The way people encounter ideas of Hinduism online is often shaped by global discourses of religion, pervasive Orientalism and (post)colonial scholarship. This book addresses a gap in the scholarly debate around defining Hinduism by demonstrating the role of online discourses in generating and projecting images of Hindu religion and culture. This study surveys a wide range of propaganda, websites and social media in which definitions of Hinduism are debated. In particular, it focuses on the role of Hindu nationalism in the presentation and management of Hinduism in the electronic public sphere. Hindu nationalist parties and individuals are highly invested in discussions and presentations of Hinduism online, and actively shape discourses through a variety of strategies. Analysing Hindu nationalist propaganda, cyber activist movements and social media presence, as well as exploring methodological strategies that are useful to the field of religion and media in general, the book concludes by showing how these discourses function in the wider Hindu diaspora. Building on religion and media research by highlighting mechanical and hermeneutic issues of the Internet and how it affects how we encounter Hinduism online, this book will be of significant interest to scholars of religious studies, Hindu studies and digital media.

The historical interplay of Hinduism as an ancient Indian religion and Christianity as a religion associated (in India, at least) with foreign power and colonialism, continues to animate Hindu-Christian relations today. On the one hand, The Routledge Handbook of Hindu-Christian Relations describes a rich history of amicable, productive, even sometimes syncretic Hindu-Christian encounters. On the other, this handbook equally attends to historical and contemporary moments of tension, conflict, and violence between Hindus and Christians. Comprising thirty-nine chapters by a team of international contributors, this handbook is divided into seven parts: Theoretical and methodological considerations Historical interactions Contemporary exchanges Sites of bodily and material interactions Significant figures Comparative theologies Responses The handbook explores: how the study of Hindu-Christian relations has been and ought to be done, the history of Hindu-Christian relations through key interactions, ethnographic reflections on current dynamics of Hindu-Christian exchange, important key thinkers, and topics in comparative theology, ultimately providing a framework for further debates in the area. The Routledge Handbook of Hindu-Christian Relations is essential reading for students and researchers in Hindu-Christian studies, Hindu traditions, Asian religions, and studies in Christianity. This handbook will also be very useful for those in related fields, such as anthropology, political science, theology, and history.

Religious procession is a significant dimension of religion in South Asia. Processions are central not only in Hinduism, but also Islam, Christianity, Jainism and Sikhism, which have large procession rituals. The last years have seen an increase in processions and ritualizations of space both in South Asia and in the South Asian Diaspora. Processions are religious display events and the increase in processions are functions of religious pluralism and competition about public space as well as economic prosperity and a revival of religious identities. Processions often bring together religion and politics since they are about public space, domination and contestation. Written by leading specialists on religious processions and ritualization of public space in South Asia and in the Diaspora, this volume presents current research on the interpretations of the role of processions, the recent increase in processions and changes in the procession traditions. South Asian Religions on Display will appeal to students and scholars of Asian studies, anthropology, religion and political science.

Refuting prophecies of an unstoppable increase in secularization, the fascination of religious rituals proofs to be unbroken in the late modern world. This book contests classical paradigms that reduce the rationale of rituals to normativity (Durkheim), intelligibility (Geertz) and dialectics (Turner). Instead, it shows that rituals assert their significance in the post-colonial and globalizing world by successfully negotiating structure and contingency, identity and hybridity, script and embodiment. Its case studies are dealing with a broad variety of ritual genres and expressions, including initiation ceremonies and spirit possession, new harvest ceremonies, cults of ancestors, deities and saints, ceremonial receptions, inaugurations and memorials, ritual theatre, carnival and ritual painting in contemporary Brazil, Germany, France, India, Japan, Taiwan, USA, Vietnam, and Yemen.

