Where exactly does the South begin and end? Current maps are too
rigid to account for the ways Black people have built the South
while being simultaneously excluded from it. Drawing from the
different ways Black artists in the 2-5-2 area code in North
Carolina use "vibe" as a mode of knowing and communication, author
Corey J. Miles illustrates how Black feeling and unfeeling offer
entry points into the contemporary South that challenge static and
monolithic notions of the region. Placing the local artists in
conversation with other southern cultural creators such as 2
Chainz, Rod Wave, and Rapsody, these ethnographic narratives
demonstrate that there are multiple Souths, with overlapping and
distinct commitments to working through pain, sound, and belonging.
In Vibe: The Sound and Feeling of Black Life in the American South,
Miles narrates how southern Black sound, feeling, and being is
constantly policed, surveilled, and criminalized. In doing so, he
re-narrates the region as the "carceral South," to capture the ways
people in the South and beyond can feel the emotional weight of the
criminalization of Blackness. Pain music, a subgenre of trap music,
is used to take the listener to moments of violence to allow them
to hear the desires, anger, and silences that bind Black life in
community. Through conceptions of ratchet, hood, and ghetto, Black
artists turn away from respectable images and unmap the South. In
trap music, they move the South to a space where multiple modes of
being find respect and care.
General
Imprint: |
University Press Of Mississippi
|
Country of origin: |
United States |
Series: |
Margaret Walker Alexander Series in African American Studies |
Release date: |
November 2023 |
Authors: |
Corey J. Miles
|
Dimensions: |
229 x 152mm (L x W) |
Pages: |
277 |
ISBN-13: |
978-1-4968-4890-1 |
Categories: |
Books
|
LSN: |
1-4968-4890-X |
Barcode: |
9781496848901 |
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