This is a study of three Sanskrit texts, the Harivamsa, the Visnupurana, and the Bhagavatabelonging to the puranic genre, the chief source of knowledge of the origins of popular Hinduism. It treats them as integrated compositions and displays the theological motives and creative skill which have gone into the making of them. It shows how all three texts contain narratives which present Krishna as one of several subordinate manifestations (avataras) of Vishnu. All three use much the same traditional material, yet each, by arranging this material in its own way, presents a distinctive view of Krishna, and the most influential of them, the Bhagavata , builds up a world view in which Krishna, not Vishnu, is supreme.

Anantadas is the first 'biographer' who, around 1600, wrote about the most popular bhakti poets of the 15th and 16th centuries in Northern India. This critical study of these manuscripts yields a broad spectrum of the linguistic and morphological variants. It also reveals the processes of oral and scribal transmission during this time when sectarian interests appropriated certain poets and changed their 'biographies' accordingly.

Every human soul is divine and valuable. An embodied being's ultimate purpose is the enjoyment of Supreme bliss as a free soul (Mukta, salvation, liberation) in the highest heaven. Enjoyment is also the basis of happiness upon earth. It leads to the spiritual enlightenment for happy, healthy, and peaceful life and environment. The knowledge of self is what leads to the knowledge of God and this knowledge is the road to eternal happiness or bliss. Real happiness cannot be found externally, it must be realized within. The soul of a man is in the hidden structure of God. He is inside all of us. All life comes from God. The causes of unhappiness are our ego, our prejudice, our desire, and our impropriety. There must not be any lust and hatred, neither longing for one thing, nor any loathing the opposite. The world is spiraling toward conflict, belligerence, and disharmony and is now going through an unprecedented spiritual crisis, class confrontation, calamity, and nuclear and terrorists' threats. The rise of drug use, the rise of broken families, the rise of the number of single parents, the rise of school and public space mass shootings, the rise of suicides and depression, the rise of sexual scandals among priests and media, rise of overuse of iPad and smartphones by young kids are all threatening our home, society, schools, and the environment with vicious violence, menacing insecurity, wild protests, and rampant immorality.

Material Devotion in a South Indian Poetic World contributes new methods for the study and interpretation of material religion found within literary landscapes. The poets of Hindu devotion are known for their intimate celebration of deities, and while verses over a thousand years old are still treasured, translated, and performed, little attention has been paid to the evocative sensorial worlds referenced by these literary compositions. This book offers a material interpretation of an understudied poem that defined an entire genre of South Asian literature -Tirukkovaiyar-the 9th-century Tamil poem dedicated to Shiva. The poetry of Tamil South India invites travel across real and imagined geography, naming royal patrons, ancient temple towns, and natural landscapes. Leah Elizabeth Comeau locates the materiality of devotion to Shiva in a world unique to the South Indian vernacular and yet captivating to audiences across time, place, and tradition.

The speed and scale of urbanisation in India is unprecedented almost anywhere in the world and has tremendous implications globally. The sacral influence on the urban experience can be demonstrated to have resonances for all aspects of urban sustainability in India and yet, remains a blind spot while articulating sustainable urban policy. The book explores the historical and ongoing influence of religion on urban planning, design, space utilisation, and the creation and impact on urban identities and communities. Specifically, it looks at how religious heritage, religious beliefs and religiously influenced planning practices have influenced different facets of development in Indian cities. Three aspects are critical for sustainable urbanisation policies for Jaipur and Indian cities in general: gender, religious heritage and city planning; the city as a communalised space and caste informed space; and heritage and ecological challenges. The book identifies the challenges that Hindu-based planning and heritage poses for sustainability of the city in these regards.It argues that there are ritualistic and belief resources within the religion that urban planning can - and must - utilise while devising the sustainability of Jaipur. This book is one of the first case studies linking Hindu religion, heritage, gender, environment and planning in a manner that has clear implications for sustainable urban planning policies. The study has useful policy implications for the sustainable urban planning of many cities in India, the subcontinent as well as major cities of Indonesia, Cambodia and Nepal.

The study of Hinduism is fragmented among many disciplines. Early academic study of Hinduism was overwhelmingly a study of texts, and while a strong philological tradition continues to characterise much work on Hinduism (in particular in Indology), very different materials and questions animate debates among anthropologists, sociologists, historians, philosophers, and others. The result is that Hindu institutions such as temples are understood quite differently by those who focus on their political, economic, religious, or aesthetic dimensions. Valuable contributions are also beginning to appear in emergent fields as diverse as cognitive science and constructive Hindu theology. While many works in these fields are published in Europe or North America, significant work appears in journals and books published in India which remain hard to access elsewhere. The collection is fully indexed and supplemented with a comprehensive introduction, newly written by the editor, which places the gathered materials in their historical and intellectual context.