Since the beginning of modern Indology in the 19th century, the relationship between the early Indian religions of Buddhism, Jainism, and Hinduism has been predicated on a perceived dichotomy between two meta-historical identities: "the Brahmans" (purveyors of the ancient Vedic texts and associated ritual system) and the newer "non-Brahmanical" sramana movements from which the Buddhists and Jains emerged. Textbook and scholarly accounts postulate an opposition between these two groups, citing the 2nd-century BCE Sanskrit grammarian Patanjali, who is often quoted erroneously as likening them to the proverbial enemies snake and mongoose. Scholars continue to privilege Brahmanical Hindu accounts of early Indian history, and further portray Buddhist and Jain deviations from those accounts as evidence of their opposition to a pre-existing Brahmanism. In The Snake and The Mongoose, Nathan McGovern turns this commonly-accepted model of the origins of the early Indian religions on its head. His book seeks to de-center the Hindu Brahman from our understanding of Indian religion by "taming the snake and the mongoose"-that is, by abandoning the anachronistic distinction between "Brahmanical" and "non-Brahmanical." Instead, McGovern allows the earliest articulations of identity in Indian religion to speak for themselves through a comparative reading of texts preserved by the three major groups that emerged from the social, political, cultural, and religious foment of the late first millennium BCE: the Buddhists and Jains as they represented themselves in their earliest sutras, and the Vedic Brahmans as they represented themselves in their Dharma Sutras. The picture that emerges is not of a fundamental dichotomy between Brahmanical and non-Brahmanical, but rather of many different groups who all saw themselves as Brahmanical. Thus, McGovern argues, it was through the contestation between these groups that the distinction between Brahmanical and non-Brahmanical-the snake and the mongoose-emerged.

A thousand-year-old story of Krishna and his wife Satyabhama retold by the most famous court poet of the Vijayanagara Empire. Legend has it that the sixteenth-century Telugu poet Nandi Timmana composed Theft of a Tree, or Parijatapaharanamu, which he based on a popular millennium-old tale, to help the wife of Krishnadevaraya, king of the south Indian Vijayanagara Empire, win back her husband's affections. Theft of a Tree recounts how Krishna stole the parijata, a wish-granting tree, from the garden of Indra, king of the gods. Krishna does so to please his favorite wife, Satyabhama, who is upset when he gifts his chief queen a single divine flower. After battling Indra, Krishna plants the tree for Satyabhama-but she must perform a rite temporarily relinquishing it and her husband to enjoy endless happiness. The poem's narrative unity, which was unprecedented in the literary tradition, prefigures the modern Telugu novel. Theft of a Tree is presented here in the Telugu script alongside the first English translation.

This book is an indispensable resource for students and researchers wishing to develop a deeper understanding of one of the world's oldest and most multifaceted religious traditions.

Sushil Mittal and Gene Thursby, leading scholars in the field, have brought together a rich variety of perspectives which reflect the current lively state of the field. Studying Hinduism is the result of cooperative work by accomplished specialists in several fields that include anthropology, art, comparative literature, history, philosophy, religious studies, and sociology. Through these complementary and exciting approaches, students will gain a greater understanding of India's culture and traditions, to which Hinduism is integral. The book uses key critical terms and topics as points of entry into the subject, revealing that although Hinduism can be interpreted in sharply contrasting ways and set in widely varying contexts, it is endlessly fascinating and intriguing.

The Chaitanya Vaishnava tradition is famous for its depth of devotion to Krishna, the blue-hued Deity. Chaitanya Vaishnavas are known for having refined the practice and aesthetics of devotion into a sophisticated science. This imposing devotional edifice was constructed upon a solid foundation of philosophical argument and understanding. In this book, Ravi Gupta sheds new light on the contribution of Chaitanya Vaishnavism to the realm of Indian philosophy. He explores the hermeneutical tools employed, the historical resources harnessed, the structure of the arguments made, and the relative success of the endeavor. For most schools of Vaishnavism, the supporting foundation consists of the philosophical resources provided by Vedanta. The Chaitanya tradition is remarkable in its ability to engage in Vedantic discourse and at the same time practice an ecstatic form of devotion to Krishna. The prime architect of this balance was the scholar-devotee Jiva Gosvami (ca. 1517 - 1608). This book analyses Jiva Gosvami's writing concerning the philosophy of the Vedanta tradition. It concludes that Jiva's writing crosses 'disciplinary boundaries', for he brought into dialogue four powerful streams of classical Hinduism: the various systems of Vedanta, the ecstatic bhakti movements, the Puranic commentarial tradition, and the aesthetic rasa theory of Sanskrit poetics. With training in and commitments to all of these traditions, Jiva Gosvami produced a distinctly Chaitanya Vaishnava system of theology.

