped them. The study elides boundaries between academic disciplines as well as historical and regional contexts, providing insights into global debates about religion, science, esotericism, race, and national identity.

This book surveys the development of the religious landscape in Suriname and Guyana, focusing on the interaction between Hindus, Muslims, and Christians and responses to Christian dominance. It reflects on how and why these religiously diverse Caribbean societies are characterized by relative harmony, whereas interreligious relationships in other parts of the world have been marked by extreme conflict and violence. The chapters explore ideological and institutional dimensions, including the role of government policies, religious demography, religious leadership, and private religious institutions. The author takes a critical stance towards a negative approach to power struggles and offers a perspective that does not necessarily consider religious diversity a hindrance for religious harmony. Making valuable data accessible to scholars in the English language, this volume provides a framework for the study of interreligious relations and for understanding the religious worlds of the Caribbean.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

RGVV (History of Religion: Essays and Preliminary Studies) brings together the mutually constitutive aspects of the study of religion(s)-contextualized data, theory, and disciplinary positioning-and engages them from a critical historical perspective. The series publishes monographs and thematically focused edited volumes on specific topics and cases as well as comparative work across historical periods from the ancient world to the modern era.

The Kanwar is India's largest annual religious pilgrimage. Millions of participants gather sacred water from the Ganga and carry it across hundreds of miles to dispense as offerings in Siva shrines. These devotees-called bhola, gullible or fools, and seen as miscreants by many Indians-are mostly young, destitute men, who have been left behind in the globalizing economy. But for these young men, the ordeal of the pilgrimage is no foolish pursuit, but a means to master their anxieties and attest their good faith in unfavorable social conditions. Vikash Singh walked with the pilgrims of the Kanwar procession, and with this book, he highlights how the procession offers a social space where participants can prove their talents, resolve, and moral worth. Working across social theory, phenomenology, Indian metaphysics, and psychoanalysis, Singh shows that the pilgrimage provides a place in which participants can simultaneously recreate and prepare for the poor, informal economy and inevitable social uncertainties. In identifying with Siva, who is both Master of the World and yet a pathetic drunkard, participants demonstrate their own sovereignty and desirability despite their stigmatized status. Uprising of the Fools shows how religion today is not a retreat into tradition, but an alternative forum for recognition and resistance within a rampant global neoliberalism.

Offering a summary of ancient Indian philosophy, "The Gita" places particular emphasis on the Supreme Spirit as both immanent and transcendent. In this translation and interpretation, the author bridges this ancient thought with a modern occidental approach.

When European missionaries arrived in India in the sixteenth century, they entered a world both fascinating and bewildering. Hinduism, as they saw it, was a pagan mess: a worship of devils and monsters by a people who burned women alive, performed outlandish rites and fed children to crocodiles. But it quickly became clear that Hindu ‘idolatry’ was far more layered and complex than European stereotypes allowed, surprisingly even sharing certain impulses with Christianity.

Nonetheless, missionaries became a threatening force as European power grew in India. Western ways of thinking gained further ascendancy during the British Raj: while interest in Hindu thought influenced Enlightenment thinkers like Voltaire in Europe, Orientalism and colonial rule pressed Hindus to reimagine their religion. In fact, in resisting foreign authority, they often adopted the missionaries’ own tools and strategies. It is this encounter, Manu S. Pillai argues, that has given Hinduism its present shape, also contributing to the birth of an aggressive Hindu nationalism.

Gods, Guns and Missionaries surveys these remarkable dynamics with an arresting cast of characters – maharajahs, poets, gun-wielding revolutionaries, politicians, polemicists, philosophers and clergymen. Lucid, ambitious, and provocative, it is at once a political history, an examination of the mutual impact of Hindu culture and Christianity upon each other, and a study of the forces that have prepared the ground for politics in India today. Turning away from simplistic ideas on religious evolution and European imperialism, the past as it appears here is more complicated – and infinitely richer – than previous narratives allow.

I presented your research articles to the Dharma Sansad held in November 2003. They greatly appreciated and welcomed your thoughts and were delighted that a person like you in the Foreign service--Understands the meaning and values of the Vedas.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

The Book of Shalya recounts in gory detail the final destruction of the Kaurava army and the defeat of its leader, Dur-yodhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Kaurava army, only to be slaughtered in his turn.

