This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.

The Bhagavad Gita tells the story of how Arjuna, the great warrior, is seated in his chariot about to engage in battle, when he sees his own kinsmen and his revered teacher arrayed in battle against him, and feels that he cannot fight. It is then that Krishna, the Cosmic Lord, comes to counsel him. Arjuna represents the human soul seated in the chariot of the body and Krishna is the inner Spirit, the God within, who is there to consel him. Today we see humanity divided against itself and threatened with nuclear war and mutual destruction. No political means are adequate to deal with this problem, and many are driven to despair. It is then that the message of the Gita comes to teach us that it is only when we rise above human schemes and calculations and awake to the presence of the indwelling Spirit that we can hope to find the answer to our need.

"The books line up on my shelf like bright Bodhisattvas ready to take tough questions or keep quiet company. They stake out a vast territory, with works from two millennia in multiple genres: aphorism, lyric, epic, theater, and romance."
--Willis G. Regier, "The Chronicle Review"

"No effort has been spared to make these little volumes as attractive as possible to readers: the paper is of high quality, the typesetting immaculate. The founders of the series are John and Jennifer Clay, and Sanskritists can only thank them for an initiative intended to make the classics of an ancient Indian language accessible to a modern international audience."
--"The Times Higher Education Supplement"

"The Clay Sanskrit Library represents one of the most admirable publishing projects now afoot. . . . Anyone who loves the look and feel and heft of books will delight in these elegant little volumes."
--"New Criterion"

"Published in the geek-chic format."
--"BookForum"

"Very few collections of Sanskrit deep enough for research are housed anywhere in North America. Now, twenty-five hundred years after the death of Shakyamuni Buddha, the ambitious Clay Sanskrit Library may remedy this state of affairs."
--"Tricycle"

aNow an ambitious new publishing project, the Clay Sanskrit Library brings together leading Sanskrit translators and scholars of Indology from around the world to celebrate in translating the beauty and range of classical Sanskrit literature. . . . Published as smart green hardbacks that are small enough to fit into a jeans pocket, the volumes are meant to satisfy both the scholar and the lay reader. Each volume has a transliteration of the original Sanskrit texton the left-hand page and an English translation on the right, as also a helpful introduction and notes. Alongside definitive translations of the great Indian epics -- 30 or so volumes will be devoted to the Maha-bharat itself -- Clay Sanskrit Library makes available to the English-speaking reader many other delights: The earthy verse of Bhartri-hari, the pungent satire of Jayanta Bhatta and the roving narratives of Dandin, among others. All these writers belong properly not just to Indian literature, but to world literature.a
--"LiveMint"

aThe Clay Sanskrit Library has recently set out to change the scene by making available well-translated dual-language (English and Sanskrit) editions of popular Sanskritic texts for the public.a
--"Namarupa"

aBy any measure the Ramayana of Valmiki is one of the great epic poems of world literature. . . . Now the New York University Press is republishing the translations, without notes and with minimal introductions, in more accessible and less expensive editions, as part of the Clay Sanskrit Library. So far the translators have been eminently successful.a
--"The New York Sun" [Refers to the nine volumes of the Ramayana]

Rama, the crown prince of the City of Ayodhya, is a model son and warrior. He is sent by his father the king to rescue a sage from persecution by demons, but must first kill a fearsome ogress. That done, he drives out the demons, restores peace, and attends a tournament in the neighboring city of Mithila; here he bends the bow that no other warrior can handle, winning the prize and the hand of Sita, the princess of Mithila.

Valmiki's Ramayana is one of the two great national epics of India, the source reveredthroughout South Asia as the original account of the career of Rama, ideal man and incarnation of the great god Vishnu. The first book, "Boyhood," introduces the young hero Rama and sets the scene for the adventures ahead. It begins with a fascinating excursus on the origins and function of poetry itself.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org

The Upanishads represent for the Hindu approximately what the New Testament represents for the Christian.

The earliest of these spiritual treatises, which vary greatly in length, were put down in Sanskrit between 800 and 400 BC. This selection from twelve Upanishads, with its illuminating introduction by Juan Mascaró, whose translation of the Bhagavad Gita is also in the Penguin Classics, reveals the paradoxical variety and unity, the great questions and simple answers, the spiritual wisdom and romantic imagination of these ‘Himalayas of the Soul’.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In Hindu Pluralism, Elaine M. Fisher complicates the traditional scholarly narrative of the unification of Hinduism. By calling into question the colonial categories implicit in the term "sectarianism," Fisher's work excavates the pluralistic textures of precolonial Hinduism in the centuries prior to British intervention. Drawing on previously unpublished sources in Sanskrit, Tamil, and Telugu, Fisher argues that the performance of plural religious identities in public space in Indian early modernity paved the way for the emergence of a distinctively non-Western form of religious pluralism. This work provides a critical resource for understanding how Hinduism developed in the early modern period, a crucial era that set the tenor for religion's role in public life in India through the present day.