For over twenty years Douglas Berger has advanced research and reflection on Indian philosophical traditions from both classical and cross-cultural perspectives. This volume reveals the extent of his contribution by bringing together his perspectives on these classical Indian philosophies and placing them in conversation with Confucian, Chinese Buddhist and medieval Indian Sufi traditions. Delving into debates between Nyaya and Buddhist philosophers on consciousness and identity, the nature of Sankara's theory of the self, the precise character of Nagarjuna's idea of emptiness, and the relationship between awareness and embodiment in the broad spectrum of Indian thought, chapters exhibit Berger's unusually broad range of expertise. They connect Chinese Confucian and Buddhist texts with classical Indian theories of ethics and consciousness, contrast the ideas of seminal European thinkers like Nietzsche and Derrida from prevailing themes in Buddhism, and shed light on the spiritual and political dimensions of the Mughal prince Dara Shukoh's immersion into Vedantic thought. Always approaching the arguments from an intercultural perspective, Berger shows how much relevance and resonance classical Indian thought has with ancient Confucian views of ethics, Chinese Buddhist depictions of consciousness and medieval Mughal conceptions of divinity. The result is a volume celebrating the rigor, vitality and intercultural resonance of India's rich philosophical heritage.

The Sanskrit Mahabharata is one of the most important texts to emerge from the Indian cultural tradition. At almost 75,000 verses it is the longest poem in the world, and throughout Indian history it has been hugely influential in shaping gender and social norms. In the context of ancient India, it is the definitive cultural narrative in the construction of masculine, feminine and alternative gender roles.

This book brings together many of the most respected scholars in the field of Mahabharata studies, as well as some of its most promising young scholars. By focusing specifically on gender constructions, some of the most innovative aspects of the Mahabharata are highlighted. Whilst taking account of feminist scholarship, the contributors see the Mahabharata as providing an opportunity to frame discussion of gender in literature not just in terms of the socio-historical roles of men and women. Instead they analyze the text in termsof the wider poetic and philosophical possibilities thrown up by the semiotics of gendering. Consequently, the book bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory.

Gender and Narrative in the Mahabharata will be appreciated by readers interested in South Asian studies, Hinduism, religious studies and gender studies.

Indian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century.

Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India.

Well-written and thoroughly researched, this book is a valuable contribution to the field of South Asian studies. It will be interesting to academics across the discipline, including linguistics, politics, sociology, cultural and gender studies.

Originally published in 1977, The Hindu Religious Tradition provides a detailed exploration into the different doctrines regarding the nature of Religious Reality and the many paths of search for this Reality within the Hindu religion. The book discusses these differing doctrines from the point of view of their philosophical significance and their use in man's search for the divine in consideration of the traditional teaching that the divine is already in man and can be realised in direct experience. It provides a comprehensive account of this tradition through considering all aspects that are integral to it, and highlights that the profundity of this tradition lies in that it cannot be limited to the requirements of any one form of conceiving the divine. The Hindu Religious Tradition will appeal to those with an interest in Hinduism, religious philosophy, and theology.

Describing one of the most important practices of hathayoga (khecarimudra), the Khecarividya of Adinatha is presented here to an English-speaking readership for the first time. The author, James Mallinson, draws on thirty Sanskrit works, as well as original fieldwork amongst yogins in India who use the practice, to demonstrate how earlier tantric yogic techniques developed and mutated into the practices of hathayoga. Accompanied by an introduction and an extensively annotated translation, the work sheds light on the development of hathayoga and its practices.

