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The Jean Freeman Gallery Does Not Exist (Hardcover)
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The Jean Freeman Gallery Does Not Exist (Hardcover)
Series: The Jean Freeman Gallery Does Not Exist
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An examination of a 1970s Conceptual art project-advertisements for
fictional shows by fictional artists in a fictional gallery-that
hoodwinked the New York art world. From the summer of 1970 to March
1971, advertisements appeared in four leading art
magazines-Artforum, Art in America, Arts Magazine, and ARTnews-for
a group show and six solo exhibitions at the Jean Freeman Gallery
at 26 West Fifty-Seventh Street, in the heart of Manhattan's
gallery district. As gallery goers soon discovered, this address
did not exist-the street numbers went from 16 to 20 to 24 to 28-and
neither did the art supposedly exhibited there. The ads were
promoting fictional shows by fictional artists in a fictional
gallery. The scheme, eventually exposed by a New York Times
reporter, was concocted by the artist Terry Fugate-Wilcox as both
work of art and critique of the art world. In this book,
Christopher Howard brings this forgotten Conceptual art project
back into view. Howard demonstrates that Fugate-Wilcox's project
was an exceptionally clever embodiment of many important aspects of
Conceptualism, incisively synthesizing the major aesthetic issues
of its time-documentation and dematerialization, serialism and
process, text and image, publishing and publicity. He puts the Jean
Freeman Gallery in the context of other magazine-based work by Mel
Bochner, Judy Chicago, Yoko Ono, and Ed Ruscha, and compares the
fictional artists' projects with actual Earthworks by Walter De
Maria, Peter Hutchinson, Dennis Oppenheim, and more. Despite the
deadpan perfection of the Jean Freeman Gallery project, the art
establishment marginalized its creator, and the project itself was
virtually erased from art history. Howard corrects these omissions,
drawing on deep archival research, personal interviews, and
investigation of fine-printed clues to shed new light on a New York
art world mystery.
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