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Modernism and the Cult of Mountains: Music, Opera, Cinema (Paperback)
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Modernism and the Cult of Mountains: Music, Opera, Cinema (Paperback)
Series: Ashgate Interdisciplinary Studies in Opera
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Adopting and transforming the Romantic fascination with mountains,
modernism in the German-speaking lands claimed the Alps as a space
both of resistance and of escape. This new 'cult of mountains'
reacted to the symptoms and alienating forces associated with
modern culture, defining and reinforcing models of subjectivity
based on renewed wholeness and an aggressive attitude to physical
and mental health. The arts were critical to this project, none
more so than music, which occupied a similar space in Austro-German
culture: autonomous, pure, sublime. In Modernism and the Cult of
Mountains opera serves as a nexus, shedding light on the
circulation of contesting ideas about politics, nature, technology
and aesthetics. Morris investigates operatic representations of the
high mountains in German modernism, showing how the liminal quality
of the landscape forms the backdrop for opera's reflexive
engagement with the identity and limits of its constituent media,
not least music. This operatic reflexivity, in which the very
question of music's identity is repeatedly restaged, invites
consideration of musical encounters with mountains in other genres,
and Morris shows how these issues resonate in Strauss's Alpine
Symphony and in the Bergfilm (mountain film). By using music and
the ideology of mountains to illuminate aspects of each other,
Morris makes an original and valuable contribution to the critical
study of modernism.
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