The Index of Christian Art, founded in 1917, is today recognized
as the premier resource for Christian and medieval iconography up
to 1400. To mark its eightieth anniversary, seventeen scholars
contributed papers to this volume, which focuses on the Index's
twin strengths: iconography and methodology. From the heterogeneous
imagery of the Crusaders to the repellent iconography of social
rejection, from the significance of gruesome torture scenes to the
moral precepts that shaped the enigmatic Ashburnham Pentateuch, the
studies in the first part of "Image and Belief" provide stimulating
examples of recent research in iconography.
With the growing application of computer databases and the
Internet to the field of art history, the process of describing and
classifying the subjects of art has become even more important and
controversial. The papers in the second part of this volume deal
with this critical area, giving analytical proposals for improving
art-historical standards through computerization. They also provide
case histories of specific applications, including the use of a
database of Dutch printers' devices to reveal the long-hidden
meaning of a major painting by Rubens. Particular attention is
given to the use of ICONCLASS in iconographic description and to
demonstrations of the improved capabilities of the new
Iconclass2000 browser.The contributors are Adelaide Bennett, Hans
Brandhorst, James D'Emilio, Gerda Duifjes-Vellekoop, John Fleming,
Jaroslav Folda, Giovanni Freni, Cynthia Hahn, Debra Hassig, Avril
Henry, Lutz Heusinger, Andreas Petzold, Helene Roberts, Alison
Stones, Carol Togneri, Peter van Huisstede, Jorgen van den Berg,
and Dorothy Hoogland Verkerk."
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