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Badiou in Jamaica - The Politics of Conflict (Paperback, New)
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Badiou in Jamaica - The Politics of Conflict (Paperback, New)
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This book foregrounds the centrality of political conflicts in the
radical philosophy of Alain Badiou. It is divided into two halves.
The first undertakes a reading of Badiou's wider oeuvre (beyond
Being and Event) and demonstrates that his political theory derives
from analyses of key revolutionary sequences such as the Paris
Commune, October '17, May '68 and the Chinese Cultural Revolution.
From his evolving meditations on these sequences, and from his
theoretical borrowings from Marxism, psychoanalysis and set-theory,
Badiou has established a complex schema of the possible outcomes of
conflict which constitutes a subtle and flexible theory of change.
In the second half, the book applies this schema to a concrete
'situation': colonial and post-colonial Jamaica. Against the
backdrop of the history of conflict in Jamaica, the Morant Bay
Revolt of 1865 is interpreted as an 'event' in Badiou's very
precise sense. The Rastafari movement is then posited as a 'subject
body' faithful to this event, while roots reggae is explored as the
'subject language' of this Rastafarian subject body. Through this
example, it is suggested that the starkness of the account of the
event in Being and Event, in its incompatibility with history or
culture, must be qualified if Badiou's contribution to a renewed
philosophy of conflict is to be realized. To this end, the book
builds on Badiou's own Logics of Worlds in order to speculatively
propose two new concepts: 'evental historiography' and 'evental
culture'. It is argued that conceptual elaborations like these
might enable a productive rapprochement between Badiou and Cultural
Studies and Postcolonial theory - disciplines of which Badiou
himself has been extremely critical, but which are certain to shape
his reception in the English-speaking world. Conversely, both
Cultural Studies and Postcolonial theory, precisely in their
increasingly enfeebled conceptions of social, cultural and
political conflict, stand to gain a great deal from dialogue with
the persistently Maoist dimensions of Badiou's work.
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