Bringing together twenty-five years of work on what he has
called the "historical poetics of cinema," David Bordwell presents
an extended analysis of a key question for film studies: how are
films made, in particular historical contexts, in order to achieve
certain effects? For Bordwell, films are made things, existing
within historical contexts, and aim to create determinate effects.
Beginning with this central thesis, Bordwell works out a full
understanding of how films channel and recast cultural influences
for their cinematic purposes. With more than five hundred film
stills, Poetics of Cinema is a must-have for any student of
cinema.
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