Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Women and Shakespeare's Cuckoldry Plays - Shifting Narratives of Marital Betrayal (Paperback)
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Women and Shakespeare's Cuckoldry Plays - Shifting Narratives of Marital Betrayal (Paperback)
Series: Women and Gender in the Early Modern World
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How does a woman become a whore? What are the discursive dynamics
making a woman a whore? And, more importantly, what are the
discursive mechanics of unmaking? In Women and Shakespeare's
Cuckoldry Plays: Shifting Narratives of Marital Betrayal, Cristina
Leon Alfar pursues these questions to tease out familiar cultural
stories about female sexuality that recur in the form of a slander
narrative throughout William Shakespeare's work. She argues that
the plays stage a structure of accusation and defense that unravels
the authority of husbands to make and unmake wives. While men's
accusations are built on a foundation of political, religious,
legal, and domestic discourses about men's superiority to, and rule
over, women, whose weaker natures render them perpetually suspect,
women's bonds with other women animate defenses of virtue and
obedience, fidelity and love, work loose the fabric of patrilineal
power that undergirds masculine privileges in marriage, and signify
a discursive shift that constitutes the site of agency within a
system of oppression that ought to prohibit such agency. That
women's agency in the early modern period must be tied to the
formations of power that officially demand their subjection need
not undermine their acts. In what Alfar calls Shakespeare's
cuckoldry plays, women's rhetoric of defense is both subject to the
discourse of sexual honor and finds a ground on which to "shift it"
as women take control of and replace sexual slander with their own
narratives of marital betrayal.
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