This book is the sequel to Britain Through Muslim Eyes and examines
contemporary novelistic representations of and by Muslims in
Britain. It builds on studies of the five senses and 'sensuous
geographies' of postcolonial Britain, and charts the development
since 1988 of a fascinating and important body of fiction by
Muslim-identified authors. It is a selective literary history,
exploring case-study novelistic representations of and by Muslims
in Britain to allow in-depth critical analysis through the lens of
sensory criticism. It argues that, for authors of Muslim heritage
in Britain, writing the senses is often a double-edged act of
protest. Some of the key authors excoriate a suppression or
cover-up of non-heteronormativity and women's rights that sometimes
occurs in Muslim communities. Yet their protest is especially
directed at secular culture's ocularcentrism and at successive
British governments' efforts to surveil, control, and suppress
Muslim bodies.
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