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Appropriating Blackness - Performance and the Politics of Authenticity (Hardcover, New)
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Appropriating Blackness - Performance and the Politics of Authenticity (Hardcover, New)
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Performance artist and scholar E. Patrick Johnson's provocative
study examines how blackness is appropriated and performed-toward
widely divergent ends-both within and outside African American
culture. Appropriating Blackness develops from the contention that
blackness in the United States is necessarily a politicized
identity-avowed and disavowed, attractive and repellent, fixed and
malleable. Drawing on performance theory, queer studies, literary
analysis, film criticism, and ethnographic fieldwork, Johnson
describes how diverse constituencies persistently try to prescribe
the boundaries of "authentic" blackness and how performance
highlights the futility of such enterprises.Johnson looks at
various sites of performed blackness, including Marlon Riggs's
influential documentary Black Is . . . Black Ain't and comedic
routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He
analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver,
the vernacular of black gay culture, an oral history of his
grandmother's experience as a domestic worker in the South, gospel
music as performed by a white Australian choir, and pedagogy in a
performance studies classroom. By exploring the divergent aims and
effects of these performances-ranging from resisting racism,
sexism, and homophobia to excluding sexual dissidents from the
black community-Johnson deftly analyzes the multiple significations
of blackness and their myriad political implications. His reflexive
account considers his own complicity, as ethnographer and teacher,
in authenticating narratives of blackness.
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