The continuing cultural encounters of the Americas, between
European and indigenous cultures, and between scientific
materialism and premodern supernaturalism, have originated new
narrative forms. While supernatural short fiction of the Americas
belongs to the broad category of the fantastic, which is generally
approached synchronically, reading audiences of the past 200 years
have shifted their beliefs about the supernatural several times.
While nineteenth-century readers understood science as real and the
supernatural as imaginary, modern audiences recognize both as
inaccurate, a shift which allows authors of supernatural fiction to
celebrate premodern indigenous beliefs which were once disdained by
a materialist culture.
This book situates supernatural short fiction of the Americas
within the changing cultural and epistemological contexts of the
last 200 years and explores how authors have drawn upon a wealth of
indigenous traditions. The book begins with a discussion of
theories of the supernatural and the fantastic. It then looks at
some of the first encounters of European and Native American
supernatural beliefs and points to the common elements of these
early traditions. The volume next focuses on American literature of
the nineteenth century, which has a complex fusion of materialist
biases and metaphysical fascinations. The final portion of the book
gives greater attention to Spanish-American literature and the
blending of the supernatural with attitudes of nostalgia and
uncertainty.
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