The Brahma-sutra, attributed to Badaraya (ca. 400 CE), is the canonical book of Vedanta, the philosophical tradition which became the doctrinal backbone of modern Hinduism. As an explanation of the Upanishads, it is principally concerned with the ideas of Brahman, the great ground of Being, and of the highest good. The Philosophy of the Brahma-sutra is the first introduction to concentrate on the text and its ideas, rather than its reception and interpretation in the different schools of Vedanta. Covering the epistemology, ontology, theory of causality and psychology of the Brahma-sutra, and its characteristic theodicy, it also: * Provides a comprehensive account of its doctrine of meditation * Elaborates on its nature and attainment, while carefully considering the wider religious context of Ancient India in which the work is situated * Draws the contours of Brahma-sutra's intellectual biography and reception history. By contextualizing the Brahma-sutra's teachings against the background of its main collocutors, it elucidates how the work gave rise to widely divergent ontologies and notions of practice. For both the undergraduate student and the specialist this is an illuminating and necessary introduction to one of Indian philosophy's most important works.

In The Cow in the Elevator Tulasi Srinivas explores a wonderful world where deities jump fences and priests ride in helicopters to present a joyful, imaginative, yet critical reading of modern religious life. Drawing on nearly two decades of fieldwork with priests, residents, and devotees, and her own experience of living in the high-tech city of Bangalore, Srinivas finds moments where ritual enmeshes with global modernity to create wonder-a feeling of amazement at being overcome by the unexpected and sublime. Offering a nuanced account of how the ruptures of modernity can be made normal, enrapturing, and even comical in a city swept up in globalization's tumult, Srinivas brings the visceral richness of wonder-apparent in creative ritual in and around Hindu temples-into the anthropological gaze. Broaching provocative philosophical themes like desire, complicity, loss, time, money, technology, and the imagination, Srinivas pursues an interrogation of wonder and the adventure of writing true to its experience. The Cow in the Elevator rethinks the study of ritual while reshaping our appreciation of wonder's transformative potential for scholarship and for life.

Many people assume, largely because of Gandhi's legacy, that Hinduism is a religion of non-violence. In this 2006 book William R. Pinch shows just how wrong this assumption is. Using the life of Anupgiri Gosain, a Hindu ascetic who lived at the end of the eighteenth century, he demonstrates that Hindu warrior ascetics were an important component of the South Asian military labor market in the medieval and early modern Indian past, and crucial to the rise of British imperialism. Today, they occupy a prominent place in modern Indian imaginations, ironically as romantic defenders of a Hindu India against foreign invasion, even though they are almost totally absent from Indian history. William R. Pinch's innovative and gloriously composed book sets out to piece together the story of the rise and demise of warrior asceticism in India from the 1500s to the present. It will appeal to students of religion and historians of empire.

A celebration of Neem Karoli Baba, one of the most influential spiritual leaders of our time, the divine guru who inspired and led a generation of seekers-including Ram Dass, Daniel Goleman, and Larry Brilliant-on life-changing journeys that have ultimately transformed our world. In 1967, Baba Ram Dass-former American Harvard professor Richard Alpert-left India to share stories of his mysterious guru, Neem Karoli Baba, known as Maharajji. Introducing idealistic Western youth to the possibilities inherent in spiritual development, Ram Dass inspired a generation to turn on and tune in to a reality far different from the one they had known. From the spring of 1970 until Maharajji died on September 11, 1973, several hundred Westerners had his darshan (in Hinduism, the beholding of a deity, revered person, or sacred object). Those who saw him formed the Maharajji satsang-fellow travelers on the path. Love Everyone tells the stories of those who heard the siren call of the East and followed it to the foothills of the Himalayas. The ways they were called to make the journey, their experiences along the way, and their meeting with Maharajji form the core of this multicultural adventure in shifting consciousness. The contributors share their recollections of Maharajji and how his wisdom shaped their lives. All have attempted to follow Maharajji's basic teaching, his seemingly simple directives: Love everyone, feed everyone, and remember God. All have found their own way to be of service in the world and, in so doing, have collectively touched the hearts and souls of countless others.

