"Virtual Music "is about artificial creativity. Focusing on the
author's Experiments in Musical Intelligence computer music
composing program, the author and a distinguished group of experts
discuss many of the issues surrounding the program, including
artificial intelligence, music cognition, and aesthetics.
The book is divided into four parts. The first part provides a
historical background to Experiments in Musical Intelligence,
including examples of historical antecedents, followed by an
overview of the program by Douglas Hofstadter. The second part
follows the composition of an Experiments in Musical Intelligence
work, from the creation of a database to the completion of a new
work in the style of Mozart. It includes, in sophisticated lay
terms, relatively detailed explanations of how each step in the
process contributes to the final composition. The third part
consists of perspectives and analyses by Jonathan Berger, Daniel
Dennett, Bernard Greenberg, Douglas R. Hofstadter, Steve Larson,
and Eleanor Selfridge-Field. The fourth part presents the author's
responses to these commentaries, as well as his thoughts on the
implications of artificial creativity.
The book (and corresponding Web site) includes an appendix
providing extended musical examples referred to and discussed in
the book, including composers such as Scarlatti, Bach, Mozart,
Beethoven, Schubert, Chopin, Puccini, Rachmaninoff, Prokofiev,
Debussy, Bartok, and others. It is also accompanied by a CD
containing performances of the music in the text.
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