'I'm thinking this night wasn't I a foolish fellow not to kill my
father in years gone by.' - Christy Mahon On the first night of J.
M. Synge's The Playboy of the Western World (1907) the audience
began protesting in the theatre; by the third night the protests
had spilled onto the streets of Dublin. How did one play provoke
this? Christopher Collins addresses The Playboy 's satirical
treatment of illusion and realism in light of Ireland's struggle
for independence, as well as Synge's struggle for artistic
expression. By exploring Synge's unpublished diaries, drafts and
notebooks, he seeks to understand how and why the play came to be.
This volume invites the reader behind the scenes of this
inflammatory play and its first performances, to understand how and
why Synge risked everything in the name of art.
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