This interdisciplinary study offers an introduction to the
relatively unexplored area of the form of cinematic space referred
to as "the landscape of the mind." Exploring the psychological use
of natural setting in both avant-garde and mainstream cinema, this
study seeks to understand how these settings serve as outward
manifestations of characters' inner subjective states. David Melbye
traces cultural trajectories of landscape depiction as far back as
the Middle Ages in painting and literature to nurture a greater
awareness of visual allegory in the films of the silent era up
through the present, focusing specifically on the prolific
appearance of landscape allegory in films of the 1960s and
'70s.
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