First Published in 2000.This is Volume VII of fourteen of a series on India- its language and literature. The Bhagavad Gita is a Sanskrit philosophical poem, written in the usual verse form of the Hindu epic poems, and is an episode in the sixth book, or Bhlshma Parvan, of the Mahabharata, an epic poem devoted mainly to the deeds of the rival princes, who, though descended from a common ancestor, Kuru, fought as Kauravas and Pandavas for the kingdom of which Hastinapura was the capital

This book shows you how to access the wisdom of the Nakshatras in your personal life and for society. Through it the modern reader can understand the energies of their stars and learn how to utilize these to bring their lives into harmony with the great forces of the universe. This book is must reading not only for any students of astrology but for anyone interested in self-development or spiritual growth.

From 2nd to 5th October 2012 an International Congress on Science and Technology for the conservation of Cultural Heritage was held in Santiago de Compostela, Spain, organized by the Universidade of Santiago de Compostela on behalf of TechnoHeritage Network. The congress was attended by some 160 participants from 10 countries, which presented a total of 145 contributions among plenary lectures, oral, and poster communications. The congress was dedicated to eight topics, namely (1) Environmental assessment and monitoring (pollution, climate change, natural events, etc.) of Cultural Heritage; (2) Agents and mechanisms of deterioration of Cultural Heritage (physical, chemical, biological), including deterioration of modern materials used in Contemporary Art and information storage; (3) Development of new instruments, non invasive technologies and innovative solutions for analysis, protection and conservation of Cultural Heritage; (4) New products and materials for conservation and maintenance of Cultural Heritage; (5) Preservation of industrial and rural heritage from the 19th and 20th centuries; (6) Security technologies, Remote sensing and Geographical Information Systems for protection and management of Cultural Heritage; (7) Significance and social value of Cultural Heritage; and (8) Policies for conservation of Cultural Heritage. This volume publishes a total of ninety-three contributions which reflect some of the most recent responses to the challenge of cultural assets conservation.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1882. Not illustrated. Excerpt: ... the philosophy of the up nishads. chapter I. the antecedents of indian metaphysics-metempsychosis. The one spirit's plastic stress Sweeps through the dull dense world, compelling there All new successions to the forms they wear; Torturing the unwilling dross that checks its flight To its own likeness, as each mass may bear; And bursting in its beauty and its might, from trees and beasts and men into the heavens' light.--Shelley. Alors j'ai essay de traverser la sc ne mobile du monde pour p n trer jusqu'au fond immuable, au principe in puisable de la vie universelle. L, je l'avoue, j'ai eu un moment d' blouissement et d'ivresse; j'ai cru voir Dieu. L' tre en soi, l' tre infini, absolu, universel, que peut-on contempler de plus sublime, de plus vaste, de plus profond? C'est le dieu Pan, voqu pour la confusion des idoles de l'imagination et de la conscience humaines. Mais ce Dieu vivant, que d'imperfections, que de mis res il tale, si je regarde dans le monde, 'son acte incessant Et si je veux le voir en soi et dans son fond, je ne trouve plus que l' tre en puissance, sans lumi re, sans couleur, sans forme, sans essence d termin e, ab me t n breux o l'Orient croyait contempler la supr me v rit, et o l'admirable philosophie grecque ne trouvait que chaos et non- tre. Mon illusion n'a pas tenu contre l' vidence, contre la foi du genre humain. Dieu ne pouvait tre o n'est pas le beau, le pur, le parfait.--Vacherot. It is the purpose of the following pages to present the Chap. I. e...

Most overviews of Hindu belief and practice follow a history from the ancient Vedas to today. Such approaches privilege Brahmanical traditions and create a sense of Hinduism as a homogenous system and culture, and one which is largely unchanging and based solely on sacred texts. In reality, modern Hindu faith and culture present an extraordinary range of dynamic beliefs and practices. 'Contemporary Hinduism' aims to capture the full breadth of the Hindu worldview as practised today, both in the sub-continent and the diaspora. Global and regional faith, ritualised and everyday practice, Brahmanical and non-Brahmanical belief, and ascetic and devotional traditions are all discussed. Throughout, the discussion is illustrated with detailed case material and images, whilst key terms are highlighted and explained in a glossary. 'Contemporary Hinduism' presents students with a lively and engaging survey of Hinduism, offering an introduction to the oldest and one of the most complex of world religions.

