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Middlebrow Matters - Women's reading and the literary canon in France since the Belle Epoque (Hardcover)
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Middlebrow Matters - Women's reading and the literary canon in France since the Belle Epoque (Hardcover)
Series: Contemporary French and Francophone Cultures, 57
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An Open Access edition of this book is available on the Liverpool
University Press website and the OAPEN library. Winner of the Aldo
and Jeanne Scaglione Prize for French and Francophone Studies,
2018. This is the first book to study the middlebrow novel in
France. Middlebrow is a derogatory word that connotes blandness,
mediocrity and a failed aspiration to 'high' culture. However, when
appropriated as a positive term to denote that wide swathe of
literature between the challenging experimentalism of the high and
the formulaic tendency of the popular, it enables a rethinking of
the literary canon from the point of view of what most readers
actually read, a criterion curiously absent from dominant
definitions of literary value. Since women have long formed a
majority of the reading public, this perspective immediately
feminises what has always been a very male canon. Opening with a
theorisation of the concept of middlebrow that mounts a defence of
some literary qualities disdained by modernism, the book then
focuses on a series of case studies of periods (the Belle Epoque,
inter-war, early twenty-first century), authors (including Colette,
Irene Nemirovsky, Francoise Sagan, Anna Gavalda) and the middlebrow
nature of literary prizes. It concludes with a double reading of a
single text, from the perspective of an academic critic, and from
that of a middlebrow reader.
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