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Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)

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Coming to Terms with Our Musical Past - An Essay on Mozart and Modernist Aesthetics (Hardcover) Loot Price: R2,262
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Coming to Terms with Our Musical Past - An Essay on Mozart and Modernist Aesthetics (Hardcover): Edmund J. Goehring

Coming to Terms with Our Musical Past - An Essay on Mozart and Modernist Aesthetics (Hardcover)

Edmund J. Goehring

Series: Eastman Studies in Music

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List price R2,383 Loot Price R2,262 Discovery Miles 22 620 | Repayment Terms: R212 pm x 12* You Save R121 (5%)

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A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.

General

Imprint: University of Rochester Press
Country of origin: United States
Series: Eastman Studies in Music
Release date: June 2018
First published: 2018
Authors: Edmund J. Goehring (Royalty Account)
Dimensions: 229 x 152 x 19mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 222
ISBN-13: 978-1-58046-930-2
Categories: Books > Arts & Architecture > The arts: general issues > Theory of art
Books > Arts & Architecture > Music > Composers & musicians
Books > Arts & Architecture > Music > Theory of music & musicology > General
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Composers & musicians
Books > Music > Theory of music & musicology > General
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
LSN: 1-58046-930-2
Barcode: 9781580469302

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