Central to this study is the inception and reception of an
aesthetic concept in the context of 19th century
BildungsbA1/4rgertum. It reconstructs the birth of Burckhardt's
aesthetic judgment from his 'Italian experience'. His ACiceroneA is
discussed as a conservatively oriented appraisal of the art forms
of classical Italy and thus as a thesaurus of things worthy of
preservation in an age of political and aesthetic upheaval. What
Burckhardt (1818-1897) calls 'Kunst nach Aufgaben' (art as a
function of its purpose) is drawn on as a polemic defense against
the modern artist allowing free rein to the products of an
overheated artistic imagination. Burckhardt's work thus stands both
as a guide to the true appreciation of art and an exhortation to
contemporary architects not to lose sight of their >genuine
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