The Bhagavad Gita, or 'Song of the Spirit', is the best known book of India's national epic The Mahabharata. Based on a dialogue between Bhagavan Krishna and Prince Arjuna on the eve of a great battle, it is held to be the essence of Hindu spirituality, sacred literature and yoga, as well as exploring the great universal themes of courage, honour, death, love, virtue and fulfilment. Of interest to the large number of contemporary spiritual seekers - of any faith and none - who want to read the world's most important sacred texts, and to learn from their wisdom. Also useful for scholars of Vedic literature and students.

In the early 11th century, the Kashmiri philosopher Abhinavagupta proposed panentheism-seeing the divine as both immanent in the world and at the same time as transcendent-as a way to reclaim the material world as something real, something solid. His theology understood the world itself, with its manifold inhabitants-from gods to humans to insects down to the merest rock-as part of the unfolding of a single conscious reality, Siva. This conscious singularity-the word "god" here does not quite do it justice-with its capacity to choose and will, pervades all through, top to bottom; as Abhinavagupta writes, "even down to a worm - when they do their own deeds, that which is to be done first stirs in the heart." His panentheism proposed an answer to a familiar conundrum, one we still grapple with today: Consciousness is so unlike matter. How does consciousness actually connect to the materiality of our world? To put this in more familar twenty-first-century terms, how does mind connect to body? These questions drive Loriliai Biernacki's The Matter of Wonder: Abhinavagupta's Panentheism and New Materialism. Biernacki draws on Abhinavagupta's thought-and particularly his yet-untranslated, philosophical magnum opus, the Isvara Pratyabhijna Vivrti Vimarsini-to think through contemporary issues such as the looming prospect of machine AI, ideas about information, and our ecological crises. She argues that Abhinavagupta's panentheism can help us understand our current world and can contribute to a New Materialist re-envisioning of the relationship that humans have with matter.

Translated from original Marathi by Indira Kher, this work is a verse composition containing the known facts about Shri Sai Baba's life at Shirdi, and also his teachings seeks to meet a long-felt need. This is the Bible of Sai devotes in every sense of the term, in it's veracity, sanctity, faith and devotion that it inspires and the deep satisfaction, a sense of fulfilment that it brings to the devotee, it has no equal. Its sanctity derives from the fact that its idea was conceived during Baba's lifetime and with his blessings and express permission. For those unaware of Shri Sai Satcharita, it is necessary to add that in the original it runs into 53 chapters and contains over 9,000 verses. Every chapter has a judicious mixture of philosophy, stories and anecdotes along with the Baba's teachings.

India has a long, rich, and diverse tradition of philosophical thought, spanning some two and a half millennia and encompassing several major religious traditions. This Very Short Introduction is structured around six schools which have achieved classic status. Sue Hamilton explores how the traditions have attempted to understand the nature of reality in terms of an inner or spiritual quest, and introduces distinctively Indian concepts such as karma and rebirth.

From approximately the third century BCE through the thirteenth century CE, the remote mountainous landscape around the glacial sources of the Ganga (Ganges) River in the Central Himalayas in northern India was transformed into a region encoded with deep meaning, one approached by millions of Hindus as a primary locus of pilgrimage. Nachiket Chanchani's innovative study explores scores of stone edifices and steles that were erected in this landscape. Through their forms, locations, interactions with the natural environment, and sociopolitical context, these lithic ensembles evoked legendary worlds, embedded historical memories in the topography, changed the mountain range's appearance, and shifted its semiotic effect. Mountain Temples and Temple Mountains also alters our understanding of the transmission of architectural knowledge and provides new evidence of how an enduring idea of India emerged in the subcontinent. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/mountain-temples-and-temple-mountains

What is Indian Philosophy? Why has India been excluded from the history of philosophy? Richard King provides an introduction to the main schools of Hindu and Buddhist thought, emphasising the living history of interaction and debate between the various traditions. The book outlines the broad spectrum of Indian philosophical schools and questions prevailing assumptions about the 'mythical' ahistorical and 'theological' nature of Indian thought. Central philosophical questions are addressed: what really exists? How do we know what we know? Can we trust our perceptions of reality? What are we and where do we come from? Early chapters discuss the nature of philosophy in general, examning the shifting usage of the term throughout history. The author argues that a single definition or characterisation of the subject matter is impossible and that histories of philosophy remain tied to an ethnocentric and colonial perspective so long as they ignore the possibility of philosophical thought 'East of the Suez'. This highlights the need for a post-colonial and global approach to philosophy. Key features * Thematic approach rather than separate chapters on various schools * Emphasis on history of interaction/debate between the various trends * Introductory and concluding chapters on exclusion of 'India' from history of philosophy

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. The Practice of Texts examines the uses of the Sanskrit medical classics in two educational institutions of India's classical life science, Ayurveda: the college and the gurukula. In this interdisciplinary study, Anthony Cerulli probes late- and postcolonial reforms in ayurvedic education, the development of the ayurvedic college, and the impacts of the college curriculum on ways that ayurvedic physicians understand and use the Sanskrit classics in their professional work today. His fieldwork in south India illuminates the nature of philology and ritual in the ayurvedic gurukula and showcases how knowledge is exchanged among students, teachers, and patients. The result, Cerulli shows, is that the Sanskrit classics are presented and applied differently in the college and gurukula, producing a variety of relationships with these texts among practitioners. By interrogating the politics surrounding the place of the Sanskrit classics in ayurvedic curricula, this book reveals a spectrum of views about the history and tradition of Ayurveda in modern India.

