Dana E. Katz examines the Jewish ghetto of Venice as a paradox of
urban space. In 1516, the Senate established the ghetto on the
periphery of the city and legislated nocturnal curfews to reduce
the Jews' visibility in Venice. Katz argues that it was precisely
this practice of marginalization that put the ghetto on display for
Christian and Jewish eyes. According to her research, early modern
Venetians grounded their conceptions of the ghetto in discourses of
sight. Katz's unique approach demonstrates how Venice's Jewish
ghetto engaged the sensory imagination of its inhabitants in
complex and contradictory ways that both shaped urban space and
reshaped Christian-Jewish relations.
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