A delightfully straightforward and lyrical retelling of the ancient Indian epic of loyalty, betrayal, redemption, and insight into the true nature of life -- one of history's most sacred ethical works, rendered with completeness and sterling accuracy for the modern reader. Here is one of the world's most hallowed works of sacred literature, the grand, sweeping epic of the divine bowman and warrior Rama and his struggles with evil, power, duplicity, and avarice. "The Ramayana" is one of the foundations of world literature and one of humanity's most ancient and treasured ethical and spiritual works. "This new version is so simply and beautifully written -- it will stir the soul!" --David Lynch

Beginning in the fifth century A.D., various Indian mystics began to innovate a body of techniques with which to render themselves immortal. These people called themselves Siddhas, a term formerly reserved for a class of demigods, revered by Hindus and Buddhists alike, who were known to inhabit mountaintops or the atmospheric regions. Over the following five to eight hundred years, three types of Hindu Siddha orders emerged, each with its own specialized body of practice. These were the Siddha Kaula, whose adherents sought bodily immortality through erotico-mystical practices; the Rasa Siddhas, medieval India's alchemists, who sought to transmute their flesh-and-blood bodies into immortal bodies through the ingestion of the mineral equivalents of the sexual fluids of the god Siva and his consort, the Goddess; and the Nath Siddhas, whose practice of hatha yoga projected the sexual and laboratory practices of the Siddha Kaula and Rasa Siddhas upon the internal grid of the subtle body. For India's medieval Siddhas, these three conjoined types of practice led directly to bodily immortality, supernatural powers, and self-divinization; in a word, to the exalted status of the semidivine Siddhas of the older popular cults. In The Alchemical Body, David Gordon White excavates and centers within its broader Indian context this lost tradition of the medieval Siddhas. Working from a body of previously unexplored alchemical sources, he demonstrates for the first time that the medieval disciplines of Hindu alchemy and hatha yoga were practiced by one and the same people, and that they can only be understood when viewed together. Human sexual fluids and the structures of the subtle body aremicrocosmic equivalents of the substances and apparatus manipulated by the alchemist in his laboratory. With these insights, White opens the way to a new and more comprehensive understanding of the entire sweep of medieval Indian mysticism, within the broader context of south Asian Hinduism, Buddhism, Jainism, and Islam. This book is an essential reference for anyone interested in Indian yoga, alchemy, and the medieval beginnings of science.

Formalized by the tenth century, the expansive Bhagavata Purana resists easy categorization. While the narrative holds together as a coherent literary work, its language and expression compete with the best of Sanskrit poetry. The text's theological message focuses on devotion to Krishna or Vishnu, and its philosophical outlook is grounded in the classical traditions of Vedanta and Samkhya. No other Purana has inspired so much commentary, imitation, and derivation. The work has grown in vibrancy through centuries of performance, interpretation, worship, and debate and has guided the actions and meditations of elite intellectuals and everyday worshippers alike. This annotated translation and detailed analysis shows how one text can have such enduring appeal. Key selections from the Bhagavata Purana are faithfully translated, while all remaining sections of the Purana are concisely summarized, providing the reader with a continuous and comprehensive narrative. Detailed endnotes explain unfamiliar concepts and several essays elucidate the rich philosophical and religious debates found in the Sanskrit commentaries. Together with the multidisciplinary readings contained in the companion volume The Bhagavata Purana: Sacred Text and Living Tradition (Columbia, 2013), this book makes a central Hindu masterpiece more accessible to English-speaking audiences and more meaningful to scholars of Hindu literature, philosophy, and religion.

"Don't miss this equivalent of a brilliant graduate course froma feisty and exhilarating teacher."
-"The Washington Post"
An engrossing and definitive narrative account of history and myth, "The Hindus" offers a new way of understanding one of the world's oldest major religions. Hinduism does not lend itself easily to a strictly chronological account. Many of its central texts cannot be reliably dated within a century; its central tenets arise at particular moments in Indian history and often differ according to gender or caste; and the differences between groups of Hindus far outnumber the commonalities. Yet the greatness of Hinduism lies precisely in many of these idiosyncratic qualities that continues to inspire debate today. This groundbreaking work elucidates the relationship between recorded history and imaginary worlds, the inner life and the social history of Hindus.

