" Probably the most blighted period in the history of English
drama was the time of the Civil Wars, Common wealth, and
Protectorate. With the theaters closed, the country at war, the
throne in fatal decline, and the powers of Parliament and Cromwell
growing greater, the received wisdom has been that drama in England
largely withered and died. Not so, demonstrates Dale Randall in
this magisterial study, the first book in nearly sixty years to
attempt a comprehensive analysis of mid-seventeenth-century English
drama. Throughout the official hiatus in playing, he shows, dramas
continued to be composed translated, transmuted, published, bought,
read, and even covertly acted. Furthermore, the tendency of drama
to become interestingly topical and political grew more pronounced.
In illuminating one of the least understood periods in English
literary history, Randall's study not only encompasses a large
amount of dramatic and historical material but also takes into
account much of the scholarship published in recent decades. Winter
Fruit is a major interpretive work in literary and social
history.
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