This interdisciplinary study theorizes the interaction of
individual performance and social space. Examining three categories
of space the urban, the theatrical, and the cartographic this
volume considers the role of performance in the production and
operation of these spaces during a period in London 's history
defined roughly by the life of Shakespeare.
City/Stage/Globe not only organizes a selection of plays,
pageants, maps, and masques in the historical and cultural contexts
in which they emerged, but also uses performance theory to locate
the ways in which these seemingly ephemeral events contributed to
lasting change in the spatial concepts and physical topograpy of
early modern London.
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