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Killing Times - The Temporal Technology of the Death Penalty (Paperback)
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Killing Times - The Temporal Technology of the Death Penalty (Paperback)
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Killing Times begins with the deceptively simple observation—made
by Jacques Derrida in his seminars on the topic—that the death
penalty mechanically interrupts mortal time by preempting the
typical mortal experience of not knowing at what precise moment we
will die. Through a broader examination of what constitutes mortal
temporality, David Wills proposes that the so-called machinery of
death summoned by the death penalty works by exploiting, or
perverting, the machinery of time that is already attached to human
existence. Time, Wills argues, functions for us in general as a
prosthetic technology, but the application of the death penalty
represents a new level of prosthetic intervention into what
constitutes the human. Killing Times traces the logic of the death
penalty across a range of sites. Starting with the legal cases
whereby American courts have struggled to articulate what methods
of execution constitute “cruel and unusual punishment,” Wills
goes on to show the ways that technologies of death have themselves
evolved in conjunction with ideas of cruelty and instantaneity,
from the development of the guillotine and the trap door for
hanging, through the firing squad and the electric chair, through
today’s controversies surrounding lethal injection. Responding to
the legal system’s repeated recourse to
storytelling—prosecutors’ and politicians’ endless recounting
of the horrors of crimes—Wills gives a careful eye to the
narrative, even fictive spaces that surround crime and punishment.
Many of the controversies surrounding capital punishment, Wills
argues, revolve around the complex temporality of the death
penalty: how its instant works in conjunction with forms of
suspension, or extension of time; how its seeming correlation
between egregious crime and painless execution is complicated by a
number of different discourses. By pinpointing the temporal
technology that marks the death penalty, Wills is able to show
capital punishment’s expansive reach, tracing the ways it has
come to govern not only executions within the judicial system, but
also the opposed but linked categories of the suicide bombing and
drone warfare. In discussing the temporal technology of death,
Wills elaborates the workings both of the terrorist who produces a
simultaneity of crime and “punishment” that bypasses judicial
process, and of the security state, in whose remote-control
killings the time-space coordinates of “justice” are compressed
and at the same time disappear into the black hole of secrecy.
Grounded in a deep ethical and political commitment to death
penalty abolition, Wills’s engaging and powerfully argued book
pushes the question of capital punishment beyond the confines of
legal argument to show how the technology of capital punishment
defines and appropriates the instant of death and reconfigures the
whole of human mortality.
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