This book examines the work of five Soviet prose writers - Olesha,
Platonov, Kharms, Bulgakov and Vaginov - in the light of the
carnivalesque elements of Russian popular culture. It shows that
while Bakhtin's account of carnival culture sheds considerable
light on the work of these writers, they need to be considered with
reference to both the concrete forms of Russian and Soviet popular
culture and the changing institutional framework of Soviet society
in the 1920s and 1930s.
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