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Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
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Making Meaning - Inference and Rhetoric in the Interpretation of Cinema (Paperback, Revised)
Loot Price: R1,480
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Making Meaning - Inference and Rhetoric in the Interpretation of Cinema (Paperback, Revised)
Series: Harvard Film Studies
Expected to ship within 18 - 22 working days
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David Bordwell's new book is at once a history of film criticism,
an analysis of how critics interpret film, and a proposal for an
alternative program for film studies. It is an anatomy of film
criticism meant to reset the agenda for film scholarship. As such
Making Meaning should be a landmark book, a focus for debate from
which future film study will evolve. Bordwell systematically maps
different strategies for interpreting films and making meaning,
illustrating his points with a vast array of examples from Western
film criticism. Following an introductory chapter that sets out the
terms and scope of the argument, Bordwell goes on to show how
critical institutions constrain and contain the very practices they
promote, and how the interpretation of texts has become a central
preoccupation of the humanities. He gives lucid accounts of the
development of film criticism in France, Britain, and the United
States since World War II; analyzes this development through two
important types of criticism, thematic-explicatory and symptomatic;
and shows that both types, usually seen as antithetical, in fact
have much in common. These diverse and even warring schools of
criticism share conventional, rhetorical, and problem-solving
techniques-a point that has broad-ranging implications for the way
critics practice their art. The book concludes with a survey of the
alternatives to criticism based on interpretation and, finally,
with the proposal that a historical poetics of cinema offers the
most fruitful framework for film analysis.
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