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Grinling Gibbons and the Art of Carving (Hardcover)
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Grinling Gibbons and the Art of Carving (Hardcover)
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'David Esterly's handsome book on Gibbons has been republished by
the V&A with sumptuous pictures' Laura Freeman, The Times, 14th
August 2021 Reissued to mark 300 years since the death of Grinling
Gibbons (1648-1721), this study views the work of the greatest of
decorative woodcarvers from the perspective of a fellow carver, the
late David Esterly. Grinling Gibbons is famous for giving wood "the
loose and airy lightness of flowers." His flamboyant cascades of
lifelike blossoms, fruits, foliage, birds and fish dominate English
interiors of the late seventeenth century. They are among the
glories of Windsor Castle, Hampton Court Palace, and St. Paul's
Cathedral, as well as Badminton, Burghley, Petworth, and other
great country houses. A contemporary of Christopher Wren and of the
diarists Samuel Pepys and John Evelyn, Gibbons was part of the
colourful world of Restoration England. His discovery by Evelyn in
a tumble-down cottage near the River Thames was followed by a
presentation to King Charles II, who rejected his early sculptural
work. Gibbons responded by inventing his spectacular style of
decorative carving. He was then rediscovered, reintroduced to the
king, and launched into a triumphant career. After setting Gibbons
in historical context, David Esterly's ground-breaking approach
allows us to understand the process by which these exuberant
carvings were created and how their forms reflect the organization
of Gibbon's workshop. Esterly, a professional woodcarver who
restored some of Gibbons' most important carvings, shares his
unique knowledge of the layering process by which Gibbons built up
such masterpieces as the Cosimo panel or the elaborate overmantels
at Hampton Court Palace. Specially commissioned photographs show
these carvings in a disassembled state, revealing the secrets of
their construction. Esterly also discusses Gibbons' formidable
carving techniques, and his tools, workshop practice, materials,
and finishing are described in detail. This generously illustrated
volume will have a special appeal for carvers as well as for those
interested in seventeenth-century interiors and the decorative
arts.
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