Within the broad Hindu religious tradition, there have been for millennia many subtraditions generically called Vaisnava, who insist that the most appropriate mode of religious faith and experience is bhakti, or devotion, to the supreme personal deity, Visnu. Caitanya Vaisnavas are a community of Vaisnava devotees who coalesced around Krsna Caitanya (1486-1533), who taught devotion to the name and form of Krsna, especially in conjunction with his divine consort Radha and who also came to be looked upon by many as Krsna himself who had graciously chosen to be born in Bengal to exemplify the ideal mode of loving devotion (prema-bhakti). This book focusses on the relationship between the 'transcendent' intentionality of religious faith of human beings and their 'mundane' socio-cultural ways of living, through a detailed study of the social implications of the Caitanya Vaisnava devotional Hindu tradition in pre-colonial and colonial Bengal. Structured in two parts, the first analyzes the articulation of Krsna-bhakti within the broad Hindu sector of Bengali society. The second section examines Hindu-Muslim relationships in Bengal from the particular vantage point of the Caitanya Vaisnava tradition, and in which the subtle influence of Krsna-bhakti, it is argued, may be detected. In both sections, the bulk of attention is given to the sixteenth and seventeenth centuries, when Bengal was under independent Sultanate or emergent Mughal rule and thus free of the impact of British and European colonial influence. Arguing that the Caitanya Vaisnava devotion contributed to the softening of the potentially alienating socio-cultural divisions of class, caste, sect and religio-political community in Bengal, this book will be of interest to academics in the field of Asian Religion and Hinduism, in particular devotional Hinduism, both premodern and modern, as well as to scholars and students of South Asian social history, Hindu-Muslim relations, and Bengali religious culture.

This book deals with the history of interpretation of a theological concept of self-surrender - prapatti - in late 12th - 13th century religious texts of the Shrivaishnava community of South India. It is a unique textual study, which shows that medieval sectarian formation in its theological dimension is a fluid and ambivalent enterprise, where conflict and differentiation are presaged on "sharing," whether of a common canon, or two languages (Tamil and Sanskrit), a common saint, a common corpus of rituals or of a "meta-social" arena such as the temple itself.
Arguing that the core ideas of prapatti in these texts reveal the description of a heterogeneous theological concept, its nature dependent on the status of its practitioner, this book demonstrates that this concept is theologically moulded by the emergence of new literary genres, such as commentaries with hagiographical elements, in this period. The author puts forward the idea that this original heterogeneous understanding of prapatti is a majorcontributory cause to the emergence of sectarian divisions among the Shrivaishnavas, which lead to the eventual formation of two sub-sects, the Tenkalai and the Vatakalai, who stand respectively, for the "cat" and "monkey" theological positions.
The book contributes to a new, intellectual history of medieval Indian religion with a specific emphasis on South Indian Shrivaishnavism. It will be of interest to scholars of Shrivaishnavism and Hindu and Indian Religious Studies.

In Indian philosophy and theology, the ideology of Vedanta occupies an important position. Hindu religious sects accept the Vedantic soteriology, which believes that there is only one conscious reality, Brahman from which the entire creation, both conscious and non-conscious, emanated.

Madhusudana Sarasvati, who lived in sixteenth century Bengal and wrote in Sanskrit, was the last great thinker among the Indian philosophers of Vedanta. During his time, Hindu sectarians, rejected monistic Vedanta. Although a strict monist, Madhusudana tried to make a synthesis between his monistic philosophy and his theology of emotional love for God.

Sanjukta Gupta provides the only comprehensive study of Madhusudana Sarasvati's thought. She explores the religious context of his extensive and difficult works, offering invaluable insights into Indian philosophy and theology.

This innovative book offers a dynamic analysis of Hinduism in the perspective of Western notions of modernity. After reviewing definitions of modernity and Hinduism and looking at modernity in India, the author considers Hinduism in relation to Islam and the West. The second half of the book presents key aspects of Hinduism, ancient and modern, in the light of their contrast with modernity.

