First published in 1989, this title explores the relationship
between theater and power in the English Renaissance. Shakespeare s
"Henry V, Richard II, "and "Macbeth" are examined alongside a range
of cultural materials, including philosophical and historical
accounts of sovereignty, royal portraiture and representations of
treason and punishment. Renaissance theater was far more than a
vehicle for the expression of a political content: it played a
constitutive role in forming the distinctive theory of sovereignty
and the distinctive political subjectivity of the era. By reading
Shakespeare s plays in conjunction with other, ideologically
charged forms of representation, the book continues new-historicist
efforts to uncover the complex relations between literary texts and
cultural contexts. Providing an interesting and detailed analysis,
this reissue will be of value to students of Shakespeare and the
English Renaissance, and those concerned with exploring the
intersection between cultural analysis, post-structuralism, and
psychoanalytic interpretation."
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