During the sixteenth and seventeenth centuries, the Ottoman
empire posed a clear and present danger to Christian rule in
Europe. While English commerce with the Mediterranean world
expanded, Ottoman forces invaded Greece, Hungary, and Austria. At
the same time, "Turkish" pirates and renegades from North Africa
roamed the Atlantic and raided the coast of England. The threat was
ideological as well: English sailors captured by Barbary pirates
sometimes renounced their faith and converted to Islam.
Here, three important early modern "Turk" plays -- Robert
Greene's "Selimus, Emperor of the Turks" (1594); Robert Daborne's
"A Christian Turned Turk" (1612); and Philip Massinger's "The
Renegado" (1623) -- are available for the first time. These texts
represent Islamic power and wealth in scenes of piracy on the high
seas, on-stage execution by strangulation, and rites of religious
conversion. The plays are set in historical and cultural context by
Daniel J. Vitkus's clear and thoughtful introduction. These
carefully edited, annotated, modern-spelling editions are
particularly valuable for understanding the cultural production of
English identity in relation to the Islamic Other.
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