Going beyond the process of adaptation, Geraghty is more interested
in the films themselves and how they draw on our sense of recall.
While a film reflects its literary source, it also invites
comparisons to our memories and associations with other versions of
the original. For example, a viewer may watch the 2005 big-screen
production of Pride and Prejudice and remember Austen's novel as
well as the BBC's 1995 television movie. Adaptations also rely on
the conventions of genre, editing, acting, and sound to engage our
recall elements that many movie critics tend to forget when
focusing solely on faithfulness to the written word.
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