Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, First World War to 1960 > Surrealism & Dada
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Simulating the Marvellous - Psychology - Surrealism - Postmodernism (Hardcover, New)
Loot Price: R2,470
Discovery Miles 24 700
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Simulating the Marvellous - Psychology - Surrealism - Postmodernism (Hardcover, New)
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Simulating the Marvellous presents important new research on
Surrealism and the culture from which it arose. Offering fresh
interpretations of Surrealist art and literature based around the
theme of simulation, the book shows, in the late nineteenth and
early twentieth centuries, that the notion of simulation originated
in a number of discrete contexts, in relation to hysteria and war
neuroses; more broadly it shadows the emergence of our concept of
"the unconscious."Acknowledging simulation's relevance to
Surrealism, this book argues, radically alters our understanding of
the Surrealists' project and the terms in which one gauges its
success or failure. It leads one to question the naive assumption
that automatic writing or drawing represent an authentic outpouring
of the unconscious and gives renewed significance to a figure such
as Salvador Dali who embraced simulation and made it the basis of
his art and aesthetic. Resonances are also explored with postmodern
theory and art practice, around the themes of simulation and the
simulacrum.It also points to one of the ways in which Surrealism
chimes with a core preoccupation of contemporary art and theory.
Written accessibly, and ranging across many of the core ideas of
Surrealism, David Lomas balances coverage of both Surrealist art
and literature, looking at such figures as Dali, Eluard, Masson,
Desnos, Brouillet, Picasso, Tanning and Janet, as well as Glenn
Brown, Douglas Gordon and Sarah Lucas. The book will interest not
only art historians and theorists, but also students and those with
a general interest in Surrealism.
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