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Before Pictures (Hardcover)
Loot Price: R1,146
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Before Pictures (Hardcover)
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Douglas Crimp is the rare art critic whose work profoundly
influenced a generation of artists. He is best known for his work
with the "Pictures Generation" the very name of which Crimp coined
to define the work of artists like Robert Longo and Cindy Sherman
who appropriated images from mass culture to carry out a subversive
critique. But while his influence is widely recognized, we know
little about Crimp's own formative experiences before
"Pictures."Before Pictures tells the story of Crimp's life as a
young gay man and art critic in New York City during the late 1960s
through the turbulent 1970s. Crimp participated in all of what made
the city so stimulating in that vibrant decade. The details of his
professional and personal life are interwoven with this the
particularly rich history of New York City at that time, producing
a vivid portrait of both the critic and his adopted city. The book
begins with his escape from his hometown in Idaho, and we quickly
find Crimp writing criticism for ArtNews while working at the
Guggenheim where, as a young curatorial assistant, he was one of
the few to see Daniel Buren's Peinture-Sculpture before it was
removed amid cries of institutional censorship. We also travel to
the Chelsea Hotel (where Crimp helped the down-on-his-luck
couturier Charles James organize his papers) through to his days as
a cinephile and balletomane to the founding of the art journal
October, where he remained a central figure for many years. As he
was developing his reputation as a critic, he was also partaking of
the New York night life, from drugs and late nights alongside the
Warhol crowd at the Max's Kansas City to discos, roller-skating,
and casual sex with famous (and not-so-famous) men. As AIDS began
to ravage the closely linked art and gay communities, Crimp
eventually turned his attention to activism dedicated to rethinking
AIDS. Part biography and part cultural history, Before Pictures is
a courageous account of an exceptional period in both Crimp's life
and the life of New York City. At the same time, it offers a deeply
personal and engaging point of entry into important issues in
contemporary art.
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