This is the first comprehensive study of the dramas of Nicodemus
Frischlin (1547-1590), one of the most versatile and complex
playwrights of early modern Germany. Frischlin's broad range
encompassed biblical, confessional, and historical drama, all of
which expressed bold social and political criticism. His plays were
influential, frequently printed and translated, and often
controversial. He ended his short life trying to escape prison,
where he was being held for threatening further political
publications. Price analyzes Frischlin's dramatic output, as well
as humanist literary theory, in particular Renaissance approaches
to rhetoric and imitation, to explain how humanists modified or
even subverted classical forms to accommodate political and
theological activism.
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