The scope of the book is extremely broad, covering topics such as Orientalism, women, goddesses, gods, and the central problem of contemporary Hinduism - the rise of Hindu nationalism.

The book will be of interest not only to students of Hinduism but also to all those interested in the sociology of religion more broadly, and indeed everyone interested in the conjunction of modernity and tradition.

There is a steady and growing scholarly and popular interest in Hindu religious - especially devotional (bhakti) traditions as forms of spiritual practice and expressions of divine embodiment. Associated with this is the attention to sacred images and their worship. This book extends the discussion on Indian images and their worship, bringing historical and comparative dimensions and considering Krishna worship in the context of modernity, both in India and the West. It focuses on one specific worship tradition, the Chaitanya Vaishnava tradition of the 14th to 16th centuries, as it develops and sustains itself in two specific locales. By applying the comparative category of "religious truth," the author provides a comprehensive understanding of a living religious tradition. He successfully demonstrates the understanding of devotion as a process of participation with divine embodiment in which worship of Krishna's image is integral.
A presentation of a traditional north Indian Krishna temple, which represents an "embodied community" and a western Krishna temple to represent a "missionizing tradition" of the Hari Krishnas (ISCON-The International Society of Krishna Consciousness), completes this analysis.
This book offers an original contribution to comparative religious studies.

The Sanskrit narrative text Devi Mahatmya, "The Greatness of The Goddess," extols the triumphs of an all-powerful Goddess, Durga, over universe-imperiling demons. These exploits are embedded in an intriguing frame narrative: a deposed king solicits the counsel of a forest-dwelling ascetic, who narrates the tripartite acts of Durga which comprise the main body of the text. It is a centrally important early text about the Great Goddess, which has significance to the broader field of Puranic Studies. This book analyzes the Devi Mahatmya and argues that its frame narrative cleverly engages a dichotomy at the heart of Hinduism: the opposing ideals of asceticism and kingship. These ideals comprise two strands of what is referred to herein as the dharmic double helix. It decodes the symbolism of encounters between forest hermits and exiled kings through the lens of the dharmic double helix, demonstrating the extent to which this common narrative trope masterfully encodes the ambivalence of brahmanic ideology. Engaging the tension between the moral necessity for nonviolence and the sociopolitical necessity for violence, the book deconstructs the ideological ambivalence throughout the Devi Mahatmya to demonstrate that its frame narrative invariably sheds light on its core content. Its very structure serves to emphasize a theme that prevails throughout the text, one inalienable to the rubric of the episodes themselves: sovereignty on both cosmic and mundane scales. The book sheds new light on the content of the Devi Mahatmya and contextualizes it within the framework of important debates within early Hinduism. It will be of interest to academics in the fields of Asian Religion, Hindu Studies, Goddess Studies, South Asian Studies, Narrative Studies and comparative literature.

Religion for a Secular Age provides a transnational history of modern Vedanta through a comparative study of two of its most important exponents, Friedrich Max Muller (1823-1900) and Swami Vivekananda (1863-1902). This book explains why Vedanta's appeal spanned the ostensibly very different contexts of colonial India and Victorian Britain and America, and how this ancient form of thought was translated by Muller and Vivekananda into a modern form of philosophy or religion. These religiously-committed men attempted to reconcile religion with modernity by appealing to Advaita (literally, 'non-dualistic') Vedanta's monistic interpretation of reality. The 'scientific' study of religion allegedly demonstrated the evolutionary superiority of Vedanta and the possibility of religion's survival in 'the light of modern science'. They believed Vedanta could also provide the religious basis for moral engagement in this world, even as the hold of orthodox Christianity and traditional Hinduism appeared to be weakening. Vedanta thus served as a way of articulating a form of religion suitable for a secular age - religion which has embraced modern forms of thought while breaking away from creeds, scriptures and institutions to thrive in the spheres of public debate of London, Calcutta and New York.

