Books > Reference & Interdisciplinary > Museums & museology
|
Buy Now
Museum Memories - History, Technology, Art (Hardcover)
Loot Price: R3,213
Discovery Miles 32 130
|
|
Museum Memories - History, Technology, Art (Hardcover)
Series: Cultural Memory in the Present
Expected to ship within 10 - 15 working days
|
Donate to Against Period Poverty
Total price: R3,223
Discovery Miles: 32 230
|
From its inception in the early nineteenth century, the museum has
been more than a mere historical object; it has manufactured an
image of history. In collecting past artifacts, the museum gives
shape and presence to history, defining the space of a ritual
encounter with the past. The museum believes in history, yet it
behaves as though history could be summarized and completed. By
building a monument to the end of history and lifting art out of
the turmoil of historical survival, the museum is said to
dehistoricize the artwork. It replaces historicity with
historiography, and living history turns into timelessness.
This twofold process explains the paradoxical character of museums.
They have been accused of being both too heavy with historical dust
and too historically spotless, excessively historicizing artworks
while cutting them off from the historical life in which artworks
are born. Thus the museum seems contradictory because it lectures
about the historical nature of its objects while denying the same
objects the living historical connection about which it purports to
educate.
The contradictory character of museums leads the author to a
philosophical reflection on history, one that reconsiders the
concept of culture and the historical value of art in light of the
philosophers, artists, and writers who are captivated by the
museum. Together, their voices prompt a reevaluation of the
concepts of historical consciousness, artistic identity, and the
culture of objects in the modern period. The author shows how
museum culture offers a unique vantage point on the nineteenth and
twentieth centuries' preoccupation with history and subjectivity,
and he demonstrates how the constitution of the aesthetic provides
insight into the realms of technology, industrial culture,
architecture, and ethics.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.