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After Midnight - Watchmen after Watchmen (Paperback) Loot Price: R941
Discovery Miles 9 410
After Midnight - Watchmen after Watchmen (Paperback): Drew Morton

After Midnight - Watchmen after Watchmen (Paperback)

Drew Morton; Henry Jenkins, Suzanne Scott

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Loot Price R941 Discovery Miles 9 410 | Repayment Terms: R88 pm x 12*

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Contributions by Apryl Alexander, Alisia Grace Chase, Brian Faucette, Laura E. Felschow, Lindsay Hallam, Rusty Hatchell, Dru Jeffries, Henry Jenkins, Jeffrey SJ Kirchoff, Curtis Marez, James Denis McGlynn, Brandy Monk-Payton, Chamara Moore, Drew Morton, Mark C. E. Peterson, Jayson Quearry, Zachary J. A. Rondinelli, Suzanne Scott, David Stanley, Sarah Pawlak Stanley, Tracy Vozar, and Chris Yogerst Alan Moore's and Dave Gibbons's Watchmen fundamentally altered the perception of American comic books and remains one of the medium's greatest hits. Launched in 1986-"the year that changed comics" for most scholars in comics studies-Watchmen quickly assisted in cementing the legacy that comics were a serious form of literature no longer defined by the Comics Code era of funny animal and innocuous superhero books that appealed mainly to children. After Midnight: "Watchmen" after "Watchmen" looks specifically at the three adaptations of Moore's and Gibbons's Watchmen-Zack Snyder's Watchmen film (2009), Geoff Johns's comic book sequel Doomsday Clock (2017), and Damon Lindelof's Watchmen series on HBO (2019). Divided into three parts, the anthology considers how the sequels, especially the limited series, have prompted a reevaluation of the original text and successfully harnessed the politics of the contemporary moment into a potent relevancy. The first part considers the various texts through conceptions of adaptation, remediation, and transmedia storytelling. Part two considers the HBO series through its thematic focus on the relationship between American history and African American trauma by analyzing how the show critiques the alt-right, represents intergenerational trauma, illustrates alternative possibilities for Black representation, and complicates our understanding of how the mechanics of the show's production can complicate its politics. Finally, the book's last section considers the themes of nostalgia and trauma, both firmly rooted in the original Moore and Gibbons series, and how the sequel texts reflect and refract upon those often-intertwined phenomena.

General

Imprint: University Press Of Mississippi
Country of origin: United States
Release date: November 2022
Editors: Drew Morton
Authors: Henry Jenkins • Suzanne Scott
Dimensions: 229 x 152 x 19mm (L x W x T)
Format: Paperback
Pages: 268
ISBN-13: 978-1-4968-4217-6
Categories: Books > Arts & Architecture > Performing arts > Television
Books > Fiction > Special features > Graphic novels
Books > Arts & Architecture > Performing arts > Films, cinema > Film theory & criticism
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
Books > Social sciences > Sociology, social studies > Ethnic studies > General
LSN: 1-4968-4217-0
Barcode: 9781496842176

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