The Book of Shalya recounts in gory detail the final destruction of the Kaurava army and the defeat of its leader, Duryodhana. In this first volume heroic duels and martial speeches abound as Shalya, the king of the Madras, is made general of the Kaurava army, only to be slaughtered in his turn.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

The first English translation of the narrative poem that is widely recognized as one of treasures of pre-modern Bengali culture. In 1752, the Bengali poet Bharatchandra Ray completed a long narrative poem dedicated to the glory of Annada, the consort of Shiva and the divinity who, as her name proclaims, "bestows the bounty of rice." A poet well-versed in Sanskrit, Persian, and Hindi-all of which enrich his work-Bharatchandra took up the literary performance genre mangalkavya and thoroughly transformed it, addressing the aesthetic tastes of the court rather than those of the traditional village audience. He added depth and sensitivity to well-known legends, along with allusions to his own experiences of poverty, and more than a dash of mischievous wit. The second volume recounts the clandestine love affair of Princess Vidya and Prince Sundar, and how Bhavananda, ancestor of the poet's patron, stopped a rebellion and became a king. This translation, the first in English, features the original text in the Bangla script. Lively and entertaining, In Praise of Annada was regarded as a major achievement in its own time and is now counted one of the treasures of Bengali literature.

This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova'a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly 'Hindu-Hindi' theatre.

This title is not about the exotic land itself, but rather the hidden glory of Vaishnavism. It may not be the most well-known form of Hinduism but it is India's richest and most significant religious tradition. This book focuses on the Vaishnava tradition and its contemporary manifestations.

People have argued since time immemorial. Disagreement is a part of life, of human experience. But we now live in times when any form of protest in India is marked as anti-Indian and met with arguments that the very concept of dissent was imported into India from the West. As Romila Thapar explores in her timely historical essay, however, dissent has a long history in the subcontinent, even if its forms have evolved through the centuries. In Voices of Dissent: An Essay, Thapar looks at the articulation of nonviolent dissent and relates it to various pivotal moments throughout India's history. Beginning with Vedic times, she takes us from the second to the first millennium BCE, to the emergence of groups that were jointly called the Shramanas-the Jainas, Buddhists, and Ajivikas. Going forward in time, she also explores the views of the Bhakti sants and others of the fifteenth and sixteenth centuries, and brings us to a major moment of dissent that helped to establish a free and democratic India: Mahatma Gandhi's satyagraha. Then Thapar places in context the recent peaceful protests against India's new, controversial citizenship law, maintaining that dissent in our time must be opposed to injustice and supportive of democratic rights so that society may change for the better. Written by one of India's best-known public intellectuals, Voices of Dissent will be essential reading not for anyone interested in India's fascinating history, but also the direction in which the nation is headed.

The authoritative new translation of the epic Ramayana, as retold by the sixteenth-century poet Tulsidas and cherished by millions to this day. The Epic of Ram presents a new translation of the Ramcaritmanas of Tulsidas (1543-1623). Written in Avadhi, a literary dialect of classical Hindi, the poem has become the most beloved retelling of the ancient Ramayana story across northern India. A devotional work revered and recited by millions of Hindus today, it is also a magisterial compendium of philosophy and lore, and a literary masterpiece. In the sixth volume, Ram and his devoted allies fight the army of Ravan in a climactic battle that ends with the death of the demon king. Ram reunites with Sita, and-after her fidelity is confirmed by the burning of an illusory double-they board a flying palace to return to the city of Ayodhya, where Bharat has been waiting anxiously as his brother Ram's fourteen-year exile nears its end. This new translation into free verse conveys the passion and momentum of the inspired poet and storyteller. It is accompanied by the most widely accepted edition of the Avadhi text, presented in the Devanagari script.

In this magisterial volume of essays, Wendy Doniger enhances our understanding of the ancient and complex religion to which she has devoted herself for half a century. This series of interconnected essays and lectures surveys the most critically important and hotly contested issues in Hinduism over 3,500 years, from the ancient time of the Vedas to the present day. The essays contemplate the nature of Hinduism; Hindu concepts of divinity; attitudes concerning gender, control, and desire; the question of reality and illusion; and the impermanent and the eternal in the two great Sanskrit epics, the Ramayana and the Mahabharata. Among the questions Doniger considers are: Are Hindus monotheists or polytheists? How can atheists be Hindu, and how can unrepentant Hindu sinners find salvation? Why have Hindus devoted so much attention to the psychology of addiction? What does the significance of dogs and cows tell us about Hinduism? How have Hindu concepts of death, rebirth, and karma changed over the course of history? How and why does a pluralistic faith, remarkable for its intellectual tolerance, foster religious intolerance? Doniger concludes with four concise autobiographical essays in which she reflects on her lifetime of scholarship, Hindu criticism of her work, and the influence of Hinduism on her own philosophy of life. On Hinduism is the culmination of over forty years of scholarship from a renowned expert on one of the world's great faiths.