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Dissonant Divas in Chicana Music - The Limits of La Onda (Paperback)
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Dissonant Divas in Chicana Music - The Limits of La Onda (Paperback)
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Musical sound has been central to heteromasculinist productions of
nation and homeland, whether Chicano, Tejano, Texan, Mexican, or
American. If this assertion holds true, as Deborah R. Vargas
suggests, then what are we to make of those singers and musicians
whose representations of gender and sexuality are irreconcilable
with canonical Chicano/Tejano music or what Vargas refers to as "la
onda"? These are the "dissonant divas" Vargas discusses, performers
who stimulate our listening for alternative borderlands imaginaries
that are inaudible within the limits of "la onda." Dissonant Divas
in Chicana Music focuses on the Texan monument of the Alamo and its
association with Rosita Fernandez; Tejano corrido folklore and its
musical antithesis in Chelo Silva; the female accordion-playing
bodies of Ventura Alonza and Eva Ybarra as incompatible with the
instrumental labor of conjunto music; geography as national border,
explored through the multiple national music scales negotiated by
Eva Garza; and racialized gender, viewed through Selena's
integration of black diasporic musical sound. Vargas offers a
feminist analysis of these figures' contributions by advancing a
notion of musical dissonance-a dissonance that recognizes the
complexity of gender, sexuality, and power within Chicana/o
culture. Incorporating ethnographic fieldwork, oral history, and
archival research, Vargas's study demonstrates how these singers
work together to explode the limits of Texan, Chicano, Tejano,
Mexican, and American identities.
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