In this book, Patton E. Burchett offers a path-breaking genealogical study of devotional (bhakti) Hinduism that traces its understudied historical relationships with tantra, yoga, and Sufism. Beginning in India's early medieval "Tantric Age" and reaching to the present day, Burchett focuses his analysis on the crucial shifts of the early modern period, when the rise of bhakti communities in North India transformed the religious landscape in ways that would profoundly affect the shape of modern-day Hinduism. A Genealogy of Devotion illuminates the complex historical factors at play in the growth of bhakti in Sultanate and Mughal India through its pivotal interactions with Indic and Persianate traditions of asceticism, monasticism, politics, and literature. Shedding new light on the importance of Persian culture and popular Sufism in the history of devotional Hinduism, Burchett's work explores the cultural encounters that reshaped early modern North Indian communities. Focusing on the Ramanandi bhakti community and the tantric Nath yogis, Burchett describes the emergence of a new and Sufi-inflected devotional sensibility-an ethical, emotional, and aesthetic disposition-that was often critical of tantric and yogic religiosity. Early modern North Indian devotional critiques of tantric religiosity, he shows, prefigured colonial-era Orientalist depictions of bhakti as "religion" and tantra as "magic." Providing a broad historical view of bhakti, tantra, and yoga while simultaneously challenging dominant scholarly conceptions of them, A Genealogy of Devotion offers a bold new narrative of the history of religion in India.

From the Wolfson History Prize-winning author of The Man on Devil's Island, the definitive biography of Vivekananda, the Indian monk who shaped the intellectual and spiritual history of both East and West. Few thinkers have had so enduring an impact on both Eastern and Western life as Swami Vivekananda, the Indian monk who inspired the likes of Freud, Gandhi, and Tagore. Blending science, religion, and politics, Vivekananda introduced Westerners to yoga and the universalist school of Hinduism called Vedanta. His teachings fostered a more tolerant form of mainstream spirituality in Europe and North America and forever changed the Western relationship to meditation and spirituality. Guru to the World traces Vivekananda's transformation from son of a Calcutta-based attorney into saffron-robed ascetic. At the 1893 World Parliament of Religions in Chicago, he fascinated audiences with teachings from Hinduism, Western esoteric spirituality, physics, and the sciences of the mind, in the process advocating a more inclusive conception of religion and expounding the evils of colonialism. Vivekananda won many disciples, most prominently the Irish activist Margaret Noble, who disseminated his ideas in the face of much disdain for the wisdom of a "subject race." At home, he challenged the notion that religion was antithetical to nationalist goals, arguing that Hinduism was intimately connected with Indian identity. Ruth Harris offers an arresting biography, showing how Vivekananda's thought spawned a global anticolonial movement and became a touchstone of Hindu nationalist politics a century after his death. The iconic monk emerges as a counterargument to Orientalist critiques, which interpret East-West interactions as primarily instances of Western borrowing. As Vivekananda demonstrates, we must not underestimate Eastern agency in the global circulation of ideas.

These enchanting stories from early modern Bengal reveal how Hindu and Muslim traditions converged on timeless themes of human morality, social culture, and survival. The Bengali stories in this collection are first and foremost tales of survival. Each story in Needle at the Bottom of the Sea underscores the need for people to work together-not just to overcome the challenges of living in the Sundarban swamps of Bengal, but also to ease hostilities born of social differences in religion, caste, and economic class. Translated by award-winning scholar of early modern Bengali literature Tony K. Stewart, Needle at the Bottom of the Sea brims with fantasy and excitement. Sufi protagonists travel through a world of wonder where tigers talk and men magically grow into giants, a Hindu princess falls in love with a Muslim holy man, and goddesses rub shoulders with kings and merchants. Across religion, class, and gender, what binds these fabulous stories together is the characters' pursuit of living honorably and morally in a difficult, corrupt world.

The Oxford History of Hinduism: Modern Hinduism focuses on developments resulting from movements within the tradition as well as contact between India and the outside world through both colonialism and globalization. Divided into three parts, part one considers the historical background to modern conceptualizations of Hinduism. Moving away from the reforms of the 19th and early 20th century, part two includes five chapters each presenting key developments and changes in religious practice in modern Hinduism. Part three moves to issues of politics, ethics, and law. This section maps and explains the powerful legal and political contexts created by the modern state-first the colonial government and then the Indian Republic-which have shaped Hinduism in new ways. The last two chapters look at Hinduism outside India focusing on Hinduism in Nepal and the modern Hindu diaspora.

