Each card in this deck highlights a particular deity in the Hindu pantheon and provides corresponding mantras, meditations, prayers and blessings. These cards reveal a who's who in the spiritual world, and identify which roles particular gods and goddesses play in the universe. For greater intelligence, petition Saraswati or for the removal of obstacles, invoke the presence of Ganesh by chanting his mantra.

Just as milk, honey, and grapes are the simple foods consumed by everyone, and are easy to assimilate, this short introduction is intended to serve as a simple to understand source for all. It offers an excellent view of the multidimensional makeup, immense depth, resolute nature, and sophisticated approach of the wide spiritual stream that is Hinduism. It should be carefully studied and contemplated by all those who want a better understanding of this great tradition and its relevance for the whole of life.

Through in-depth analysis of musical theatre choreography and choreographers, Making Broadway Dance challenges long-held perceptions of Broadway dance as kitsch, disposable, a dance form created without artistic process. Setting out to demonstrate that musical theatre dance is not a monolith but rather multi-varied in terms of dance styles, aesthetics and methodologies, author Liza Gennaro provides insights into how Broadway dance is made. By examining choreography for musical theatre through the lens of dance studies, script analysis, movement research and dramaturgical inquiry, she treads in uncharted territory by offering a close examination of a dance form that has heretofore received only the most superficial interrogation. She also explores how musical theatre choreographers create within the parameters of librettos, enhance character development and build dance languages that inform and propel narrative. By considering influences from ballet, modern, postmodern, Jazz, social and global dance, she reveals a rich understanding of musical theatre dance. This book exposes the choreographic systems of some of Broadway's most influential dance-makers including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Savion Glover, Sergio Trujillo, Steven Hoggett and Camille Brown, and is essential reading for theatre and dance scholars, students, practitioners, and Broadway fans.

Please visit www.ArcManor.com for more books like this and from other great authors.

This is an incisive and inspiring meditation on finding your optimal vocation and life's work by one of yoga's great American masters, a book informed by the great Bhagavad Gita- yoga's ancient treatise on finding your purpose.

A pioneer of studies of the culture and people of India, Max Muller was one of the most popular, most respected, and most influential thinkers on world spirituality of the 19th century. Here, in a series of lectures delivered at Cambridge University and collected in a book first published in 1883, Muller defends India against Western small-mindedness and invites the reader to explore and appreciate all that India has bequeathed to global culture. From Muller's characterization of the gentle benevolence of Hinduism to his praise for the ancient beauty of Vedic literature, this is a passionate portrait of a culture long misunderstood and mischaracterized, and it remains an important work for anyone interested in the Indian nation. German author FRIEDRICH MAX MULLER (1823-1900) combined the studies of language, culture, and religion to create the discipline of comparative mythology. Among his many works are The Sacred Books of the East and History of Ancient Sanskrit Literature.

Tantric traditions in both Buddhism and Hinduism are thriving throughout Asia and in Asian diasporic communities around the world, yet they have been largely ignored by Western scholars until now. This collection of original essays fills this gap by examining the ways in which Tantric Buddhist traditions have changed over time and distance as they have spread across cultural boundaries in Asia. The book is divided into three sections dedicated to South Asia, Central Asia, and East and Southeast Asia. The essays cover such topics as the changing ideal of masculinity in Buddhist literature, the controversy triggered by the transmission of the Indian Buddhist deity Heruka to Tibet in the 10th century, and the evolution of a Chinese Buddhist Tantric tradition in the form of the True Buddha School. The book as a whole addresses complex and contested categories in the field of religious studies, including the concept of syncretism and the various ways that the change and transformation of religious traditions can be described and articulated. The authors, leading scholars in Tantric studies, draw on a wide array of methodologies from the fields of history, anthropology, art history, and sociology. Tantric Traditions in Transmission and Translation is groundbreaking in its attempt to look past religious, linguistic, and cultural boundaries.

