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Ombra - Supernatural Music in the Eighteenth Century (Hardcover, New)
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Ombra - Supernatural Music in the Eighteenth Century (Hardcover, New)
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Ombra is the term which applies to an operatic scene involving the
appearance of an oracle or demon, witches, or ghosts. Such scenes
can be traced back to the early days of opera and were commonplace
in the seventeenth century in Italy and France. Operas based on the
legends of Orpheus, Iphigenia, and Alcestis provide numerous
examples of ombra and extend well into the eighteenth century.
Clive McClelland's Ombra: Supernatural Music in the Eighteenth
Century is an in-depth examination of ombra and is many influences
on classical music performance. McClelland reveals that ombra
scenes proved popular with audiences not only because of the
special stage effects employed, but also due to increasing use of
awe-inspiring musical effects. By the end of the eighteenth century
the scenes had come to be associated with an elaborate set of
musical features including slow, sustained writing, the use of flat
keys, angular melodic lines, chromaticism and dissonance, dotted
rhythms and syncopation, tremolando effects, unexpected harmonic
progressions, and unusual instrumentation, especially involving
trombones. It is clearly distinct from other styles that exhibit
some of these characteristics, such as the so-called 'Sturm und
Drang' or 'Fantasia.' Futhermore, parallels can be drawn between
these features and Edmund Burke's 'sublime of terror, ' thus
placing ombra music on an important position in the context of
eighteenth-century aesthetic theory.
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