Today numbering more than twelve million people, the Virasaivas constitute a vibrant south-Indian community renowned for its bhakti (devotional) religiosity and for its entrenched resistance to traditional Brahminical values. For eight centuries this tradition produced a vast and original body of literature, composed mostly in the Kannada language. Siva's Saints introduces the Ragalegalu, a foundational and previously unexplored work produced in the early thirteenth century. As the first written narrative about the traditions progenitors, this work inaugurated a new era of devotional narratives accessible to wide audiences in the Kannada-speaking region. By closely reading the saints stories in the Ragalegalu, Gil Ben-Herut takes a more nuanced historical view than commonly-held notions about the egalitarian and iconoclastic nature of the early tradition. Instead, Ben-Herut argues that the early Siva-devotion movement in the region was less radical and more accommodating toward traditional religious, social, and political institutions than thought today. In contrast to the narrowly sectarian and exclusionary vision that shapes later accounts, the Ragalegalu is characterized by an opposite impulse, offering an open invitation to people from all walks of life, whose stories illustrate the richness of their devotional lives. Analysis of this seminal text yields important insights into the role of literary representation of the social and political development of a religious community in a pre-modern and non-Western milieu.

Tantra originated in India many centuries ago but it's uniquely placed to help people use real life as grist to the mill for spiritual transformation. The purpose of the book is to articulate what Tantra can be in our modern times and how it can be applied to all aspects of our everyday life. Traditionally Tantra was a path that brought spirituality out of the caves and monasteries and into the life of householders. It didn't seek to separate sexuality and spirituality and to force people to make a choice but rather to integrate the life of family and relationship with spirituality. This includes sexuality but it's not all about sexuality, and this is a rare book that applies Tantra to every aspect of life.Living Tantra is a body of work that aims to bring the essence and core message of tantra into relevance for our contemporary life and society as a path of spiritual growth and human development. It's based on her legendary workshops which book up via word of mouth and attracts attendees from across Europe and North America, especially Sweden, Austria, USA, Germany, Spain and the Czech Republic. The exercises here come out of these workshops and mean that we can benefit from this work in our own homes. The principles of Living Tantra are to use all life, all experience to learn and become more conscious of ourselves and the world around us, to care more for ourselves, each other and the world and to develop greater compassion. Tantra includes everything. It is "the weaving together of all that is".

Every day millions of Tamil women in southeast India wake up before dawn to create a kolam, an ephemeral ritual design made with rice flour, on the thresholds of homes, businesses and temples. This thousand-year-old ritual welcomes and honors Lakshmi, the goddess of wealth and alertness, and Bhudevi, the goddess of the earth. Created by hand with great skill, artistry, and mathematical precision, the kolam disappears in a few hours, borne away by passing footsteps and hungry insects. This is the first comprehensive study of the kolam in the English language. It examines its significance in historical, mathematical, ecological, anthropological, and literary contexts. The culmination of Vijaya Nagarajan's many years of research and writing on this exacting ritual practice, Feeding a Thousand Souls celebrates the experiences, thoughts, and voices of the Tamil women who keep this tradition alive.

Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.

The first book to put the sacred and sensuous bronze statues from India's Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures-including Shiva, referred to in a saintly vision as "the thief who stole my heart"-were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire's political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas' religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC

Through pointed studies of important aspects and topics of dharma in Dharmasastra, this comprehensive collection shows that the history of Hinduism cannot be written without the history of Hindu law. Part One provides a concise overview of the literary genres in which Dharmasastra was written with attention to chronology and historical developments. This study divides the tradition into its two major historical periods-the origins and formation of the classical texts and the later genres of commentary and digest-in order to provide a thorough, but manageable overview of the textual bases of the tradition. Part Two presents descriptive and historical studies of all the major substantive topics of Dharmasastra. Each chapter offers readers with salest knowledge of the debates, transformations, and fluctcating importance of each topic. Indirectly, readers will also gain insight into the ethos or worldview of religious law in Hinduism, enabling them to get a feel for how dharma authors thought and why. Part Three contains brief studies of the impact and reception of Dharmasastra in other South Asian cultural and textual traditions. Finally, Part Four draws inspiration from "critical terms" in contemporary legal and religious studies to analyze Dharmasastra texts. Contributors offer interpretive views of Dharmasastra that start from hermeneutic and social concerns today.

Introduced to the West by Paul Brunton, Bhagavan Sri Ramana Maharshi (1879-1950) is widely hailed as the greatest Indian saint and sage in modern times, whose teachings continue to influence thousands around the world today. This intimate biography by his disciple Arthur Osborne interweaves the story of Ramana's life with his spiritual journey, from his awakening as a teenager to his later teachings and writings, offering a detailed account of a unique life. Osborne shares many of Ramana's lessons, including his emphasis on the importance of self-enquiry - that self-knowledge cannot be gained externally, but only through becoming aware of our own state of pure being. With his emphasis on the qualities of insight, simplicity and kindness, Ramana has much to offer us today.