1926. The author explains in the preface that other nations have known or still practice this form of animal worship. But it would be difficult to quote another instance in which it takes such a prominent place in literature folklore, and art, as it does in India. Nor would it be possible to name another country where the development of this cult can be studied during a period which may be estimated at no less than three millennia. During so vast a space of time the deified serpents have haunted the imagination of the people of Hind. But even more astonishing is the endless variety of aspect under which the Nagas appear in Indian literature and art. We meet, on the one hand, with the primitive type of the reptile endowed with the magic properties which we are wont to associate with the dragon of western fable. On the other hand, the Naga frequently has the character of a water-spirit. Again, he may be able to assume any form he chooses, and commonly appears in human shape. In Brahmanical legend he may become a pious ascetic, in Buddhist lore he may even develop into a self-denying saint very often these various types appear strangely blended. In the present volume it has been my object to collect the legends relating to the Nagas which are found in the Brahmanical and Buddhist literature of India. We do not pretend that in that gigantic body of literary tradition there may not be a Naga story which has escaped our notice. The three chief repositories of serpent-lore, the Mahabharata, the Jataka Book, and the Rajatarangini, have, at least, been fully utilized. But for the rest it is questionable whether much would have been gained by aiming at completeness. The stories here presentedwill certainly suffice to show the Nagas in that great variety of aspect to which reference has been made.

When European missionaries arrived in India in the sixteenth century, they entered a world both fascinating and bewildering. Hinduism, as they saw it, was a pagan mess: a worship of devils and monsters by a people who burned women alive, performed outlandish rites and fed children to crocodiles. But it quickly became clear that Hindu ‘idolatry’ was far more layered and complex than European stereotypes allowed, surprisingly even sharing certain impulses with Christianity.

Nonetheless, missionaries became a threatening force as European power grew in India. Western ways of thinking gained further ascendancy during the British Raj: while interest in Hindu thought influenced Enlightenment thinkers like Voltaire in Europe, Orientalism and colonial rule pressed Hindus to reimagine their religion. In fact, in resisting foreign authority, they often adopted the missionaries’ own tools and strategies. It is this encounter, Manu S. Pillai argues, that has given Hinduism its present shape, also contributing to the birth of an aggressive Hindu nationalism.

Gods, Guns and Missionaries surveys these remarkable dynamics with an arresting cast of characters – maharajahs, poets, gun-wielding revolutionaries, politicians, polemicists, philosophers and clergymen. Lucid, ambitious, and provocative, it is at once a political history, an examination of the mutual impact of Hindu culture and Christianity upon each other, and a study of the forces that have prepared the ground for politics in India today. Turning away from simplistic ideas on religious evolution and European imperialism, the past as it appears here is more complicated – and infinitely richer – than previous narratives allow.

This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A collection of more than 50 talks on the vast range of inspiring and universal truths that have captivated millions in Paramahansa Yogananda's Autobiography of a Yogi. Readers will find these talks alive with the unique blend of all-embracing wisdom, encouragement, and love for humanity that have made the author one of our era's most revered and trusted guides to the spiritual life.

Mr. Heimsath presents here an intellectual history of the social reform movement among Hindus in India in the century between Ram Mohun Roy and Gandhi. Treating separately each major province in which reform movements flourished, he shows the many ways in which social reform was effected. Originally published in 1964. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A collection of more than 50 talks on the vast range of inspiring and universal truths that have captivated millions in Paramahansa Yogananda's Autobiography of a Yogi. Readers will find these talks alive with the unique blend of all-embracing wisdom, encouragement, and love for humanity that have made the author one of our era's most revered and trusted guides to the spiritual life.

Recorded in sacred Sanskrit texts, including the Rig Veda and the Mahabharata, Hindu Myths are thought to date back as far as the tenth century BCE. Here in these seventy-five seminal myths are the many incarnations of Vishnu, who saves mankind from destruction, and the mischievous child Krishna, alongside stories of the minor gods, demons, rivers and animals including boars, buffalo, serpents and monkeys. Immensely varied and bursting with colour and life, they demonstrate the Hindu belief in the limitless possibilities of the world - from the teeming miracles of creation to the origins of the incarnation of Death who eventually touches them all.

The present book Sarada-Tilaka of Laksmana Desikendra is one of the important texts on Tantric subjects. It is divided into 25 Chapters. Chapter 1 is Prakrti and deals with the origin of creation: the 23 chapters which follow demonstrate Prakrti-Vikrti; the last chapter 25 is beyond Prakrti and Vikrti. But Sarada-Tilaka is a tantric treatise which deals primarily with the Tantric worship of gods and goddesses.