Samuel Beckett's 1976 Television play Ghost Trio is one of his most
beautiful and mysterious works. It is also the play that most
clearly demonstrates Beckett's imaginative and aesthetic engagement
with the visual arts and the history of painting in particular.
Drawing on the work of Stanley Cavell and Michael Fried, On Ghost
Trio demonstrates Beckett's exploration of the relationship between
theatricality, absorption and objecthood, and shows how his work
anticipates the development of video and installation art. In doing
so Conor Carville develops a new and highly original reading of
Beckett's art, rooted in both archival sources and philosophical
aesthetics.
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