The third part of a three-volume work devoted to mapping the
transnational history of Australian film studies, Volume 3:
Documents concludes the project by gathering together the documents
that were produced during the rise of film studies in Australian
academia from 1975-85. Through these sources we see the development
of the particularities of Australian film theory and criticism, its
relationship to its international counterparts and the
establishment of key positions and the directions in which they
develop. Editors Deane Williams and Constantine Verevis here
collect key articles, including the works of Paul Willemen, Sam
Rohdie, Ross Gibson and Meaghan Morris, among many others, in order
to conclude this pioneering historiographic account of Australian
film studies.
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