Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare Remains - Theater to Film, Early Modern to Postmodern (Hardcover)
Loot Price: R3,635
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Shakespeare Remains - Theater to Film, Early Modern to Postmodern (Hardcover)
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No literary figure has proved so elusive as Shakespeare. How,
Courtney Lehmann asks, can the controversies surrounding the Bard's
authorship be resolved when his works precede the historical birth
of that modern concept? And how is it that Shakespeare remains such
a powerful presence today, years after poststructuralists hailed
the "death of the author"? In her cogent book, Lehmann reexamines
these issues through a new lens: film theory.An alternative to
literary models that either minimize or exalt the writer's creative
role, film theory, in Lehmann's view, perceives authorship as a
site of constitutive conflict, generating in the process the notion
of the auteur. From this perspective, she offers close readings of
Romeo and Juliet, A Midsummer Night's Dream, and Hamlet, of film
adaptations by Kenneth Branagh, Baz Luhrmann, and Michael
Almereyda, and of John Madden's Shakespeare in Love. In their
respective historical contexts, these plays and films emerge as
allegories of authorship, exploiting such strategies as
appropriation, adaptation, projection, and montage. Lehmann
explores the significance of this struggle for agency, both in
Shakespeare's time and in the present day, in the cultures of early
and late capitalism.By projecting film theory from the postmodern
to the early modern and back again, Lehmann demonstrates the ways
in which Shakespeare emerges as a special effect indeed, as an
auteur in two cultures wherein authors fear to tread."
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