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought-a concept for the stage-to its flourishing in literary thought-a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.

The Virgin Mary has long been the object of both devotional and scholarly interest, and recent years have seen a proliferation of studies on Hindu goddess-worship traditions. Despite the parallels between the two, however, no one has yet undertaken a book-length comparison of these traditions. In Divine Mother, Blessed Mother, Francis Clooney offers the first extended comparative study of Hindu goddesses and the Virgin Mary. Clooney is almost unique in the field of Hindu studies as a Christian theologian with the linguistic and philosophical expertise necessary to produce sophisticated comparative analyses. Building on his previous work in comparative theology, he sheds new light not only on these individual traditions but also on the nature of gender and the divine.

The sixth book of the Ramayana of Valmiki, the Yuddhakanda, recounts the final dramatic war between the forces of good led by the exiled prince Rama, and the forces of evil commanded by the arch demon Ravana. The hero Rama's primary purpose in the battle is to rescue the abducted princess Sita and destroy the demon king. However, the confrontation also marks the turning point for the divine mission of the Ramavatara, the incarnation of Lord Visnu as a human prince, who will restore righteousness to a world on the brink of chaos. The book ends with the gods' revelation to Rama of his true divine nature, his emotional reunion with his beloved wife, his long-delayed consecration as king of Kosala, and his restoration of a utopian age. The Yuddhakanda contains some of the most extraordinary events and larger-than-life characters to be found anywhere in world literature. This sixth volume in the critical edition and translation of the Valmiki Ramayana includes an extensive introduction, exhaustive notes, and a comprehensive bibliography.

The Ramayana is one of India's foundational epics, and it demonstrates a continuing power to influence social, religious, cultural, and political life. Brought to textual life in Sanskrit by the legendary "first poet," Valmiki, over the ensuing centuries the tale has been recycled with extraordinary adaptability and diversity through the varied cultural heritages of India and other parts of Asia. The basic tale of the Ramayana is continually adapted to new contexts, forms, and media. It is read, recited, sung, danced, and acted in one form or another, and renewed so constantly by changing times and values that it demands constant revaluation.
The Ramayana Revisited presents the latest in Ramayana scholarship. Fourteen leading scholars examine the epic in its myriad contexts throughout South and Southeast Asia. They explore the role the narrative plays in societies as varied as India, Indonesia, Thailand, and Cambodia. The essays also expand the understanding of the "text" to include non-verbal renditions of the epic, with particular attention to the complex ways such retellings change the way the narrative deals with gender. This volume will be invaluable to students and scholars interested in mythology, Hinduism, Asian studies, and anthropology.

William Gould explores what is arguably one of the most important and controversial themes in twentieth-century Indian history and politics: the nature of Hindu nationalism as an ideology and political language. Using an array of historical sources, he analyzes how it affected the secularist Congress in Uttar Pradesh on the eve of Independence, and how these ideologies fostered tensions between Hindus and Muslims, and the subsequent development of communal violence. This book is intended for students of colonial India as well as those interested in contemporary Indian politics.

"The poem is rising into splendid popularity. Some say it is better than Milton-but that is all bosh-nothing can be better than Milton; many say it licks Kalidasa; I have no objection to that. I don't think it impossible to equal Virgil, Kalidasa, and Tasso." Michael Madhusudan Datta wrote this in a letter to a friend about his verse narrative, The Slaying of Meghanada (1861). The epic, a Bengali version of the Ramayana story in which Ravana, not Rama, is the hero, has become a classic of Indian literature. Datta lived in Bengal at the height of what is frequently called the Bengal Renaissance, a time so labeled for its reinvigoration and reconfiguration of the Hindu past and for the florescence of the literary arts. It was also a period when the Bengali city of Kolkata was a center of world trade-the second city of the British empire-and thus a site of cultural exchange between India and the West. Datta was the perfect embodiment of this time and place. The Slaying of Meghanada is deeply influenced by western epic tradition, and is sprinkled with nods to Homer, Milton, and Dante. Datta's deft intermingling of western and eastern literary traditions brought about a sea change in South Asian literature, and is generally considered to mark the dividing line between pre-modern and modern Bengali literature. Datta's masterpiece is now accessible to readers of English in Clinton Seely's elegant translation, which captures both the sense and the spirit of the original. The poem is supplemented by an extensive introduction, notes, and a glossary.