The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Ramayana of Valmiki, the Uttarakanda, brings the epic saga to a close with an account of the dramatic events of King Rama's millennia-long reign. It opens with a colorful history of the demonic race of the raksasas and the violent career of Rama's villainous foe Ravana, and later recounts Rama's grateful discharge of his allies in the great war at Lanka as well as his romantic reunion with his wife Sita. But dark clouds gather as Rama makes the agonizing decision to banish his beloved wife, now pregnant. As Rama continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarakanda has long served as a point of social and religious controversy largely for its accounts of the banishment of Sita, as well as of Rama's killing of a low-caste ascetic. This seventh volume in the critical edition and translation of the Valmiki Ramayana includes an extensive introduction and describes the complex reception history of the Uttarakanda, as well as exhaustive notes and a comprehensive bibliography.

The telling of mythic stories has always been a powerful form of therapy, bringing healing to people facing adversity. The greatness of Saturn is such a therapeutic myth, told and retold through many centuries, Taken from the East Indian Vedic tradition, it honors the planet Saturn, who personifies time, limitations, loss and all forms of adversity.

Paramahansa Yogananda lays the groundwork for living a life of enduring happiness and success. This is the first title in his How-to-Live series explaining how to overcome negativity and inertia, harness the dynamic power of our own wills, and create a happiness that endures all trials.

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata, Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all.

This book challenges the view, common among Western scholars, that precolonial India lacked a tradition of military philosophy. It traces the evolution of theories of warfare in India from the dawn of civilization, focusing on the debate between Dharmayuddha (Just War) and Kutayuddha (Unjust War) within Hindu philosophy. This debate centers around four questions: What is war? What justifies it? How should it be waged? And what are its potential repercussions? This body of literature provides evidence of the historical evolution of strategic thought in the Indian subcontinent that has heretofore been neglected by modern historians. Further, it provides a counterpoint to scholarship in political science that engages solely with Western theories in its analysis of independent India's philosophy of warfare. Ultimately, a better understanding of the legacy of ancient India's strategic theorizing will enable more accurate analysis of modern India's military and nuclear policies.

Illness and Immortality examines a medieval Sanskrit text, the Netra Tantra, which is devoted to health and healing through a yogic practice dedicated to the chanting of mantras, the building of mandalas, and meditation. Patricia Sauthoff examines the role of such ritual elements in rites to alleviate illness and death. She includes analysis of the various forms of the deity Amrtesa or Mrtyunjaya (Conqueror of Death), the nature of mantra, and the relationship between the tantric practitioner and the patient. This work explores what is meant by immortality within the medieval context and how one goes about attaining it. It asks how ritual alleviates illness, what role the deity plays in health and healing, and finally who has access to the rites described within the text. Central to this study is the conception of a body vulnerable to demons and reliant on deities for continued existence, and how the three yogic bodies (sthula, suksma, and para) play a role in physical and spiritual well-being. Featuring new translations of large sections of the Netra Tantra, the book offers readers various points of entry into the text so that tantric practitioners and scholars alike can access the influential and important concepts and practices found within this long-revered but under-studied work.

Popular Hinduism is shaped, above all, by worship of a multitude of powerful divine beings--a superabundance indicated by the proverbial total of 330 million gods and goddesses. The fluid relationship between these beings and humans is a central theme of this rich and accessible study of popular Hinduism in the context of the society of contemporary India. Lucidly organized and skillfully written, "The Camphor Flame" brings clarity to an immensely complicated subject. C. J. Fuller combines ethnographic case studies with comparative anthropological analysis and draws on textual and historical scholarship as well. The book's new afterword brings the study up-to-date by examining the relationship between popular Hinduism and contemporary Hindu nationalism.

Mathura is most famous for its association with Vasudeva-Krsna, an important deity of the Hindu pantheon. In ancient times, however, this site contributed towards the production of exquisite pieces of sculpture, inscriptions, and terracottas associated with Buddhism, Jainism, and the Naga and Yaksa traditions as well. The literature and art inspired by these traditions make the religious landscape of Mathura a fascinating subject of study. Before Krsna is one such work that entails an epigraphic analysis of Mathura from the early historical till the early medieval period. It examines the content of inscriptions from Mathura, correlates it with other archaeological and literary sources, and assesses the available data in the context of the social, political, and economic processes underway in the Indian subcontinent at that time. This monograph not only provides the reader a taste of Mathura's religious diversity and plurality over time, but is also relevant for understanding the history of specific religious traditions and the threads of interaction between them.

