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Fin-de-Siecle Splendor - Repressed Modernities of Late Qing Fiction, 1848-1911 (Hardcover)
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Fin-de-Siecle Splendor - Repressed Modernities of Late Qing Fiction, 1848-1911 (Hardcover)
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The reigning view of literary historians has been that the May
Fourth movement of 1919 marks the division between the traditional
and the modern in Chinese literature. This book argues that signs
of reform and innovation can be discerned long before May Fourth,
and that as China entered the arena of modern, international
history in the late Qing, it was already developing its own complex
matrix of incipient modernities. It demonstrates that late Qing
fiction nurtured a creative, innovative poetics, one that was
spurned by the reformers of the May Fourth generation in favor of
Western-style realism.
The author recognizes that a full account of modern Chinese fiction
needs to ask why so many genres, styles, themes, and figures found
in late imperial fiction were repressed by "modern" Chinese
literary discourse. He focuses on four genres of late Qing fiction
that have been either rudely dismissed in pejorative terms or
simply ignored: depravity romances, court-case and chivalric
cycles, grotesque exposes, and scientific fantasies. The author
shows that in spite of the realist orthodoxy that has dominated
Chinese literature since the May Fourth movement, these unwelcome
genres have continually found their way back into mainstream
discourse, their influence being increasingly evident in recent
decades.
This first comprehensive study of late Qing fiction discusses more
than sixty works, at least half of which have rarely or never been
dealt with by Western or Chinese scholars. Richly informed by
contemporary literary theory, this book constitutes a polemical
rethinking of the nature of Chinese literary and cultural
modernity.
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