"The Double Voice" reassesses the notions of gender which have been
used to analyze Renaissance literature. Rather than assuming that
men and women write differently because of background, education
and culture, it tries to unsettle the connections between the sex
of the author and the constructions of gender in texts, and to
reconsider the prevalent determinist model of reading which tends
to consign women writers to the private, domestic sphere, and to
render male negotiations of gender and sexuality invisible and
transparent.
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