In the early twentieth century, an exuberant brand of gifted men
and women moved to New York City, not to get rich but to
participate in a cultural revolution. For them, the city's
immigrant neighborhoods--home to art, poetry, cafes, and cabarets
in the European tradition--provided a place where the fancies and
forms of a new America could be tested. Some called themselves
Bohemians, some members of the avant-garde, but all took pleasure
in the exotic, new, and forbidden.
In "American Moderns," Christine Stansell tells the story of
the most famous of these neighborhoods, Greenwich Village,
which--thanks to cultural icons such as Eugene O'Neill, Isadora
Duncan, and Emma Goldman--became a symbol of social and
intellectual freedom. Stansell eloquently explains how the mixing
of old and new worlds, politics and art, and radicalism and
commerce so characteristic of New York shaped the modern American
urban scene. "American Moderns" is both an examination and a
celebration of a way of life that's been nearly forgotten.
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