This book investigates the relationship between the various interpretations of the "Bhagavad-Gita" and the Hindu tradition.
The Bhagavad-Gita is probably the most popular - and certainly the most frequently quoted and widely studied - work of the Hindu scriptures. This book investigates the relationship between the various interpretations of the Bhagavad-Gita and the Hindu tradition.
Taking into account a range of influential Indian and western thinkers to illustrate trends in writing about the Bhagavad-Gita including Western academic; Indian activist; Christian theological; Hindu Universalist; perennialist mystical and contemporary experiential accounts. Examining the ideas of such influential figures as F Max Muller, M K Ghandi, Bede Griffiths, Swami Vivekananda, Aldous Huxley and Swami Bhakivedanta, this book demonstrates the inextricable link between different interpretations of the Bhagavad-Gita and images of the Hindu tradition.
This accessible book aptly demonstrates the relevance of the Bhagavad-Gita for an understanding of Hinduism as a modern phenomenon.

This work describing life in India at the turn of the century combines descriptions of the Hindu religion and Hindu sociology with masterful portraits of the intimate lives of the people among whom the author lived. Among the issues explored are the caste system, poverty, the mythical origin of the Brahmins, Hindu sects, ceremonies, religious fasting, morality, the position of women, and Hindu literature.

Historically, Kashmir was one of the most dynamic and influential centers of Sanskrit learning and literary production in South Asia. In Poetry as Prayer in the Sanskrit Hymns of Kashmir, Hamsa Stainton investigates the close connection between poetry and prayer in South Asia by studying the history of Sanskrit hymns of praise (stotras) in Kashmir. The book provides a broad introduction to the history and general features of the stotra genre, and it charts the course of these literary hymns in Kashmir from the eighth century to the present. In particular, it offers the first major study in any European language of the Stutikusumanjali, an important work of religious literature dedicated to the god Siva and one of the only extant witnesses to the trajectory of Sanskrit literary culture in fourteenth-century Kashmir. The book also contributes to the study of Saivism by examining the ways in which Saiva poets have integrated the traditions of Sanskrit literature and poetics, theology (especially non-dualism), and Saiva worship and devotion. It substantiates the diverse configurations of Saiva bhakti expressed and explored in these literary hymns and the challenges they present for standard interpretations of Hindu bhakti. More broadly, this study of stotras from Kashmir offers new perspectives on the history and vitality of prayer in South Asia and its complex relationships to poetry and poetics.

This book offers an in-depth study of right-wing politics in India by analysing the shifting ideologies of Hindu nationalism and its evolution in the late nineteenth century through to twenty-first century. The authors provide a thorough overview of the chronological evolution of Hindu nationalist organizational outfits to reveal how Hindu nationalist ideology has adapted in ways that have not always corresponded with the orthodox Hindu nationalist position. An examination of the overriding preference for Hindu nationalism demonstrates how it has flourished and continues to remain relevant in contemporary India despite being marginalized at the dawn of India's independence. The book demonstrates that Hindu nationalism is a context-driven ideological device which is sensitive to the ideas and priorities that gradually gain salience. It also explores Hindu nationalism as a vote-catching device, especially from the late twentieth century onwards. Providing a nuanced analysis of Hindu nationalism in India as a constantly evolving phenomenon, this book will be of interest to researchers on Asian political theory, nationalism, religious politics and South Asian and Indian politics.

The Vijayanagara Empire flourished in South India between 1336 and 1565. Conveying the depth and creativity of Hindu religious and literary expression during that time, Vijayanagara Voices explores some of the contributions made by poets, singer-saints, and philosophers. Through translations and discussions of their lives and times, Jackson presents the voices of these cultural figures and reflects on the concerns of their era, looking especially into the vivid images in their works and their legends. He examines how these images convey both spiritual insights and physical experiences with memorable candour. The studies also raise intriguing questions about the empire's origins and its response to Muslim invaders, its 'Hinduness', and reasons for its ultimate decline. Vijayanagara Voices is a book about patterns in history, literature and life in South India. By examining the culture's archetypal displays, by understanding the culture in its own terms, and by comparing associated images and ideas from other cultures, this book offers unique insights into a rich and influential period in Indian history.