The Ramayana is one of the great epics of the ancient world, with versions spanning the cultures, religions and languages of Asia. Its story of Rama's quest to recover his wife Sita from her abduction by Raavana, the Lord of the Underworld, has enchanted readers and audiences across the Eastern world for thousands of years. Daljit Nagra was captivated by his grandparents' Punjabi version as a child, and has chosen to rejuvenate the story for a new generation of multicultural, multi-faith readers. By drawing on scenes originating in versions such as those from Cambodia, Laos and Thailand, as well as the better-known Indian Ramayanas, and by incorporating elements of Hindu, Buddhist, Sikh, Jain and secular versions, Nagra creates a consciously multicultural Ramayana. This dazzling version is both accessible and engaging, written in Nagra's typically vibrant and eclectic language, and bursting with energy, pathos and humour.

The Dance of Siva is a complete account of Siva's Dance of Bliss, which is based on a remarkable Sanskrit poem written by Umapati Sivacarya about 1300 AD. Siva is one of the two main gods of Hinduism. The book deals with the famous Chola Nataraja bronze--today the best-known Hindu image, the key location of Siva's Dance in South India, and the temple of Cidambaram. Dr. Smith explores all aspects of Nataraja and the Goddess, and the temple, its priests and ritual. Relevant contemporary art from Cidambaram and neighboring sites illuminates the text.

Through analysis of an impressive array of "low" and "high" Hindi literature, particularly pamphlets, tracts, magazines and newspapers, compounded with archival data, Gupta explores the emerging discourse of gender and sexuality, which was essential to the development of notions of Hindu nationalism and community identity in the colonial period. The book offers an exceptionally nuanced account of Hindu gender politics.

Originally published as The Continuum Companion to Hindu Studies, this Companion offers the definitive guide to Hinduism and study in this area. Now available in paperback, The Bloomsbury Companion to Hindu Studies covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Specially commissioned essays from an international team of experts reveal where important work continues to be done in the field and, valuably, how the various topics intersect through detailed reading paths. Featuring a series of indispensible research tools, including a detailed list of resources, chronology and diagrams summarizing content, this is the essential tool for anyone working in Hindu Studies.

A new English translation of the most influential legal text in medieval India. A Treatise on Dharma, written in the fourth or fifth century, is the finest example of the genre of dharmasastra-texts on religious, civil, and criminal law and the duties of rulers-that informed Indian life for a thousand years. It illuminates major cultural innovations, such as the prominence of documents in commercial and legal proceedings, the use of ordeals in resolving disputes, and the growing importance of yoga in spiritual practices. Composed by an anonymous author during the reign of the imperial Guptas, the Treatise is ascribed to the Upanishadic philosopher Yajnavalkya, whose instruction of a group of sages serves as the frame narrative for the work. It became the most influential legal text in medieval India, and a twelfth-century interpretation came to be considered "the law of the land" under British rule. This translation of A Treatise on Dharma, based on a new critical edition and presented alongside the Sanskrit original in the Devanagari script, opens the classical age of ancient Indian law to modern readers.

This study, based on the author's fieldwork among rural Tamil villagers in South India, focuses on the ways in which people in this society interact with the supernatural beings who play such a large role in their personal and corporate lives. Isabelle Navokov looks at a spectrum of ritualized contexts in which the boundaries between the natural and spiritual worls are penetrated and communication takes place. Throughout, Nabokov's meticulous analysis sheds new light on this hiterto almost unkown domain - and entire range of fascinating phenomena basic to South Indian religion as it is really lived.