for SSA unaccompanied. This motet in two parts is devotional in
character, with each section opening with homophonic writing before
elaborating on close imitative polyphonic lines. The motet
demonstrates a mature writing style that would be expected of a
composer years beyond the age of the young Monteverdi. The text is
based on the first two stanzas of a prayer attributed to Pope
Gregory I that contemplates the Passion of Our Lord. Offprinted
from The Oxford Book of Upper-Voice Polyphony.
General
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