The High-Caste Hindu Woman (1887) is a work of political nonfiction by Pandita Ramabai. Written for an American audience, The High-Caste Hindu Woman was published in Philadelphia while Ramabai was living in the United States as a lecturer for the Women's Christian Temperance Union. Born and raised in India, Ramabai converted to Christianity and dedicated her life to advocating on behalf of impoverished women and children. A fiery orator and true iconoclast, Ramabai's activism led to important educational and social reforms in her native country. Arguing for the need to offer education to women, Ramabai examines the nature of life for Hindu women born into the Brahman caste in nineteenth century India. Despite their position in Indian society, these women remained subjected to the control of their husbands, who limited their freedom and social mobility. Ramabai examines the traditions and customs of Hinduism in order to show how women are made ignorant by their oppression and taught to accept their conditions, thereby prolonging the suffering of lower caste and impoverished Hindus. Through education alone, Ramabai shows, are women able to alter their oppressed condition. Both a portrait of Indian life and a moving political treatise, The High-Caste Hindu Woman showcases Ramabai's foresight as an activist and reformer who sought to radically improve the lives of her people. With a beautifully designed cover and professionally typeset manuscript, this edition of Pandita Ramabai The High-Caste Hindu Woman is a classic work of Indian political nonfiction reimagined for modern readers.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

"The Book of Virata" details the Pandavas' 13th year in exile, when they live disguised in King Virata's court. They suffer the humiliation of becoming servants; a topic explored both through comedy and pathos. Having maintained their disguise until the very end of the year, then their troubles really begin. Bhima is forced to come to Draupadi's rescue when King Virata's general, Kichaka, sets his sights on her. Duryodhana and the Tri-gartas decide to invade the defeated Virata's kingdom, unaware the Pandavas are hidden there. In the ensuing battles the Pandavas play a crucial role, save Virata and reveal their true identities. The book ends in celebration, with the Pandavas ready to return from exile and reclaim their kingdom. However, the battles in "Virata" foreshadow the war to come, proving it will not be easy.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the ClaySanskrit series, please visit http: //www.claysanskritlibrary.org

The Yoga Sutras of Patanjali is widely regarded as the most authoritative text on yoga. It comprises a collection of 196 Indian sutras ("threads" - as sutra translates from Sanskrit) written 1,700 years ago. These threads or aphorisms were compiled by the Indian sage Patanjali and offer guidelines for living a meaningful and purposeful life. The book is organized into four parts and provides descriptions of the eight limbs of yoga, such as pranayama and asana. The translated text is presented alongside a clear and insightful commentary by Swami Vivekananda, which makes them more accessible to the modern reader and yoga practitioner. His message of universal brotherhood and self-awakening remains relevant today, especially in the current backdrop of widespread political turmoil around the world.

When read superficially, the opening chapter of this text tells of a great war between opposing factions. When interpreted as an allegory the esoteric meaning portrays a drama far more significant than any transitory historical event. What is revealed: (1) the progress of the soul's awakening from self-conscious involvements with physical and psychological circumstances to realisation of its true nature as pure consciousness; (2) the challenges commonly confronted during the process; (3) liberating knowledge that removes awareness from all that is suppressive and restrictive. Roy Eugene Davis is a widely-travelled teacher of meditation and spiritual growth processes, the author of several books, and director of Centre for Spiritual awareness with offices and a retreat centre in the northeast Georgia mountains. He is a direct disciple of Paramahansa Yogananda.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

aBy any measure the Ramayana of Valmiki is one of the great epic poems of world literature. . . . Now the New York University Press is republishing the translations, without notes and with minimal introductions, in more accessible and less expensive editions, as part of the Clay Sanskrit Library. So far the translators have been eminently successful.a
--"The New York Sun" [Refers to the nine volumes of the Ramayana]

Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.

Valmiki's Ramayana is one of the two great national epics of India, the source reveredthroughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

In order to give a broader and more technical understanding of the philosophy underlying the Bhagavad-Gita, T Row, a distinguished Indian scholar, explores 'the nature of the cosmos, the nature of man, and the goal towards which all evolutionary progress is tending'. Presented from both a Brahmanical and theosophic viewpoint, "Notes" covers such topics as cosmic evolution, consciousness, the Logos, yoga, avataras, initiation, immortality, and the usage of many Sanskrit terms.

The idea of Maya pervades Indian philosophy. It is enigmatic, multivalent, and foundational, with its oldest referents found in the Rig Veda. This book explores Maya's rich conceptual history, and then focuses on the highly developed theology of Maya found in the Sanskrit Bhagavata Purana, one of the most important Hindu sacred texts. Gopal K. Gupta examines Maya's role in the Bhagavata's narratives, paying special attention to its relationship with other key concepts in the text, such as human suffering (duhkha), devotion (bhakti), and divine play (lila). In the Bhagavata, Maya is often identified as the divine feminine, and has a far-reaching influence. For example, Maya is both the world and the means by which God creates the world, as well as the facilitator of God's play, paradoxically revealing him to his devotees by concealing his majesty. While Vedanta philosophy typically sees Maya as a negative force, the Bhagavata affirms that Maya also has a positive role, as Maya is ultimately meant to draw living beings toward Krishna and intensify their devotion to him.