The essays in this anthology examine artwork and sites in East and
Southeast Asia through the lens of eco–art history. In these
regions, significant anthropogenic changes to terrain,
watercourses, and ecosystems date back millennia, as do artwork and
artefacts that both conceptualize and modify the natural world. The
rising interest in earth-conscious modes of analysis, or
“eco–art history,” informs this anthology, which explores the
mutual impact of artistic expressions and local environments in
East and Southeast Asia. Moreover, conceptual tools and case
studies focused on these regions impart important insights bearing
on the development of eco–art history.The book includes case
studies examining the impact of the Little Ice Age on court
painting and systems of representing marine life in the Joseon
period in Korea. Other contributors consider contemporary artistic
strategies, such as developing a “sustainability aesthetics”
and focusing attention to non-human agents, to respond to
environmental damage and climate change in the present. Additional
essays analyse the complicated art historical ecology of heritage
sites and question the underlying anthropocentrism in art
historical priorities and practices. As a whole, this anthology
argues for the importance of ecological considerations in art
history.
General
Imprint: |
Cambridge Scholars Publishing
|
Country of origin: |
United Kingdom |
Release date: |
July 2021 |
Editors: |
De-Nin D Lee
|
Dimensions: |
212 x 148mm (L x W) |
Format: |
Paperback - With dust jacket
|
Pages: |
310 |
Edition: |
Unabridged edition |
ISBN-13: |
978-1-5275-7254-6 |
Categories: |
Books
|
LSN: |
1-5275-7254-4 |
Barcode: |
9781527572546 |
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