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Purity and Contamination in Late Victorian Detective Fiction (Paperback)
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Purity and Contamination in Late Victorian Detective Fiction (Paperback)
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Concentrating on works by authors such as Fergus Hume, Arthur Conan
Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes,
Christopher Pittard explores the complex relation between the
emergence of detective fictions in the 1880s and 1890s and the
concept of purity. The centrality of material and moral purity as a
theme of the genre, Pittard argues, both reflected and satirised a
contemporary discourse of degeneration in which criminality was
equated with dirt and disease and where national boundaries were
guarded against the threat of the criminal foreigner. Situating his
discussion within the ideologies underpinning George Newnes's
Strand Magazine as well as a wide range of nonfiction texts,
Pittard demonstrates that the genre was a response to the seductive
and impure delights associated with sensation and gothic novels.
Further, Pittard suggests that criticism of detective fiction has
in turn become obsessed with the idea of purity, thus illustrating
how a genre concerned with policing the impure itself became
subject to the same fear of contamination. Contributing to the
richness of Pittard's project are his discussions of the
convergence of medical discourse and detective fiction in the
1890s, including the way social protest movements like the
antivivisectionist campaigns and medical explorations of
criminality raised questions related to moral purity.
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