This is a multifaceted portrait of Lakshmi, Hindu goddess of wealth and prosperity. The book includes translations of verses used to invoke this goddess.

This book is the crowning achievement of the remarkable scholar D. Dennis Hudson, bringing together the results of a lifetime of interdisciplinary study of south Indian Hinduism.
The book is a finely detailed examination of a virtually unstudied Tamil Hindu temple, the Vaikuntha Perumal (ca. 770 C.E.). Hudson offers a sustained reading of the temple as a coherent, organized, minutely conceptualized mandala. Its iconography and structure can be understood in the light of a ten-stanza poem by the Alvar poet Tirumangai, and of the Bhagavata Purana and other major religious texts, even as it in turn illuminates the meanings of those texts.
Hudson takes the reader step by step on a tour of the temple, telling the stories suggested by each of the 56 sculpted panels and showing how their relationship to one another brings out layers of meaning. He correlates the stories with stages in the spiritual growth of the king through the complex rituals that formed a crucial dimension of the religion. The result is a tapestry of interpretation that brings to life the richness of spiritual understanding embodied in the temple.
Hudson's underlying assumption is that the temple itself constitutes a summa theologica for the Pancharatra doctrines in the Bhagavata tradition centered on Krishna as it had developed through the eighth century. This tradition was already ancient and had spread widely across South Asia and into Southeast Asia. By interweaving history with artistic, liturgical, and textual interpretation, Hudson makes a remarkable contribution to our understanding of an Indian religious and cultural tradition.

The chapters cover a wide range of topics, including dance, music, performance, festival traditions, temples, myth, philosophy, women's practices, and divine possession. The engaging narratives are accompanied by contextual discussions and advice on such topics as conducting fieldwork, colonialism, Hindu seasonal celebrations, understanding deities, and aesthetics in Hinduism. All the entries are accompanied by photographs and suggestions for further reading. Too often textbooks and readers are concerned only with texts. This work greatly embellishes the study of religion with first-hand, first-person accounts of not only the living traditions, but the research activity itself as it has transpired in real time. The book would be a wonderful companion in a course on Hindu traditions, or a course in Anthropology where field-work is addressed.

In Indic religious traditions, a number of rituals and myths exist in which the environment is revered. Despite this nature worship in India, its natural resources are under heavy pressure with its growing economy and exploding population. This has led several scholars to raise questions about the role religious communities can play in environmentalism. Does nature worship inspire Hindus to act in an environmentally conscious way? This book explores the above questions with three communities, the Swadhyaya movement, the Bishnoi, and the Bhil communities. Presenting the texts of Bishnois, their environmental history, and their contemporary activism; investigating the Swadhyaya movement from an ecological perspective; and exploring the Bhil communities and their Sacred Groves, this book applies a non-Western hermeneutical model to interpret the religious traditions of Indic communities. With a foreword by Roger S Gottlieb.

This book details the evolution of Bengali culture (in both Bangladesh and West Bengal) since antiquity and argues for its modernization. Originally peripheral to Hindu civilization based in North India, Bengali culture was subjected to various forms of Sanskritization. Centuries of invasions (1204-1757) resulted most notably in the Islamization of Bengal. Often there were conflicts between Sanskritization and Islamization. Later colonization of Bengal by Britain (1757) led to a process of Angli-cization, which created a new middle class in Bengal that, in turn, created a form of elitism among the Bengali Hindu upper caste. After British rule ended (1947), Bengali culture lost its elitist status in South Asia and has undergone severe marginalization. Political instability and economic insufficiency, as reflected by many quantitative and qualitative indicators, are common and contribute to pervasive unemployment, alienation, vigilantism, and instability in the entire region. A Story of Ambivalent Modernization in Bangladesh and West Bengal is appropriate not only for Bengali intellectuals and scholars but for sociologists, political scientists, cultural anthropologists, historians, and others interested in a case study of how and why a given culture becomes derailed from its path toward modernization.

The Bhagavad Gita is a unique literary creation but deciphering its meaning and philosophy is not easy or simple. This careful study of the Bhagavad Gita approaches the ancient text with a modern mind and offers a unifying structure which is of a universal relevance. Combining the philosophical-theoretical with the ethical-practical, Ithamar Theodor locates his study within comparative theology and identifies the various layers of meaning. The full text of the Bhagavad Gita is presented in new translation, divided into sections, and accompanied by in-depth commentary. This book makes the Bhagavad Gita accessible to a wide variety of readers, helping to make sense of this great spiritual classic which is one of the most important texts of religious Hinduism.